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symphony-no-5

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Journal Articles
The Journal of Musicology (2014) 31 (2): 231–271.
Published: 01 April 2014
...Peter Schmelz In 1980 Soviet Ukrainian composer Valentin Silvestrov began a series of “postludes,” a genre representing, in his words, a “collecting of echoes, a form opening not to the end, as is more usual, but to the beginning.” This article examines Silvestrov’s Symphony no. 5 (1980–82), and...
Journal Articles
The Journal of Musicology (2007) 24 (3): 297–338.
Published: 01 July 2007
... Denisov, Mieczysłław Weinberg, Boris Tishchenko, Alfred Schnittke, and Valentin Sil'vestrov, dealt with Shostakovich's legacy in their compositions written in his memory, including Denisov's DSCH , Weinberg's Symphony no.12, Tishchenko's Symphony no. 5, Schnittke's Prelude In Memoriam Dmitri Shostakovich...
Journal Articles
Journal of Musicology (2020) 37 (3): 349–382.
Published: 10 July 2020
.... 130 should be preferred: the original labyrinthine Grande fugue, or the more accessible movement Beethoven composed to replace it, much to his publisher s relief.5 In searching for an ultimate truth usually the composer s truth scholars have created separate, specialized histories of the late...
Journal Articles
Journal of Musicology (2020) 37 (2): 158–196.
Published: 11 May 2020
... Leipzig, Konzertverein Hermann Scherchen April 1922 Munich, Residenztheater Robert Heger June 1923 Darmstadt, Musikfest Josef Rosenstock 5 In addition to the Chamber Symphony and the famous premiere of Pierrot lunaire, the other works performed in Berlin during Schoenberg s residency included the First...
Journal Articles
Journal of Musicology (2020) 37 (2): 123–157.
Published: 11 May 2020
..., nostalgia is a sentiment of loss and displacement, but it is also a romance with one s own fantasy. 5 First explored in Swiss physician Johannes Hofer s dissertation, Dissertatio medica de nostalgia, oder Heimwehe (1688),6 nostalgia developed a multitude of connotations: a curable dis- ease, a...
Journal Articles
Journal of Musicology (2020) 37 (2): 231–266.
Published: 11 May 2020
... Songbook of 73 U., Teatrzyk _Zo nierza, Nowe Widnokre gi, no. 13 (1943): 5. 74 Leon Pasternak, W marszu i na biwaku (Warsaw: Wydawnictwo Ministerstwa Obrony Narodowej, 1958), 184 85. 75 Lissa, S´piewnik _zo nierza polskiego, 45. pierce 247 the Polish Soldier as the flesh and bones of the soldiers from...
Journal Articles
The Journal of Musicology (2020) 37 (1): 63–93.
Published: 01 January 2020
... performance for well over a century.5 This article explores how we can account for the continued reso- nance of Werktreue. It addresses this question not by relying on notions of historical inertia presumed to accompany conservative ideologies of tradition, but by approaching it from a pedagogical...
Journal Articles
The Journal of Musicology (2020) 37 (1): 94–121.
Published: 01 January 2020
... his admiration for Arnold Schoenberg in the early 1920s. He dedicated his String Quartet no. 5 (1920) to Schoenberg and conducted the French premiere of Pierrot lunaire in December 1921. He also wrote approvingly of Schoenberg in his articles The Evolution 19 Paul Landormy, Darius Milhaud, Le Me...
Journal Articles
Journal of Musicology (2019) 36 (4): 464–497.
Published: 01 October 2019
...¨a¨ts Symphony No. 4 ( Cosmic ) 1960 Symphony Aleksandra Pakhmutova Dawn of the Cosmic Age 1961 Song Oscar Fel tsman I Believe, Friends 1961 Song Vano Muradeli Cosmonauts 1961 Song Aleksandra Pakhmutova Glory to the Forward Looking 1962 Song Aleksandra Pakhmutova The Dawn of the Space Age...
Journal Articles
The Journal of Musicology (2019) 36 (2): 195–227.
