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guillaume-du-fay

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Journal Articles
The Journal of Musicology. 1995; 13155–72 doi: https://doi.org/10.2307/764051
Published: 01 January 1995
... 4G 1313, p. 71) 47 LAN 4G 4673, fol. (7v). 48 LAN 4G 4677, fol. (7v). 49 LAN 4G 4679, fol. (7v). 50 Planchart, "Guillaume Du Fay's Benefices," 121-23. 121 51 Strohm, The Rise, 285-87. 285 52 CBM B 39, fol. 56r. 53 LAN 4G 7765 (fasc. 1471-72), fols. [17r-17v] The...
Journal Articles
The Journal of Musicology. 2003; 203305–357 doi: https://doi.org/10.1525/jm.2003.20.3.305
Published: 01 July 2003
...Alejandro Enrique Planchart Planchart This study examines the tune L'homme arméé and presents evidence from number symbolism embedded in the song that it is a product of the Burgundian court milieu and dates from after 1433. Musical and number symbolism evidence points to Guillaume Du Fay as the...
Journal Articles
The Journal of Musicology. 2010; 274377–434 doi: https://doi.org/10.1525/jm.2010.27.4.377
Published: 01 October 2010
...Anne Walters Robertson Guillaume Du Fay composed his Missa Se la face ay pale , based on his ballade of the same name, during his final sojourn at the Court of Savoy in Chambééry from 1452 to 1458. It has been suggested that the piece celebrated the consummation of the wedding of Amadeus of Savoy...
Journal Articles
The Journal of Musicology. 2019; 362131–166 doi: https://doi.org/10.1525/jm.2019.36.2.131
Published: 01 April 2019
...Emily Zazulia Guillaume Du Fay’s Nuper rosarum flores (1436) has been subject to symbolic interpretation ever since Charles Warren suggested that the structure of the motet reflects the architectural proportions of the cathedral of Florence. More recent analyses have accepted the premise that the...
Journal Articles
The Journal of Musicology. 2011; 28181–117 doi: https://doi.org/10.1525/jm.2011.28.1.81
Published: 01 January 2011
... of tenor motets pioneered by Guillaume Du Fay, Jehan de Ockeghem, and most prominently by Iohannes Regis. Yet its construction is markedly different from similar motets by his contemporary Josquin Des Prez, who used a nearly schematic construction in Miserere mei Deus , and ostinato techniques in...
Journal Articles
The Journal of Musicology. 2018; 352223–266 doi: https://doi.org/10.1525/jm.2018.35.2.223
Published: 01 April 2018
... same first three intervals. II. Exactness of Match Another type of analytical evidence is the exactness of match between two pieces. This is not important if the similarity is extensive. When Guillaume Du Fay paraphrases a chant melody in a polyphonic hymn setting or Johann Sebastian Bach elaborates a...
Journal Articles
The Journal of Musicology. 2017; 344610–646 doi: https://doi.org/10.1525/jm.2017.34.4.610
Published: 01 October 2017
... La sacrosanta carita` by Bartolino da Padova; the bal- lade Le grant desir by Matteo da Perugia; the virelai La harpe de me´lodie by Jacob de Senleches; and possibly the anonymous madrigal Du anc¸oliti.18 17 Santorre Debenedetti, Il Sollazzo e Il Saporetto con altre rime di Simone Prudenzani...
Journal Articles
The Journal of Musicology. 2017; 342182–240 doi: https://doi.org/10.1525/jm.2017.34.02.182
Published: 01 April 2017
... Joshua Rifkin for his insight and critique, and to Bonnie Black- burn, David Fallows, and Alejandro Planchart for constructive feedback on earlier drafts. 1 Julie E. Cumming, The Motet in the Age of Du Fay (Cambridge: Cambridge University Press, 1999), 297. 2 For descriptions of Ave Maria as a watershed...
Journal Articles
The Journal of Musicology. 2017; 342149–181 doi: https://doi.org/10.1525/jm.2017.34.02.149
Published: 01 April 2017
... Museo, Bibliografico Musi- cale, Q 15 (Ph.D. diss., North Texas State University, 1977), 1:277 78; Julie E. Cumming, The Motet in the Age of Du Fay (Cambridge: Cambridge University Press, 1999), 142; and Margaret Bent, ed., Bologna Q15: The Making and Remaking of a Musical Manuscript: Introductory...
