Search Results for liège
1-20 of 33 Search Results for
The Journal of Musicology. 2017; 342149–181 doi: https://doi.org/10.1525/jm.2017.34.02.149
Published: 01 April 2017
... l’Evangéliste in Liège—the most likely place for the motet’s composition and performance. Summus secretarius demonstrates to an exceptional degree the hermeneutic richness of enigmatic language in the unique texts of freely composed fifteenth-century motets. © 2017 by The Regents of the University of...
The Journal of Musicology. 2015; 32178–114 doi: https://doi.org/10.1525/jm.2015.32.1.78
Published: 01 January 2015
... particular contours of Webern s vocal writing in the Op. 8 songs. The Angelic in Op. 8 Rilke, Du, der ichs nicht sage Du, der ichs nicht sage, dass ich bei Nacht weinend liege, deren Wesen mich mu¨de macht wie eine Wiege. Du, der mir nicht sagt, wenn sie wacht meinetwillen: wie, wenn wir diese Pracht...
The Journal of Musicology. 2007; 244477–521 doi: https://doi.org/10.1525/jm.2007.24.4.477
Published: 01 October 2007
... Malou Haine (Liège: Mardaga, 2007), 91 107. 4 Donald A. Rosenthal, Orientalism: The Near East in French Painting 1800 1880 (Rochester, NY: Memorial Art Gallery of the Univ. of Rochester, 1982), 33 (Dela croix, di- ary entry of 11 March 1850, on Mughal portraits). 03.Locke_pp477-521 12/19/07 2:00 PM Page...
The Journal of Musicology. 2007; 243365–406 doi: https://doi.org/10.1525/jm.2007.24.3.365
Published: 01 July 2007
... the basis of more re- cent art-historical work by Judith Oliver, especially her Gothic Manuscript Illumination in the Diocese of Liège (c.1250 c.1330), 2 vols., Corpus van verluchte handschriften uit de neder- landen, vols. 2 3 (Leuven: Peeters, 1988). Comparisons between I-Tr 42 and the manu- scripts...
The Journal of Musicology. 2007; 242272–296 doi: https://doi.org/10.1525/jm.2007.24.2.272
Published: 01 April 2007
The Journal of Musicology. 2007; 2413–71 doi: https://doi.org/10.1525/jm.2007.24.1.3
Published: 01 January 2007
The Journal of Musicology. 2006; 233426–467 doi: https://doi.org/10.1525/jm.2006.23.3.426
Published: 01 July 2006
... as aequisonus include Frutolfus of Michelsberg, Ieronimus of Moravia, Johannes de Garlandia (in De mensurabili musica), Engelbert of Admont, Marchetto of Padua (in Lucidarium), Aegidius Zamorensis, Jacques of Liège, Johannes Gallicus, Ugolino of Orvieto, Adam of Fulda, and Johannes Tinctoris (in the...
The Journal of Musicology. 2005; 224644–679 doi: https://doi.org/10.1525/jm.2005.22.4.644
Published: 01 October 2005
... Franck was born in Liège in 1822, when this city was officially part of the French-dominated Walloon district, not yet known as Belgium. Second, Beethoven regardless of nationality was indisputably a composer to be reckoned with in all future musical developments. In d Indy s opinion, only the modern...
The Journal of Musicology. 2005; 222268–291 doi: https://doi.org/10.1525/jm.2005.22.2.268
Published: 01 April 2005
... l histoire de la monodie en France, (Doctorat d Etat en lettres et science et science humaines, 2 vols., Université de Paris, IV, 1985), Introduction, I:354 55 and 210 11. See also Georgie Durosoir, L Air de cour en France, 1571 1655 (Liège: Mardaga, 1991), 6, 246, 292, 301, 303, 304, 324, 333, and...
The Journal of Musicology. 2005; 2215–46 doi: https://doi.org/10.1525/jm.2005.22.1.5
Published: 01 March 2005
... campagne de 1812 (Paris, 1913); J.-R. Coignet, Souvenirs d un vieux grognard (Paris, 1912); Emile Fairon and Henri Heuse, Lettres de grognards (Liège, 1936); and Alan Forrest, Napoleon s Men: The Soldiers of the Revolution and Empire (London: Hambledon and London, 2002). 23 Steven Englund, Napoleon: A...
