At the end of 2006, when Nas released his album Hip Hop is Dead, he wasn’t too far off, at least as far as rap is concerned.1 Not only have sales been in a nosedive for the last several years, with recent declines doubling those for the recording industry overall, but there has been mounting discontent among fans, who have grown frustrated with the tired, gangsta-inspired lyrics that glorify violence, materialism, and misogyny at the expense of a more socially conscious agenda. As Michael Eric Dyson puts it, a “noble verbal art has been replaced by the mindless redundancy of themes we’re all too familiar with: women, weed, wine, cars, and jewelry” (148). With the candidacy and election of Barack Obama, however, many have expressed hope for a kind of renaissance, one in which socially conscious lyrics can once again shape the direction of rap music. In a CNN...
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June 2019
Research Article|
June 02 2019
“My President is Black, My Lambo’s Blue”: The Obamafication of Rap?
Erik Nielson
Erik Nielson
1University of Sheffield; Email: [email protected]
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Journal of Popular Music Studies (2019) 31 (2): 37–50.
Citation
Erik Nielson; “My President is Black, My Lambo’s Blue”: The Obamafication of Rap?. Journal of Popular Music Studies 2 June 2019; 31 (2): 37–50. doi: https://doi.org/10.1525/jpms.2019.312006
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