The music press in the United States has historically underrepresented and marginalized female guitarists, perpetuating and reinforcing the masculinization of the electric guitar in rock music culture. This study uses quantitive and textual analysis to examine gendered media representations of 43 influential female guitarists in 10 mainstream newspapers and music magazines from 1959 to 2023. For the 744 articles analyzed, the findings provide evidence to support the erasure of female guitarists, especially Black women, in the music press. The study then analyzes how these media representations highlight women’s femininity, appearance, and sexuality to deny them credibility, thus reproducing sexist gender stereotypes of electric guitar and excluding women from greatness in rock music.
An Examination of Mainstream Media’s Treatment of Female Guitarists
Isabella Fincher is a first-year master’s student studying classical guitar performance at the University of Wisconsin-Milwaukee Peck School of the Arts. She graduated summa cum laude with bachelor of arts in journalism and bachelor of music in classical guitar performance from the University of Colorado Boulder. She was selected for the CU Boulder College of Media, Communication and Information’s William W. White Outstanding Graduate and the College of Music’s Outstanding Graduating Senior Awards. Her primary instructors include Rene Izquierdo and Adam Holzman. She has performed in masterclasses for world-class guitarists, including Solo Duo, Los Angeles Guitar Quartet, Zoran Dukíc, and Gabriel Bianco, and studied with Sharon Isbin at the prestigious Aspen Music Festival.
Isabella Fincher; An Examination of Mainstream Media’s Treatment of Female Guitarists. Journal of Popular Music Studies 1 March 2024; 36 (1): 23–50. doi: https://doi.org/10.1525/jpms.2024.36.1.23
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