The Journal of Musicology. 2005; 214487–513 doi: https://doi.org/10.1525/jm.2004.21.4.487
Published: 01 January 2005
... [i.e. that described by Grocheio and Jacques de Liège] it is not so hard to accept double-texting and repeating form-schemes as engaging challenges for the expert listener. . . . See Daniel Leech-Wilkinson, Ars Antiqua Ars Nova Ars Subtilior, in Antiquity and the Middle Ages: From Ancient Greece to...
The Journal of Musicology. 2004; 21146–126 doi: https://doi.org/10.1525/jm.2004.21.1.46
Published: 01 January 2004
... had a different sort of rhythmical organization (perhaps of a specif- maw rhythmic organization.2 A comment from the 18th chapter of the sev- enth book of Jacques de Liège s Speculum musicae has been influential in forming this view: For now the third part of the perfect breve has the same value for...
The Journal of Musicology. 2003; 202250–284 doi: https://doi.org/10.1525/jm.2003.20.2.250
Published: 01 April 2003
... See Giuliano Di Bacco and John Nádas, Verso uno stile internazionale della musica nelle capelle papali e cardinalizie durante il Grande Scisma (1378 1417): Il caso di Johannes Ciconia da Liège, in Collectanea I, ed. A. Roth (Vatican City: 1994), 33n63. This reading is largely confirmed in Margaret...
The Journal of Musicology. 2002; 194641–693 doi: https://doi.org/10.1525/jm.2002.19.4.641
Published: 01 October 2002
... Jacques de Liège (ca. 1325). These authors recommend a different solution to the problem of range, namely that the chant be emended to end on the nal.32 This type of emendation is found among practical sources from a broad geographical and chronological spec- trum. In Example 4 the versions found in...
The Journal of Musicology. 1999; 172197–230 doi: https://doi.org/10.2307/763888
Published: 01 April 1999
... Control of 'Performative Context'," The Musical Quarterly LXXXII/1 (Spring 1998), 41-67 10.2307/742235 41 12 Frédérique Patureau, Le Palais Garnier dans la société parisienne 1875-1914 (Liège, 1991), 458 Patureau 458 Le Palais Garnier dans la société parisienne 1875-1914 1991 13...
The Journal of Musicology. 1999; 171136–151 doi: https://doi.org/10.2307/764014
Published: 01 January 1999
... opera Lafiera di Venezia staged in Vienna in 1772.12 Another opera composer, Gretry, who was born in Liege, spent his formative years in Italy and was in a good position to collect the "Trait de Forlane" that he remembered hearing there when he wrote his memoirs late in life.'s (See Example 3.) His...
The Journal of Musicology. 1998; 164467–493 doi: https://doi.org/10.2307/763979
Published: 01 October 1998
... of Commentarius anonymus.19 As Commentarius anonymus is the only com- mentary to discuss Guido's first paragraph (162.2-163.6), I will deal with this treatise first. Smits van Waesberghe believed that the Commentarius anonymus was written in the area of Liege between 107o and 11 oo, although he con...
The Journal of Musicology. 1997; 15143–65 doi: https://doi.org/10.2307/763903
Published: 01 January 1997
... Stokem, Johannes 165 18 New Grove Dictionary of Music and Musicians 1980 Haberl, Römische "Schola Cantorum", 56 56 19 Quitin, "Stokem, Johannes" idem, "Les MaÎtres de chant de la cathédrale St. Lambert, à Liège aux XVe et XVIe siècles," Revue belge de musicologie VIII (1954), 5-18, esp. 12...
The Journal of Musicology. 1997; 152178–207 doi: https://doi.org/10.2307/764043
Published: 01 April 1997
... Domini nostri Jesu Christi (WRgs 60/188) Festo Transfigurationis Domini nostri Jesu Christi 40 Daniela Senta von Bülow Thode (1860-1940) 41 Klara Hamburger ed., Lettres à Cosima et à Daniela (Liège, 1996), 148-49 Hamburger 148 Lettres à Cosima et à Daniela 1996 Marco Maria Tasolini...
The Journal of Musicology. 1994; 123345–356 doi: https://doi.org/10.2307/764090
Published: 01 July 1994
.... Wherefore he bound himself etc. accord- ing to the form of the Apostolic Chamber with the accustomed rules and transactions swearing etc. Whereupon etc. Done at Rome in my office in the presence as witnesses of Signor Jo. Bachon and Nicolaus de Farrinis, clerk of the diocese of Liege and of the city of...