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oral-tradition

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Journal Articles
Journal of Musicology. 2019; 364498–522 doi: https://doi.org/10.1525/jm.2019.36.4.498
Published: 01 October 2019
... repertory of chant was formed in coordination with prayers, readings, and sermons. All of this speaks to deliberate composition by Isidore, Leander, and their colleagues rather than to the writing down of a long-standing oral tradition. Gregory surely knew about this activity in Spain. Is it likely that...
Journal Articles
The Journal of Musicology. 2003; 204556–596 doi: https://doi.org/10.1525/jm.2003.20.4.556
Published: 01 October 2003
... the words, a realization fixed in the score by musical notation and capable of being brought to life in performance. The prologue can profitably be discussed as a genre in the context of the oral tradition of the late Renaissance, and is illuminated by a number of 16th- and 17th-century Italian...
Journal Articles
Journal of Musicology. 2020; 372123–157 doi: https://doi.org/10.1525/jm.2020.37.2.123
Published: 11 May 2020
... but rather off-modern, by which she means a critique of both the modern fascination with newness and no less modern reinvention of tradition. 7 Like off-white, off-modern signifies a variation on the fundamental essence of a thing: different angle, same idea. Although Haussmann sought to demolish...
Journal Articles
Journal of Musicology. 2020; 372231–266 doi: https://doi.org/10.1525/jm.2020.37.2.231
Published: 11 May 2020
... tune of My, Pierwsza Brygada ( We, the First Brigade a calling card of Jo´zef Pi sudski s Legions from the time of World War I (ex. 1 and ex. 2).74 By portraying this panoply of patriotic songs as the oral culture of the army, the Song- book of the Polish Soldier suggested that the communist-led and...
Journal Articles
The Journal of Musicology. 2020; 3711–32 doi: https://doi.org/10.1525/jm.2020.37.1.1
Published: 01 January 2020
... mediated contemporary musics.29 But it is 26 On authenticity in relation to musics of the Indian subcontinent, see, for example, Regula Burckhardt Qureshi, Sufi Music and the Historicity of Oral Tradition, in Ethno- musicology and Modern Music History, ed. Stephen Blum, Philip V. Bohlman, and Daniel M...
Journal Articles
The Journal of Musicology. 2020; 37163–93 doi: https://doi.org/10.1525/jm.2020.37.1.63
Published: 01 January 2020
... understood as a technical aid to successful master-pupil relationships. And David deemed technical text- books to be supplementary to oral instruction in another sense, for the reason that printed words and notated examples were inadequate for teaching the subtleties of Vortrag.63 Describing David s...
Journal Articles
Journal of Musicology. 2019; 364437–463 doi: https://doi.org/10.1525/jm.2019.36.4.437
Published: 01 October 2019
... Warhol s a: a novel (1968) in the United States have traditionally been divided along a North South or East West axis. Understood from their mode of production, however, they emerge as a coherent group of tape-recorder books, an alternative to the traditional audiobook, and texts with an often oblique...
Journal Articles
Journal of Musicology. 2019; 363261–294 doi: https://doi.org/10.1525/jm.2019.36.3.261
Published: 01 July 2019
... publicam.12 Bagby s work turned to oral traditions and studies of memory that had been of considerable interest both to practicing musicians and to medieval musicologists for some time and especially since the 1960s. Thomas Binkley s recourse to living oral traditions to inform performances of medieval...
Journal Articles
Journal of Musicology. 2019; 363370–400 doi: https://doi.org/10.1525/jm.2019.36.3.370
Published: 01 July 2019
... a great composer indebted equally to Debussy as to hot 15 Sonny Greer interview, January 1979, by Stanley Crouch. Jazz Oral History Project, Institute of Jazz Studies, Rutgers University Libraries, Transcript, 62, httpsrucore .libraries.rutgers.edu/rutgers-lib/52263/SWF/read/. 16 Harvey Cohen...
Journal Articles
The Journal of Musicology. 2019; 36196–129 doi: https://doi.org/10.1525/jm.2019.36.1.96
Published: 01 January 2019
... for Piano and Orchestra (the work was banned), students picketed the college with a poster: Give us back Ustvolskaya. I was reinstated. See httpustvolskaya.org/eng/ the journal of musicology 100 false; absent documentary evidence, one memory competes with another in the contest of oral histories...
