Search Results for popular-music
1-20 of 424 Search Results for
The Journal of Musicology. 1986; 42235–241 doi: https://doi.org/10.2307/763799
Published: 01 April 1986
...Eric Tamm Copyright 1986 Imperial Printing Company, Inc. [Footnotes] 1 John Shepherd, "A Theoretical Model for the Sociomusicological Analysis of Popular Musics," Popular Music III (1982), 145-77. 10.2307/852980 145 CONFERENCE REPORT Third International Conference on Popular Music...
The Journal of Musicology. 1984; 311–18 doi: https://doi.org/10.2307/763659
Published: 01 January 1984
... Ibid, p. 125. 125 20 1982-83 Statistical Abstract of the United States (p. 386) The Finances of the Performing Arts (New York: Ford Foundation, 1974), vol. 2, p. 13, table 13 13 2 The Finances of the Performing Arts 1974 CLASSICAL MUSIC AS POPULAR MUSIC* JAMES PARAKILAS Compared to...
The Journal of Musicology. 1987; 51137–143 doi: https://doi.org/10.2307/763829
Published: 01 January 1987
...Katherine Bergeron Copyright 1987 Regents of the University of California Conference Report Popular Music in the Middle East, South Asia, and Southeast Asia The Society for the Humanities Cornell University * 25-26 April 1986 KATHERINE BERGERON In musicology, as in life, "popular" can mean...
The Journal of Musicology. 1982; 14466–470 doi: https://doi.org/10.2307/763680
Published: 01 October 1982
... Song (London, 1980). Clarke Jah Music. The Evolution of Jamaican Song 1980 CONFERENCE REPORT International Conference on Popular Music Research University of Amsterdam 21-26 June, 1981 Charles Hamm Even those of us who - to our wonderment - are now becoming the senior generation of the...
The Journal of Musicology. 2001; 184616–657 doi: https://doi.org/10.1525/jm.2001.18.4.616
Published: 01 October 2001
... environment. ©© Regents of the University of California 616 Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe AL E X AN D E R J . F IS H E R On the 24th of February 1582, Pope Gregory XIII promulgated the bull Inter gravissimas, mandating that...
The Journal of Musicology. 2017; 342281–317 doi: https://doi.org/10.1525/jm.2017.34.02.281
Published: 01 April 2017
...Todd Decker Filmmaker Martin Scorsese’s Casino (1995) is structured around a compiled score of almost sixty popular music recordings. Scorsese himself, working with editor Thelma Schoonmaker and using digital editing tools for the first time, assembled and arranged a diverse body of pre-existing...
The Journal of Musicology. 2018; 352267–293 doi: https://doi.org/10.1525/jm.2018.35.2.267
Published: 01 April 2018
... Rodgers and Lorenz Hart's musical comedy On Your Toes , in which the worlds of classical music and ballet collide with popular music and dance. New insights into the dramaturgical function and reception of the dances in On Your Toes offer a way to revisit the show’s status as an early exemplar of...
Journal of Musicology. 2019; 364401–436 doi: https://doi.org/10.1525/jm.2019.36.4.401
Published: 01 October 2019
... popular music, and their collaboration from 1966 to 1967 resulted in the acclaimed album The Velvet Underground and Nico . Based on extensive archival research and interviews, I discuss how this tape reflects Warhol’s and Reed’s failed attempt to collaborate on a stage version of Reed’s album Berlin (1973...
The Journal of Musicology. 2008; 25146–87 doi: https://doi.org/10.1525/jm.2008.25.1.46
Published: 01 January 2008
...JANE ALDEN What constitutes popular song? This seems an unlikely question to raise in connection with chansonniers copied in the Loire Valley during the later decades of the fifteenth century. But in fact it was a special preoccupation with France's popular musical heritage that led to the...
The Journal of Musicology. 2016; 333332–361 doi: https://doi.org/10.1525/jm.2016.33.3.332
Published: 01 July 2016
...Gleb Tsipursky Examining the history of jazz in the Soviet Union between 1948 and 1953, this essay sheds light on the role of popular music in the cultural competition of the early Cold War. While the Soviet authorities pursued a tolerant policy toward jazz during World War II because of its...
