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space-race

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Journal Articles
Journal of Musicology. 2019; 364464–497 doi: https://doi.org/10.1525/jm.2019.36.4.464
Published: 01 October 2019
...Gabrielle Cornish This article repositions the space race as a sonic phenomenon by analyzing music and sounds related to the Soviet space program. Early triumphs such as the orbit of Sputnik I in 1957, Yuri Gagarin’s groundbreaking orbital flight in 1961, and Valentina Tereshkova’s success as the...
Journal Articles
Journal of Musicology. 2020; 372123–157 doi: https://doi.org/10.1525/jm.2020.37.2.123
Published: 11 May 2020
... communities that made their living with their voices. When Haussmann bludgeoned the city into modernity, as Har- vey wrote, hawkers faced stricter zoning laws, and the liminal spaces in 1 The network of urbanization projects, which became known as Haussmannization, involved three re´seaux, or networks...
Journal Articles
Journal of Musicology. 2020; 372197–230 doi: https://doi.org/10.1525/jm.2020.37.2.197
Published: 11 May 2020
..., this performative act reclaims the term s pejorative ascription of shameful difference as a way of affirming difference and of creating space for queer people. Even though this reconfiguration of the term has been productive, performa- tive queering can nonetheless never fully escape its traumatic...
Journal Articles
Journal of Musicology. 2020; 372231–266 doi: https://doi.org/10.1525/jm.2020.37.2.231
Published: 11 May 2020
... intact, a sim- ilar fascination with song s ability to mediate past traumas continues to exert a durable grip on the Polish cultural imagination to this day. Race and Racism in Lwo´w, 1929 41 The roots of Lissa s wartime and postwar work may be in found in the conditions of the city of Lwo´w an...
Journal Articles
The Journal of Musicology. 2020; 3711–32 doi: https://doi.org/10.1525/jm.2020.37.1.1
Published: 01 January 2020
... ideological-methodological matrix has led to the production of a theoretical narrowness predicated upon and engendering the construction of “Others,” it is commitment to inter-, trans-, or post-disciplinarity (rather than disciplinary dogmatism) that is shown to promise a vital and relevant space for...
Journal Articles
The Journal of Musicology. 2020; 37139–50 doi: https://doi.org/10.1525/jm.2020.37.1.39
Published: 01 January 2020
... convinced that musicology is the silver bullet at least not now. In the geo-historical location from which I write, I fear that without ethnomusicology, musicology programs would nei- ther make space for music from outside of Europe and North America nor address how coloniality has shaped the history of...
Journal Articles
Journal of Musicology. 2019; 363370–400 doi: https://doi.org/10.1525/jm.2019.36.3.370
Published: 01 July 2019
... Calloway’s “novelty” songs acted as powerful articulations of contemporary black life during a pivotal period of Harlem culture. © 2019 by The Regents of the University of California 2019 Cab Calloway Harlem jazz The Cotton Club Irving Mills publicity Constructing Cab Calloway: Publicity, Race...
Journal Articles
The Journal of Musicology. 2019; 362228–260 doi: https://doi.org/10.1525/jm.2019.36.2.228
Published: 01 April 2019
... Ecuador as a whole, the image of this Inca past is located in the city of Quito, in tension with the modernist city port of Guayaquil. Ernesto Capello, City at the Center of the World: Space, History, and Modernity in Quito (Pittsburgh: University of Pitts- burgh Press, 2011), 6 7. 12 Enrique Ayala Mora...
Journal Articles
The Journal of Musicology. 2018; 354431–459 doi: https://doi.org/10.1525/jm.2018.35.4.431
Published: 01 October 2018
....22 Additional archival evidence indicates that Biagio also traveled to England with Pietrobono. 2. Leonello del Bruno, also an official at the Este court, who in the 1470s would oversee the collection of certain Ferrarese taxes.23 - Chapel : Music and Devotional Spaces in the Florentine Church of...
Journal Articles
The Journal of Musicology. 2018; 353295–335 doi: https://doi.org/10.1525/jm.2018.35.3.295
Published: 01 July 2018
... biographical continuities.36 Despite the rhetorical force of Zero Hour and denazification, only the most obvious cues were eradicated anti-Semitic designations in dictionaries, for example, and an overt obsession with race and only a handful of figures in the figure 1. Back-matter advertisement for other...
