Search Results for queer-intimacy
1-8 of 8 Search Results for
Journal of Musicology. 2019; 364401–436 doi: https://doi.org/10.1525/jm.2019.36.4.401
Published: 01 October 2019
... their challenge to unified subjectivity, I explore the epistemological and ontological ramifications of sonically entangling the self with another person, and the queer intimacies of doing so on cassette tape. © 2019 by The Regents of the University of California 2019 Lou Reed Andy Warhol...
Journal of Musicology. 2020; 372197–230 doi: https://doi.org/10.1525/jm.2020.37.2.197
Published: 11 May 2020
.... This interpretation aligns Poulenc’s nocturne with contemporary works by authors Jean Cocteau and Marcel Proust, whose writings similarly treat these (self-)referential deferrals as indicative of queer life and trope this difference to instantiate a queer hermeneutics. As a performance of difference...
The Journal of Musicology. 2017; 343319–353 doi: https://doi.org/10.1525/jm.2017.34.3.319
Published: 01 July 2017
The Journal of Musicology. 2017; 34132–70 doi: https://doi.org/10.1525/jm.2017.34.01.32
Published: 01 January 2017
... Los Angeles: University of California Press, 2006 Suzanne Cu- sick pioneered this territory: On a Lesbian Relationship with Music: A Serious Effort not to Think Straight in Queering the Pitch: The New Gay and Lesbian Musicology, ed. Philip Brett, Elizabeth Wood, and Gary C. Thomas, 2nd ed. (London...
The Journal of Musicology. 2008; 2513–45 doi: https://doi.org/10.1525/jm.2008.25.1.3
Published: 01 January 2008
..., 2000), 6. 11 On the performative nature of disability, see Robert McRuer, Crip Theory: Cultural Signs of Queerness and Disability (New York: N.Y.U. Press, 2006). Like gender and sexuality, disability may be understood to a significant extent as a performance rather than a fixed, biologically based...
The Journal of Musicology. 2003; 202196–249 doi: https://doi.org/10.1525/jm.2003.20.2.196
Published: 01 April 2003
... 10, quoted in Kowaleski-Wallace, Shunning the Bearded Kiss, 158. 14 Joke Dame, Unveiled Voices: Sexual Difference and the Castrato, in Queering the Pitch: The New Gay and Lesbian Musicology, ed. Philip Brett, Elizabeth Wood, and Gary C. Thomas (New York: Routledge, 1994), 144. 15 In Lacan s...
The Journal of Musicology. 1997; 153343–352 doi: https://doi.org/10.2307/763915
Published: 01 July 1997
... . . . can do this" (20) 10 "Sensuality, Awareness, Musical Ex- perience," presented at "Anything Goes: Music and Sexuality," Music Department, University of California at Berkeley (October, 1993) 11 "On a Lesbian Relationship with Music: A Serious Effort Not to Think Straight," in Queering the...
The Journal of Musicology. 1992; 103273–292 doi: https://doi.org/10.2307/763652
Published: 01 July 1992
... selected passage" (p. 14) 14 20 Suzanne Cusick has shown this in a dazzling paper "On a Lesbian Relationship with Music: A Serious Attempt Not to Think Straight" (forthcoming in Philip Brett, Gary Watson, and Elizabeth Wood, eds., Queering the Pitch [New York: Routledge, 1993]) Cusick On a...