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Journal of Musicology (2020) 37 (1): 94–121.
Published: 01 January 2020
... counterexample to the historiography of chauvinism and antipathy that otherwise dominates narratives of interwar Franco-German musical relations. © 2020 by The Regents of the University of California 2020 publishing Darius Milhaud Universal Edition French music transnationalism patronage The...
Journal of Musicology (2018) 35 (4): 535–566.
Published: 01 October 2018
... establishment in 1952, the Fromm Music Foundation (FMF) acted as an important player in this field. Using archival material and interviews with people who worked with the founder Paul Fromm, I show how Fromm’s involvement in his foundation, and his reliance on professional advice, constituted a unique patronage...
Journal of Musicology (2013) 30 (1): 1–27.
Published: 01 March 2013
... says that Guidubaldo’s death in September 1574 left him without “speranza di protezione” (without any hope of protection) and that some time elapsed before he was able to recover thanks to the patronage of Cardinal Giulio. Thus the three parts of the book may respectively refer to a) an initial happy...
Journal of Musicology (2012) 29 (4): 422–460.
Published: 01 October 2012
... to this collection, with special attention given to the musical activities in Brescia and in other cities (Cremona, Verona, Parma, Turin, and Rome). Martinengo’s political and military career and the music patronage of his family are discussed in detail, followed by an in-depth survey of most of the...
Journal of Musicology (2012) 29 (3): 262–291.
Published: 01 August 2012
... pope's electors and main counselors. To date, however, their substantive role in the patronage of sacred music in sixteenth-century Italy has attracted comparatively little musicological attention, largely because the familial archives of cardinals are more difficult to locate and less likely to be...
Journal of Musicology (2011) 28 (2): 195–230.
Published: 01 April 2011
... the presence and functions of “patronage” in commercial opera theaters. The trajectory that emerges in the history of opera patronage in the papal city during the second half of the century begins with collective forms of sponsorship during the 1660s and develops further, giving rise to Rome's first...