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Journal Articles
Journal of Musicology. 2015; 322246–278 doi: https://doi.org/10.1525/jm.2015.32.2.246
Published: 01 April 2015
...William Robin In reforming psalmody in early nineteenth-century New England, participants in the so-called “Ancient Music” movement imported the solemnly refined hymn tunes and scientific rhetoric of Europe. This transatlantic exchange was in part the result of European travels by a generation of...
Journal Articles
The Journal of Musicology. 1991; 94498–520 doi: https://doi.org/10.2307/763873
Published: 01 October 1991
...Susan C. Cook Copyright 1991 Regents of the University of California Selected Bibliography- Reviews "American Laughs at his Home Folk." New York Evening Post, 27 May 1930. 27 May New York Evening Post 1930 Einstein, Alfred. "Transatlantic in Frankfurt." New York Times, 22 June...
Journal Articles
The Journal of Musicology. 2016; 332200–231 doi: https://doi.org/10.1525/jm.2016.33.2.200
Published: 01 April 2016
... employed in these histories and the changes that took place in the books that succeeded them in the first half of the twentieth century. In particular, they shed light on the shifting transatlantic connections that shaped American attitudes toward classical music. Marked at first by an Anglo-American...
Journal Articles
The Journal of Musicology. 2018; 35176–103 doi: https://doi.org/10.1525/jm.2018.35.1.76
Published: 01 January 2018
... the composer’s reception, but also reveals the historiographical value of discourses that take place behind the scenes. © 2018 by The Regents of the University of California 2018 Mahler reception Nadia Boulanger internationalism World War I transatlantic Aaron Copland An Imperfect...
Journal Articles
The Journal of Musicology. 2007; 244522–580 doi: https://doi.org/10.1525/jm.2007.24.4.522
Published: 01 October 2007
.... Imagining possible temporal zigzags provided modernists such as Paul Hindemith and Renéé Clair with mechanical paradigms through which to explore the manipulation of time and motion——as infinitely divisible properties——in the decade that witnessed Lindbergh's transatlantic flight, the first radio broadcasts...
Journal Articles
The Journal of Musicology. 2017; 343354–390 doi: https://doi.org/10.1525/jm.2017.34.3.354
Published: 01 July 2017
... than an empirical description and thus demands critique as a series of devices veiling complex and protean social experience.5 These programs were a result of MacColl s longstanding faith in the power of vernacular culture stemming from his days in Theatre Work- shop, combined with a transatlantic...
Journal Articles
The Journal of Musicology. 1996; 144427–452 doi: https://doi.org/10.2307/764068
Published: 01 October 1996
... Carolyn S. Johnson. Support for the fieldwork upon which the essay is based came from the Alexander von Humboldt Foundation (Transatlantic Co- operation Grant) and the International Research and Ex- changes Board (IREX). Without the voices of the many pil- grims who allowed me to join them on their...
Journal Articles
The Journal of Musicology. 1991; 94763867 doi: https://doi.org/10.2307/763867
Published: 01 October 1991
... 412 The "Anxiety of Influence" in Twentieth-Century Music JOSEPH N. STRAUS 430 Stravinsky's Contrasts: Contradiction and Discontinuity in His Neoclassic Music MARIANNE KIELIAN-GILBERT 448 Polemic as History: The Case of Neoclassicism SCOTT MESSING 481 George Antheil's Transatlantic: An American in the...
Journal Articles
The Journal of Musicology. 1992; 10189–105 doi: https://doi.org/10.2307/763562
Published: 01 January 1992
... transatlantic connections between Continental music and its reception history in America during the nineteenth century, it is pertinent to consider that era's concerns and contextual issues. In the early 184os, two related sets of events oc- curred that were significant in establishing Beethoven's reputation in...
Journal Articles
The Journal of Musicology. 1983; 23305–315 doi: https://doi.org/10.2307/763732
Published: 01 July 1983
... educated in the value and aesthetics of other than the Teutonic music which had long dominated the American symphonic repertoire. In addition, American works benefited from not being "crushed between Wagner and Brahms, or Wagner and Beethoven4 An aspect of the transatlantic relationship that was of deep...