The Journal of Musicology. 2015; 324558–591 doi: https://doi.org/10.1525/jm.2015.32.4.558
Published: 01 October 2015
... and sounds in which creole possibilities and mobilities of various kinds are explored, challenged, and rethought. I illustrate these ideas with reference to two types of expressly creole, Dominican popular music ( cadence-lypso and bouyon ) and their central role in Dominica’s World Creole Music...
The Journal of Musicology. 2013; 302180–214 doi: https://doi.org/10.1525/jm.2013.30.2.180
Published: 01 April 2013
... controversial—a role in popularizing musical activities during the revival. As a large and visually distinctive presence, the harpsichord has a tendency to garner attention wherever it appears, whether in a museum case or on the concert hall stage. In this article I explore the harpsichord’s nineteenth-century...
The Journal of Musicology. 2008; 254473–502 doi: https://doi.org/10.1525/jm.2008.25.4.473
Published: 01 October 2008
... Leppert, trans. Susan H. Gillespie (Berkeley: University of California Press, 2002), 425. Socialist Realism and the Music of the French Popular Front CHRISTOPHER MOORE The composers of the post-Ravel generation manifest the most suspicious lack from which French artists could possi- bly suffer: the lack...
Journal of Musicology. 2020; 372231–266 doi: https://doi.org/10.1525/jm.2020.37.2.231
Published: 11 May 2020
... Work and Song : Popular Music for the Masses in Early Cold War Poland, in Das politische Lied in Ost- und Su¨dosteuropa, ed. Stefan Michael Newerkla, Fedor B. Poljakov, and Oliver Jens Schmitt (Vienna: LIT, 2011), 129 39; and Adrian Thomas, Mobilising Our Man: Politics and Music in Poland during the...
The Journal of Musicology. 2020; 37194–121 doi: https://doi.org/10.1525/jm.2020.37.1.94
Published: 01 January 2020
... critics and institutions, Milhaud’s success abroad finally precipitated official recognition at home. Milhaud owed his popularity in Germany and the subsequent transformation in his French reception to his relationship with the Viennese music publisher Universal Edition. Unpublished correspondence and...
The Journal of Musicology. 2019; 362195–227 doi: https://doi.org/10.1525/jm.2019.36.2.195
Published: 01 April 2019
... centers, where the repertoire they favored was more obviously determined by popular taste.43 Even where Chaikovsky s operas were staged in theaters that enjoyed state support (as in Tbilisi), or were put on by provincial branches of the Russian Musical Society, the limited financial means available to...
Journal of Musicology. 2019; 364464–497 doi: https://doi.org/10.1525/jm.2019.36.4.464
Published: 01 October 2019
... Soviet citizenship and national identity in the post-Stalin era. Heating up at a moment of great change and consequence, the space race provides an inroad to examine how music, media, and sound helped spread these emerging values. Drawing on the popular press, radio broadcasts, and variety television...
Journal of Musicology. 2019; 363370–400 doi: https://doi.org/10.1525/jm.2019.36.3.370
Published: 01 July 2019
... at the Cotton Club in the early thirties, and Schuller censures the music as being made for white consumption. 9 In order to understand Calloway s early work, we need to draw on approaches from new research in jazz history as well as popular music and performance studies. Jayna Brown s study of...
The Journal of Musicology. 2017; 343432–472 doi: https://doi.org/10.1525/jm.2017.34.3.432
Published: 01 July 2017
... nebulous space between transcription and composition. Ravel’s experimentation with bell sonorities in his piano music can be understood in relation to a broader discourse surrounding the sound of bells in nineteenth-century France. A complex sonic object, bell resonance lent itself to different modes of...
The Journal of Musicology. 2018; 3511–41 doi: https://doi.org/10.1525/jm.2018.35.1.1
Published: 01 January 2018
... officials, the Thurn und Taxis continued their investment in music and theatrics, appropriating outdoor spectacles of a kind popular earlier in the century to project imperial power. The prince affirmed his position as the emperor’s representative in such older displays of affluence and standing but updated...