Published: 01 April 2019
... op. 22 March 1886 100 Dumka, op. 59 22 March 1886 100 Twelve Romances, op. 60 3 April 1886 1,200 The Enchantress 18 May 1887 3,000 Mozartiana, op. 61. 26 October 1887 500 Pezzo capriccioso, op. 62 26 October 1887 100 Six Romances, op. 63 27 October 1888 600 Symphony No. 5, op. 64 30 September 1888...
Journal Articles
The Journal of Musicology (2019) 36 (1): 68–95.
Published: 01 January 2019
... shared. Hugh Macdonald summarizes the chronology of influences that generated Berlioz s symphonic style: the composer s simultaneous discovery of Shakespeare and Harriet Smithson (1827), his reading of Ge´rard de Nerval s translation of Faust, and his encounter with Beethoven s Third Symphony (1828).5 In...
Journal Articles
The Journal of Musicology (2019) 36 (1): 96–129.
Published: 01 January 2019
... of the First Symphony, while also drawing attention to the paucity of performances of Ustvols- kaya s compositions for orchestra and chamber ensemble. Sokhor wanted to hear hope and promise in the music: The young sprouts are drawn to figure 2a. Ustvolskaya, Symphony no. 1, stronger text needed...
Journal Articles
The Journal of Musicology (2019) 36 (1): 39–67.
Published: 01 January 2019
... one of the most powerful articulations of what she calls the separability principle in aesthetics, according to which at the end of the eighteenth century, it became the custom to speak of the arts as separated com- pletely from the world of the . . . everyday. 5 Kant s descriptions of the pure...
Journal Articles
The Journal of Musicology (2018) 35 (4): 535–566.
Published: 01 October 2018
..., among other institutional affiliations. Fromm Speaks at Lunch, The Hyde Park Herald, 18 March 1970, 14. 5 Arthur Berger, What Mozart Didn t Have: The Story of the Fromm Music Foundation, High Fidelity 9, no. 2 (1959): 41 43, 126, 128, at 43. vandagriff 537 in the mid-1960s.6 He was not alone in...
Journal Articles
The Journal of Musicology (2018) 35 (4): 460–497.
Published: 01 October 2018
... suffered the conse- quences of the Habsburgs religious policies, publish an encomium to his oppressors? There is unfortunately no surviving documentary evidence concerning the inception, composition, orpublication of the Currus tohelp 4 The most detailed biography of Rauch is in Pausz, Andreas Rauch, 5 42...
Journal Articles
The Journal of Musicology (2018) 35 (4): 498–534.
Published: 01 October 2018
... Henle, 1996), 1:205, letter no. 176. Throughout the essay all English translations are my own. 2 The extracts from Les deux journe´es, drawn from the act 1 trio and the act 2 finale, are written on leaves that also contain sketches for Leonore and extracts from Die Zauberflo¨te (D-BNba [Beethoven-Haus...
Journal Articles
The Journal of Musicology (2018) 35 (3): 336–367.
Published: 01 July 2018
... of any elite or “highbrow” musical culture, composers shared the aim of reaching a mass audience. © 2014 by The Regents of the University of California 2018 middlebrow Shostakovich socialist realism Symphony no. 5 Myaskovsky Was Soviet Music Middlebrow? Shostakovich s Fifth Symphony...
Journal Articles
The Journal of Musicology (2018) 35 (3): 368–396.
Published: 01 July 2018
.... Then he threw out his original cue and substituted something more dissonant and replete with angst: an unused variation from his Piano Variations (1930). At the next preview of The Heiress, no one laughed.2 Despite his somewhat limited filmography six dramatic films and two documentaries Copland plays...
Journal Articles
The Journal of Musicology (2018) 35 (2): 223–266.
Published: 01 April 2018
... pieces are related by borrowing because it minimizes the chance of coincidence. When Hec- tor Berlioz quotes the first two phrases of the chant Dies irae in the finale of his Symphonie fantastique, or when Franz Liszt does the same at the beginning of his Totentanz, there can be no doubt about the...
Journal Articles
The Journal of Musicology (2018) 35 (2): 267–293.
Published: 01 April 2018
... Franck symphony, no less), the number makes clear that Junior still has a lot of work cut out for him. In the case of Franck, even as the class correctly identifies the music they mispronounce the composer s name as Frank (rhyming with bank It was neither Brahms nor Franck but rather J. S. Bach...