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musical-forgery

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Journal Articles
The Journal of Musicology. 2018; 351104–143 doi: https://doi.org/10.1525/jm.2018.35.1.104
Published: 01 January 2018
... misattributions, but rather something that has rarely been discussed in the music world: modern forgeries deliberately constructed to deceive scholars and listeners. Adapting philosophical and art-historical writing on forgery to music, this article examines the six “Haydn” sonatas in the context of contemporary...
Journal Articles
The Journal of Musicology. 2006; 232263–306 doi: https://doi.org/10.1525/jm.2006.23.2.263
Published: 01 April 2006
... hypotaxis and parataxis, which pervaded late 18th-century discussions of both music and language. In particular, parataxis, a style that deliberately omits syntactical connections and relies instead on juxtaposition and parallelism, offers a suggestive technical link between Schubert's instrumental practice...
Journal Articles
The Journal of Musicology. 2005; 223412–453 doi: https://doi.org/10.1525/jm.2005.22.3.412
Published: 01 July 2005
... copy of the Missa L homme armé super voces musicales in VatS 415 12 Helmuth Osthoff, Josquin Desprez, 2 vols, i. (Tutzing: Hans Schneider, 1962), 157. 13 Gustave Reese, Music in the Renaissance (New York: W. W. Norton, 1954), 237; Smijers, ed., Josquin des Prez: Opera omnia. Smijers used Petrucci s...
Journal Articles
The Journal of Musicology. 2001; 18198–128 doi: https://doi.org/10.1525/jm.2001.18.1.98
Published: 01 January 2001
... Royal Schools of Music, 1935), 169. On the nineteenth-century pref- erence for Beethoven s works in the heroic vein, see the recent study by Scott Burnham, Beethoven Hero (Princeton: Princeton University Press, 1995). 6 On the subject of musical styles or genres as topics in Classic music, see...
Journal Articles
The Journal of Musicology. 1998; 1613–25 doi: https://doi.org/10.2307/764076
Published: 01 January 1998
.... 42 The Expanding Circle: Ethics and Sociobiology 1981 41 "Forgery and the Anthropology of Art," Music, the Arts, and Ideas," Chapter 4 Forgery and the Anthropology of Art Music, the Arts, and Ideas 43 Webern and Krenek quotations in Music, the Arts, and Ideas, 263 Webern 263...
Journal Articles
The Journal of Musicology. 1987; 53319–356 doi: https://doi.org/10.2307/763696
Published: 01 July 1987
...-Queen Elizabeth Hall," London Times, 21 April 1977, p. 12. Sadie 21 April 12 London Times 1977 3 James Webster, "External Criteria for Determining the Authenticity of Haydn's Music," in Haydn Studies: Proceedings of the International Haydn Conference, Wash- ington D.C., 1975, ed. J. P...
Journal Articles
The Journal of Musicology. 1984; 34i–vi doi: https://doi.org/10.2307/763584
Published: 01 October 1984
... Copyright 1984 Imperial Printing Company, Inc. The JOURNAL OF nMUSkICOI ey1 The JOURNAL OF MuSICOIGY 11 The JOURNAL OF MuscoiGY a quarterly review of music history, criticism, analysis, and performance practice EDITOR Marian Green EDITORIAL BOARD Gillian Anderson Lawrence Bernstein Nanie...
Journal Articles
The Journal of Musicology. 1984; 34397–422 doi: https://doi.org/10.2307/763588
Published: 01 October 1984
... His Contribution to Beethoven Biography," in 19th Century Music VII (1984) 211-12 10.2307/746377 211 16 Stadlen, "Forgeries," 552 Beck & Herre, "Schindler," 16-17 and fn. 15 16 17 Beethovens "Zwei Principe," ihre Bedeutung für Themen- und Satzbau (Berlin: Ferd. Dümmler, 1923...
Journal Articles
The Journal of Musicology. 1985; 41114–120 doi: https://doi.org/10.2307/763726
Published: 01 December 1985
... Passion: Aspects of Planning, Structure, and Chronology," Journal of the American Musi- cological Society XXXV (1982), 49-114 10.2307/831287 49 Joshua Rifkin, "Bach's Chorus: A Prelim- inary Report," Musical Times CXXIII (1982), 747-54 10.2307/961592 747 Robert L. Marshall, "Bach's Chorus: A Pre...