One generation before Atlanta singer Usher put his 2004 Confessions on wax, Marvin Gaye revealed his, documenting the ends of his failed marriage to his first wife, Anna Gordy Gaye, the sister of Motown founder Berry Gordy. Released in 1978 on Tamla, Here, My Dear announced Gaye’s intentions to move on from a fraught public marriage into the life that he had carried on behind the Motown lights. His narratives of flight on the album are irrevocably tethered to that label, that history, and the family that helped him become a household name. As both an expression of penance and a tribute to his distressed ex, Here, My Dear is the sound of his transition, his crossing over, from the camera intimacy of the Gordy empire to the realities of his second family. All of this is audible in the conversations he has with his listeners and himself in the...
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March-June 2018
Review Article|
March 01 2018
Amplifier Album Review: Marvin Gaye, Here, My Dear (Tamla, 1978)
Email: [email protected]
Journal of Popular Music Studies (2018) 30 (1-2): 11–14.
Citation
Shana L. Redmond; Amplifier Album Review: Marvin Gaye, Here, My Dear (Tamla, 1978). Journal of Popular Music Studies 1 March 2018; 30 (1-2): 11–14. doi: https://doi.org/10.1525/jpms.2018.000014
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