Journal Articles
The Journal of Musicology. 2011; 284369–417 doi: https://doi.org/10.1525/jm.2011.28.4.369
Published: 01 October 2011
Journal Articles
The Journal of Musicology. 2007; 243365–406 doi: https://doi.org/10.1525/jm.2007.24.3.365
Published: 01 July 2007
... genres poétiques médiévaux, études et textes, 2 vols., Publications du Centre d Études Supérieures de Civilisation Médiévale de l Uni- versité de Poitiers, vols. 6 7 (Paris: Picard, 1977 78), 1:33 44. The first musicological voice that took seriously this aspect of genre was that of John Stevens, Words...
Journal Articles
The Journal of Musicology. 2007; 243339–364 doi: https://doi.org/10.1525/jm.2007.24.3.339
Published: 01 July 2007
Journal Articles
The Journal of Musicology. 2007; 242195–236 doi: https://doi.org/10.1525/jm.2007.24.2.195
Published: 01 April 2007
... n ai pas pu envoyer plus tôt la partition de ma symphonie, encore je suis obligé de garder la scène du Bal que j arrange pour le pi- ano. Je crains bien d abuser de votre temps et de votre complaisance en vous priant de vouloir bien les examiner; croyez, Monsieur, que je suis pénétré de...
Journal Articles
The Journal of Musicology. 2005; 222173–202 doi: https://doi.org/10.1525/jm.2005.22.2.173
Published: 01 April 2005
... Rights and Permissions website, at httpwww.ucpress.edu/journals/rights.htm. 173 1 Hégésippe Moreau, L Hiver, in Représentations de bienfaisance données sous le patronage des membres de la Commune, Journal Officiel (20 May 1871), from Réimpres- sion du Journal Officiel de la Commune (Paris: Victor Bunel...
Journal Articles
The Journal of Musicology. 2005; 222268–291 doi: https://doi.org/10.1525/jm.2005.22.2.268
Published: 01 April 2005
..., 1656, 1658, 1662). 2 Denise Launay, La Musique religieuse en France du Concile de Trente à 1804 (Paris: So- ciété Française de Musicologie, 1993), 52 54, 170, 181 91, 382 92. The creation of contrafacta, the practice of composing new poems to preexisting melodies, most com- monly applies to sacred...
Journal Articles
The Journal of Musicology. 2005; 214487–513 doi: https://doi.org/10.1525/jm.2004.21.4.487
Published: 01 January 2005
... pleasurable, nor even did Du Fay or Dunstaple: As far back as Pythagoras and the story of Orpheus the sound of music was seen as a powerful and some- times dangerous thing. Nor did this idea disappear in the Middle Ages, however much difficulty modern ears may sometimes have with medieval music: Christopher...
Journal Articles
The Journal of Musicology. 2005; 214514–578 doi: https://doi.org/10.1525/jm.2004.21.4.514
Published: 01 January 2005
... (Cambridge: Cambridge Univ. Press, 1989), 108 9; on Reims and St. Denis, respectively, Anne Walters Robertson, Guillaume de Machaut and Reims: Context and Meaning in his Musical Works (Cambridge: Cambridge Univ. Press, 2002), 215 21; idem, The Service-Books of the Royal Abbey of Saint-Denis: Images of Ritual...
Journal Articles
The Journal of Musicology. 2004; 21146–126 doi: https://doi.org/10.1525/jm.2004.21.1.46
Published: 01 January 2004
... he calls hoketus du- plex) A l entrada d Avrillo.7 This is notated throughout in longs, breves, and semibreves. Jacques observes that the perfect longs of the first part would be notated by modern musicians in breves, and that those of the hocket sections would be notated in semibreves. He has...
Journal Articles
The Journal of Musicology. 1995; 1311–2 doi: https://doi.org/10.2307/764048
Published: 01 January 1995
... Guillaume Du Fay's Last Works ALEJANDRO E. PLANCHART 55 Musical Sources and Stemmatic Filiation: A Tool for Editing Music JAMES GRIER 73 The Young Boccherini: Lucca, Vienna, and the Electoral Courts DANIEL HEARTZ 103 Aus alten Miirchen: The Chivalric Style of Schumann and Brahms JONATHAN BELLMAN 117...
Journal Articles
The Journal of Musicology. 2003; 202250–284 doi: https://doi.org/10.1525/jm.2003.20.2.250
Published: 01 April 2003
... Corpus Christi. On the attribution of the mass and office to St. Aquinas, see Pierre-Marie Gy, L Office du Corpus Christi et S. Thomas D'Aquin, Revue des Sciences Philosophiques et Théologiques 64 (1980): 491 507. Aquinas s poems are edited in Analecta Hymnica, vol. 50, 583 91. brand 259 ex a m pl e 1...