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Keywords: The HeiressClose
The Journal of Musicology (2018) 35 (3): 368–396.
Published: 01 July 2018
... cinematic musical codes. When Copland returned to Hollywood in 1948 to score William Wyler’s psychological melodrama The Heiress (1949), he chose to take on a set of new challenges. Copland attempted to discover a new idiom for love music, on the one hand, and began to use leitmotifs as a structural device...