Journal Articles
The Journal of Musicology. 2018; 354431–459 doi: https://doi.org/10.1525/jm.2018.35.4.431
Published: 01 October 2018
... cithara as well as how to play seven songs well and worthily, all in exchange for six yards of black cloth and a gold ducat but only if the student succeeds in learn- ing the seven songs.7 The art of music championed by Pietrobono connected him not only to the oral and unwritten traditions of courtly...
Journal Articles
The Journal of Musicology. 2018; 353397–430 doi: https://doi.org/10.1525/jm.2018.35.3.397
Published: 01 July 2018
... Oneppo, 16 March 1981, Oral History of American Music archive, Irving S. Gilmore Music Library, Yale University. the journal of musicology 402 not create anything for one race of people to play28 Williams also had a clearly articulated sense of the idiom s chronological development, most vividly conveyed...
Journal Articles
The Journal of Musicology. 2018; 353368–396 doi: https://doi.org/10.1525/jm.2018.35.3.368
Published: 01 July 2018
... underpinning, and, through the (for Hollywood) traditional use of leitmotifs, sonically mark a character s appearance on screen. In a few scenes leitmotifs also sym- bolize a character s moods or memories. The motives are relatively short figures rather than easily remembered tunes, and frequently appear in...
Journal Articles
The Journal of Musicology. 2018; 352223–266 doi: https://doi.org/10.1525/jm.2018.35.2.223
Published: 01 April 2018
... on previous work, notably studies of quotation and allusion, but is intended to be applicable to all uses of existing music in the western musical tradition and to encompass any musical parameter, from a melody or harmonic progression to a structural feature or combination of timbres.2 The three...
Journal Articles
The Journal of Musicology. 2018; 35176–103 doi: https://doi.org/10.1525/jm.2018.35.1.76
Published: 01 January 2018
... cold shoulder is emblematic of a larger friction between French and Austro-German musical traditions that can be traced back to at least the 1870s. This friction was marked by both the Franco-Prussian War of 1870 71 and intense debates in France about the merits of Richard Wagner s music.5...
Journal Articles
The Journal of Musicology. 2017; 344610–646 doi: https://doi.org/10.1525/jm.2017.34.4.610
Published: 01 October 2017
...; similarly, instruments often sur- vive as fragments or models that were subsequently altered.1 Scholars have thus often turned elsewhere to fill in evidentiary lacunae, particu- larly in studies on improvisatory and oral traditions that may have dom- inated instrumental practices.2 Yet the picture is not...
Journal Articles
The Journal of Musicology. 2017; 343354–390 doi: https://doi.org/10.1525/jm.2017.34.3.354
Published: 01 July 2017
..., 2000). 7 Quoted in Living Oral Tradition in Popular Art The Times, 28 September 1961, 16. 8 David Lewiston, English Folkniks Shake Up Old Tradition New York Times, 29 January 1961, 11. cole 355 [He] strode on to the stage of Carnegie Hall Saturday night, sat down casually on a chair turned...
Journal Articles
The Journal of Musicology. 2017; 3411–31 doi: https://doi.org/10.1525/jm.2017.34.01.1
Published: 01 January 2017
... & Company, 2012), 43. 44 On oral culture and literature, see Barbara Becker-Cantarino, Introduction: Ger- man Literature in the Era of Enlightenment and Sensibility in German Literature of the Eighteenth Century: The Enlightenment and Sensibility, ed. Barbara Becker-Cantarino (Roche- ster: Camden House...
Journal Articles
The Journal of Musicology. 2016; 334522–568 doi: https://doi.org/10.1525/jm.2016.33.4.522
Published: 01 October 2016
... present evidence that Stefani may have mined a corpus of prints and manuscripts in preparing his anthologies, they add significantly to Dean s recent suggestion that Stefani relied on oral sources.19 This obser- vation adds to a growing acceptance of the role that oral and para- compositional traditions...
Journal Articles
The Journal of Musicology. 2016; 334483–521 doi: https://doi.org/10.1525/jm.2016.33.4.483
Published: 01 October 2016
... heterogeneity contested the taxonomies of genre instituted by neoclas- sical poetics, the imitative tradition that had ruled aesthetic criticism throughout the Enlightenment. Despite its significance for compre- hending the full reach of romantic theory, the linkage Schlegel forged between irony and the novel...