Journal Articles
The Journal of Musicology. 2018; 352267–293 doi: https://doi.org/10.1525/jm.2018.35.2.267
Published: 01 April 2018
... Massachusetts Press, 2003); Eric Lott, Love and Theft: Blackface Minstrelsy and the American Working Class (New York: Oxford University Press, 1993); Susan Manning, Modern Dance, Negro Dance: Race in Motion (Minneapolis: University of Minnesota Press, 2004); and Constance Valis Hill, Tap Dancing America: A...
Journal Articles
The Journal of Musicology. 2018; 3511–41 doi: https://doi.org/10.1525/jm.2018.35.1.1
Published: 01 January 2018
... envisaged his theater as serving both the Reichstag and his court is not to deny that he and Carl Anselm controlled this space to meet their representational needs.42 They did so by paying all entrance fees, controlling seating, hiring virtuoso perfor- mers, putting on performances of local and foreign...
Journal Articles
The Journal of Musicology. 2017; 343319–353 doi: https://doi.org/10.1525/jm.2017.34.3.319
Published: 01 July 2017
Journal Articles
The Journal of Musicology. 2017; 343391–431 doi: https://doi.org/10.1525/jm.2017.34.3.391
Published: 01 July 2017
... translation. 2 Ian Bent and William Drabkin, preface to Heinrich Schenker, Der Tonwille, 1:x. 3 Nicholas Cook, The Schenker Project: Culture, Race, and Music Theory in Fin-de-sie`cle Vienna (New York: Oxford University Press, 2007), 144. 4 Ibid., 198. 5 Suzannah Clark, The Politics of the Urlinie in...
Journal Articles
The Journal of Musicology. 2017; 342281–317 doi: https://doi.org/10.1525/jm.2017.34.02.281
Published: 01 April 2017
... Pileggi s 700-page, single-spaced chronology, which drew primarily on interviews. Research continued during work on the screenplay. Pileggi s book Casino was written after the screenplay had been completed. See Tom Shone, Martin Scorsese: A Retrospective (New York: Abrams, 2014), 170. Scorsese and Pileggi...
Journal Articles
The Journal of Musicology. 2016; 332200–231 doi: https://doi.org/10.1525/jm.2016.33.2.200
Published: 01 April 2016
... of the Pen: A History of Classical Music Criticism in America (Boston: Northeastern University Press, 1998), 58 104. Grant draws attention to the large, unprecedented amount of column space Gilded Age newspapers allotted their music critics: it has never been surpassed (ibid., 59). 6 Julia J...
Journal Articles
The Journal of Musicology. 2015; 324524–557 doi: https://doi.org/10.1525/jm.2015.32.4.524
Published: 01 October 2015
... subject. © 2015 by The Regents of the University of California 2015 Paul Robeson race Roland Hayes spirituals voice Listening B(l)ack: Paul Robeson After Roland Hayes GRANT OLWAGE While starring in the 1924 New York revival of Eugene O Neill s play The Emperor Jones, Paul Robeson was...
Journal Articles
The Journal of Musicology. 2015; 324558–591 doi: https://doi.org/10.1525/jm.2015.32.4.558
Published: 01 October 2015
.... Gordon Henderson, Antillais sans frontie`res (2006) This article constitutes a preliminary attempt to wrestle with how and to what extent the concept of creole as it applies to language, music, dance, and historical processes, serves to open dis- cursive and performative spaces within which Dominicans...
Journal Articles
Journal of Musicology. 2015; 322198–245 doi: https://doi.org/10.1525/jm.2015.32.2.198
Published: 01 April 2015
... increasingly conspicuous in the city s most important political spaces.3 Depictions of Mary and Gabriel alluded in iconographic shorthand to the state s auspicious beginnings, while the trope of angelic announcement at play in Mark s vita as much as in the Annunciation story itself functioned as a metonym for...
Journal Articles
The Journal of Musicology. 2015; 32178–114 doi: https://doi.org/10.1525/jm.2015.32.1.78
Published: 01 January 2015
..., moreover, the beloved is absent or beyond reach, this spiritual access expands immeasurably. Intransitive love thus becomes a window onto lofty spiritual vistas. Malte explains, for example, that Bettina von Arnim created space with all her letters [to Goethe], a world of vastly enlarged dimensions. From...