Search Results for gregorian-chant
1-20 of 63 Search Results for
The Journal of Musicology. 2005; 213418–457 doi: https://doi.org/10.1525/jm.2004.21.3.418
Published: 01 January 2005
...Emma Hornby Since the 19th century, scholars have been attempting to discover the origins of Gregorian chant and to establish when musical notation began to be widely used in its redaction. For almost 30 years, Kenneth Levy's scholarship on the subject has been hugely influential. He hypothesizes...
Journal of Musicology. 2019; 364498–522 doi: https://doi.org/10.1525/jm.2019.36.4.498
Published: 01 October 2019
... Gregory and his colleagues were not engaged in any such activity or that such activity in Rome took place so much later than it did in Spain? Perhaps there is a good reason why the chant created in Rome is called Gregorian just as the Old Hispanic Chant was much later called Isidorean. In the absence of...
The Journal of Musicology. 2012; 293239–261 doi: https://doi.org/10.1525/jm.2012.29.3.239
Published: 01 August 2012
... Beneventan chant was the liturgical repertory of southern Italy at the time of the earliest Carolingian incursions into the region in the late eighth century.20 the arrival of the Gregorian repertory and dis- placement of the Beneventan liturgy in the region are likely contempo- raneous with the Carolingian...
Journal of Musicology. 2019; 363331–369 doi: https://doi.org/10.1525/jm.2019.36.3.331
Published: 01 July 2019
... modal cen- tricity, varied among the editors. Gozzi and Agee assert (for slightly different reasons) that the timing of this new phase of chant revision was linked to the aborted papal commission of 1577. See Karp, Post-Tridentine, 1:1 3; Baroffio, The Transmission of Gregorian Melodies, 45; Gozzi...
Journal of Musicology. 2019; 363261–294 doi: https://doi.org/10.1525/jm.2019.36.3.261
Published: 01 July 2019
... 1950, see Kenneth Levy, On Gregorian Orality, Journal of the American Musicological Society 43 (1990): 185 227, esp. 185 92, repr. in idem, Gregorian Chant and the Carolingians (Princeton: Princeton University Press, 1998), 141 77, esp. 141 48. Key texts in both orality and memory were drawn into...
The Journal of Musicology. 2018; 352223–266 doi: https://doi.org/10.1525/jm.2018.35.2.223
Published: 01 April 2018
... subtly. Recent years have seen a profusion of studies of borrowing in all its manifestations by scholars in fields from chant to hip hop.1 In order to analyze an instance of musical borrowing or interpret its meaning or significance, we first have to establish that the creator of one piece of music has...
The Journal of Musicology. 2016; 334569–607 doi: https://doi.org/10.1525/jm.2016.33.4.569
Published: 01 October 2016
... between section E and the rest of the volume bespeaks caution. The Notation of Cantus Fractus and the Robbins Landon Compendium The musical idiom known as cantus fractus, whose melodies are much closer to contemporary musical idioms than they are to the Gregorian chant melos, has attracted the attention...
The Journal of Musicology. 2014; 314471–502 doi: https://doi.org/10.1525/jm.2014.31.4.471
Published: 01 October 2014
The Journal of Musicology. 2010; 273304–341 doi: https://doi.org/10.1525/jm.2010.27.3.304
Published: 01 July 2010
... Ralph Locke notes, alongside remarkably diverse exotic portrayals are passages of choral and other vocal move- ments that make free use of styles borrowed from Western sacred-music traditions, such as Gregorian chant and Renaissance polyphony. 29 The end result was considered a sacrilege; and six...
The Journal of Musicology. 2010; 272224–264 doi: https://doi.org/10.1525/jm.2010.27.2.224
Published: 01 April 2010
The Journal of Musicology. 2009; 264481–511 doi: https://doi.org/10.1525/jm.2009.26.4.481
Published: 01 October 2009
... element: There is a harmonic crescendo and diminuendo that is indissolubly connected with the nature of [a fluc- tuating] progression; it cannot be altered by the performer. 4 Musical Analyses Nono sought to illuminate Hindemith s Bausteine in a wide variety of music, ranging from Gregorian chant to...
The Journal of Musicology. 2009; 263285–326 doi: https://doi.org/10.1525/jm.2009.26.3.285
Published: 01 July 2009
... chanting monks and with a flashback in which a tale is ritually reenacted. Britten s parables are also concert hall operas in that they require a similar minimal stage space marked by ramps and a visible instrumental ensemble. The melodic style of both the monks and Seikyo in Tea resembles the general...
The Journal of Musicology. 2008; 25146–87 doi: https://doi.org/10.1525/jm.2008.25.1.46
Published: 01 January 2008
..., without any funding available, to form the core group of students to recover the true tradition of ecclesiastical chant. See de Verneilh, L abbé Texier. Notice biographique, 113. On the broader issue of the revival of plainchant, see Katherine Bergeron, Decadent Enchantments: The Revival of Gregorian...
The Journal of Musicology. 2006; 234620–646 doi: https://doi.org/10.1525/jm.2006.23.4.620
Published: 01 October 2006
... 11/20/06 8:53 AM Page 631 the journal of musicology Its use was featured prominently in Gregorian chant, liturgical hymns, and troubadour song, and it represented a primary formal scheme in Aquitanian versus.56 Moreover, here the bar form s A sections (phrases 1 4) feature further repetition in the...
The Journal of Musicology. 2005; 214514–578 doi: https://doi.org/10.1525/jm.2004.21.4.514
Published: 01 January 2005
... the motet given in Appendix 1).1 Its text, which pleads for intercession from angels, archangels, and numerous other classes of saints, is drawn from two antiphons for the Feast of All Saints (November 1), but the melodies of these chants are absent in Isaac s composition. Instead, the sole...
The Journal of Musicology. 2003; 202157–195 doi: https://doi.org/10.1525/jm.2003.20.2.157
Published: 01 April 2003
The Journal of Musicology. 2002; 194641–693 doi: https://doi.org/10.1525/jm.2002.19.4.641
Published: 01 October 2002
..., argues that they are Roman in origin; see The Advent Project: The Later-Seventh-Century Creation of the Roman Mass Proper (Berkeley: Univ. of California Press, 2000), 318 25. 24 Text repetition in the offertory repertory has been the subject of much comment. See, for example, Willi Apel, Gregorian Chant...
The Journal of Musicology. 2003; 202250–284 doi: https://doi.org/10.1525/jm.2003.20.2.250
Published: 01 April 2003
... mass preceded it, and a number of prayers, litanies, and chants, including Exaudi nos Domine and Veni cre- ator spiritus, followed.4 But if the ecclesiastical ritual gave the proceed- ings an air of legitimacy, Peter s sermon declared their irreconcilable break from traditional canon law by placing...
The Journal of Musicology. 1999; 174763933 doi: https://doi.org/10.2307/763933
Published: 01 October 1999
... Archives, spanning the history of Western music from Gregorian chant to the present, are the most comprehensive collection of manuscripts and other sources for the study of music undertaken by an individual. The manuscripts include music, ranging from full scores to sketches; letters; literary works such...
The Journal of Musicology. 1998; 163420 doi: https://doi.org/10.2307/764000
Published: 01 July 1998
...-usa.org, Elsewhere: Journals Department, Oxford University Press, Great Clarendon Street, Oxford OX2 6DP. UK. Call +44 (0) 1865 267907 Fax: +44 (0) 1865 267485, E-mail: inl.orders(aouD.co.uk CALIFORNIA Decadent Enchantments The Revival of Gregorian Chant at Solesmes Katherine Bergeron "Bergeron discovers...