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Journal Articles
The Journal of Musicology. 2019; 362131–166 doi: https://doi.org/10.1525/jm.2019.36.2.131
Published: 01 April 2019
...Emily Zazulia Guillaume Du Fay’s Nuper rosarum flores (1436) has been subject to symbolic interpretation ever since Charles Warren suggested that the structure of the motet reflects the architectural proportions of the cathedral of Florence. More recent analyses have accepted the premise that the...
Journal Articles
The Journal of Musicology. 1987; 52296–307 doi: https://doi.org/10.2307/763854
Published: 01 April 1987
... B minor Performance Tradition, Steady and Proportional Tempos, and the First Movements of Schubert's Symphonies A.PETER BROWN erhaps no part of the present-day symphonic 296 repertory is performed with less regard for the composer's text than Schubert's symphonies. This holds true not only for...
Journal Articles
Journal of Musicology. 2019; 364464–497 doi: https://doi.org/10.1525/jm.2019.36.4.464
Published: 01 October 2019
... the two accordingly. Sounding the Space Race Music, sound, and the space race were linked from the start. For many artists, the cosmos was inherently musical, and its conquest assumed symphonic proportions, as in Valentin Victorov s widely reproduced poster from 1963 (fig. 1). Flights were described...
Journal Articles
Journal of Musicology. 2019; 364437–463 doi: https://doi.org/10.1525/jm.2019.36.4.437
Published: 01 October 2019
... derive its authenticity from the existence of the original tape-recorded interviews, the tapes of those words have never been made available to readers. As a result, in inverse proportion to the tapes capacity for replay, the book has become the last vestige of their reality. With the chance to hear the...
Journal Articles
The Journal of Musicology. 2019; 362195–227 doi: https://doi.org/10.1525/jm.2019.36.2.195
Published: 01 April 2019
... romances at 25 each 150 rubles 5) for the violin pieces at 25 each 75 rubles 6) for the liturgy 100 [rubles] In total 915 rubles, or a round sum of 900 rubles, but in view of the fact that I have written so much at all once, I will let you have it all for 800 rubles.33 In proportion to their scale...
Journal Articles
The Journal of Musicology. 2019; 36196–129 doi: https://doi.org/10.1525/jm.2019.36.1.96
Published: 01 January 2019
... in the insistent misalignment of melody and accompaniment. The eighty-five-second-long coda balances out the proportions of the concerto, and in this sense is an inversion of the climactic conclusion of a Romantic or neo-Romantic piano concerto. There is no Rachmaninoff-like exhilarating rush. The...
Journal Articles
The Journal of Musicology. 2018; 353295–335 doi: https://doi.org/10.1525/jm.2018.35.3.295
Published: 01 July 2018
... more than 250 facsimile drawings and photographs from contemporary productions. With an ambitious scope, serious purpose, and wealth of detail, it was intended to be, or at least to seem, definitive and enduring. Its lavish proportion and presentation attest to a desire to present German operatic...
Journal Articles
The Journal of Musicology. 2017; 344610–646 doi: https://doi.org/10.1525/jm.2017.34.4.610
Published: 01 October 2017
... pulse beats corresponded to identifi- able musical proportions.74 Such evidence cannot, of course, provide absolute tempo indications and may relate primarily to vocal music (which possibly operated under different conventions).75 Yet these writ- ings still suggest slower speeds than those often chosen...
Journal Articles
The Journal of Musicology. 2017; 343391–431 doi: https://doi.org/10.1525/jm.2017.34.3.391
Published: 01 July 2017
Journal Articles
The Journal of Musicology. 2017; 342182–240 doi: https://doi.org/10.1525/jm.2017.34.02.182
Published: 01 April 2017
Journal Articles
The Journal of Musicology. 2017; 341115–147 doi: https://doi.org/10.1525/jm.2017.34.01.115
Published: 01 January 2017
Journal Articles
The Journal of Musicology. 2017; 34171–114 doi: https://doi.org/10.1525/jm.2017.34.01.71
Published: 01 January 2017
..., shortness, and compaction but lacked intellectual content.50 The cheap repertoire of singers and humorists and the pantomimes of eccentrics, he says, are on such a low level of taste that it frightens one to see how eagerly they are applauded51 Still retaining the foreshortened proportions and the...
Journal Articles
The Journal of Musicology. 2016; 334569–607 doi: https://doi.org/10.1525/jm.2016.33.4.569
Published: 01 October 2016
... defined cantus fractus as a type of Christian liturgical chant in Latin that makes use of proportional rhythmic values in its notation and is therefore measured6 Several of the most important music theo- rists who discussed cantus fractus (Pietro Canuzzi, Angelo da Pizzighet- tone, Illuminato Aiguino da...
Journal Articles
The Journal of Musicology. 2016; 334433–482 doi: https://doi.org/10.1525/jm.2016.33.4.433
Published: 01 October 2016
Journal Articles
The Journal of Musicology. 2016; 334483–521 doi: https://doi.org/10.1525/jm.2016.33.4.483
Published: 01 October 2016
Journal Articles
The Journal of Musicology. 2007; 244522–580 doi: https://doi.org/10.1525/jm.2007.24.4.522
Published: 01 October 2007
... that it can be understood. Both works were conceived as proportional, imperfect mirror forms, indicating an implicit temporal reversal, though from antithetical perspectives. Drawing on the master paradigm of Zeno's arrow, this enquiry explores qualities of musical and visual time as both construction...
Journal Articles
The Journal of Musicology. 2007; 2413–71 doi: https://doi.org/10.1525/jm.2007.24.1.3
Published: 01 January 2007
... had rejected musica mundana, and his natural science left little room for a musica humana based on numerical proportion. Consequently, both had to be reinterpreted. Robert Kilwardby's De ortu scientiarum (ca. 1250) sought to integrate the traditional Boethian treatment of musica with an Aristotelian...
Journal Articles
The Journal of Musicology. 2015; 324558–591 doi: https://doi.org/10.1525/jm.2015.32.4.558
Published: 01 October 2015
... conscious content, and the template is complete. Yet the template serves as a rather flexible and adjustable starting point for compositions and arrangements. Henderson described this flexibility within the genre to me as a matter of managing proportions of dosing: Some songs may the journal of musicology...
Journal Articles
The Journal of Musicology. 2015; 323328–345 doi: https://doi.org/10.1525/jm.2015.32.3.328
Published: 01 July 2015
... University Press, 1985), 119. In fact, symmetrical proportions are not greatly enhanced or disturbed either way one decides. 6 Rifkin, Miracles, Motivicity, and Mannerism 247. reynolds 331 (þ1). The individual lines, which do not overlap, differ only slightly in their dimensions: 17 15 10 17 16 (þ1...
Journal Articles
The Journal of Musicology. 2015; 323367–409 doi: https://doi.org/10.1525/jm.2015.32.3.367
Published: 01 July 2015
... tripartite text. The texture further articulates form: within the overall fabric of free counterpoint, blocks of contrasting texture call attention to specific words and define the work s formal proportions. Brief, infre- quent imitative passages also articulate structure and explore the nature and function...
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