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Journal Articles
The Journal of Musicology. 2020; 37139–50 doi: https://doi.org/10.1525/jm.2020.37.1.39
Published: 01 January 2020
...Anna Schultz This response defends ethnomusicology against Amico’s call for its end, even as the “ethno-” prefix has already become optional in certain contexts. Addressing Amico’s critiques of gender, repertoire, method, and colonialism, the response argues that ethnomusicologists are thinking...
Journal Articles
The Journal of Musicology. 2020; 3711–32 doi: https://doi.org/10.1525/jm.2020.37.1.1
Published: 01 January 2020
..., “ethn-”, exposes the field’s historical and continuing reliance upon colonialist ideology, continually reproduced in relation to both ethnicity (constructed in relation to interrelated discourses of authenticity, technology, and gender) and ethnography. Highlighting the extent to which a field-defining...
Journal Articles
The Journal of Musicology. 2019; 36196–129 doi: https://doi.org/10.1525/jm.2019.36.1.96
Published: 01 January 2019
...Simon Morrison Even among devotees of her music, Galina Ustvolskaya is often reduced to an intersectional victim of gendered and political repression, a fearful casualty of the Soviet system. Her percussive scores, including the Sixth Piano Sonata, have earned Ustvolskaya the nickname “lady with...
Journal Articles
Journal of Musicology. 2019; 364464–497 doi: https://doi.org/10.1525/jm.2019.36.4.464
Published: 01 October 2019
... gender during the Thaw. Gagarin, the conqueror, was revered in marches extolling his colonizing feats; Tereshkova, the homemaker, was celebrated with romances and tales of domesticity. By demonstrating the prevalence of new media and the power of participatory practices in the sonic space race, this...
Journal Articles
The Journal of Musicology. 2017; 342241–280 doi: https://doi.org/10.1525/jm.2017.34.02.241
Published: 01 April 2017
..., considered Chopin’s music “poetic,” “feminine,” and “emotive.” But this was problematic for Busoni, who was obsessed with “manliness” in an age in which gender roles were gradually changing. He discovered “half-manly” and “half-dramatic” elements in the music and in Chopin’s character—that is, a heroic...
Journal Articles
The Journal of Musicology. 2003; 203388–413 doi: https://doi.org/10.1525/jm.2003.20.3.388
Published: 01 July 2003
... ideologies of gender, the body, and decadence. While the Stadtmensch's body came to be regarded as a potential carrier of a feminized, urban degeneracy, the ideology of Köörperkultur (body culture) proposed a cure for this degeneracy in an idealized chaste and rural male body. Mahler's juxtaposition of the...
Journal Articles
Journal of Musicology. 2020; 372197–230 doi: https://doi.org/10.1525/jm.2020.37.2.197
Published: 11 May 2020
... mesh of possibilities, gaps, overlaps, dissonances and resonances, lapses and excesses of meaning when the constituent elements of anyone s gender, of anyone s sexuality aren t made (or can t be made) to signify monolithically. It describes the slippage of meaning that occurs when a person s gender or...
Journal Articles
The Journal of Musicology. 2017; 343354–390 doi: https://doi.org/10.1525/jm.2017.34.3.354
Published: 01 July 2017
.... L. Lloyd, mass culture, the nascent New Left, gender, and the aesthetics of social realism (distinct from the project of Soviet socialist realism), I argue that early radio ballads were nostalgic panegyrics for the integrity of working-class identity in the face of unprecedented socio-economic...
Journal Articles
The Journal of Musicology. 2020; 37163–93 doi: https://doi.org/10.1525/jm.2020.37.1.63
Published: 01 January 2020
Journal Articles
The Journal of Musicology. 1995; 132143–167 doi: https://doi.org/10.2307/764103
Published: 01 April 1995
... Glossary 1980 5 Abstract, p. 25 Suzanne G. Cusick, "Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy," Journal of the American Musicological Society XLVI (1993), 1-25 10.2307/831804 1 Marcia J. Citron, Gender and the Musical Canon (Cam- bridge, 1993) Citron Gender and...
Journal Articles
Journal of Musicology. 2019; 364401–436 doi: https://doi.org/10.1525/jm.2019.36.4.401
Published: 01 October 2019
Journal Articles
Journal of Musicology. 2019; 364437–463 doi: https://doi.org/10.1525/jm.2019.36.4.437
Published: 01 October 2019
... Michel Chion, Audio-Vision: Sound on Screen (New York: Columbia University Press, 1994). 9 Keir Keightley, Turn It Down! She Shrieked: Gender, Domestic Space, and High Fidelity, 1948 59, Popular Music 15 (1996): 149 77, at 152. mcenaney 441 was to make reproduction indistinguishable from live...
Journal Articles
The Journal of Musicology. 1991; 94533–543 doi: https://doi.org/10.2307/763875
Published: 01 October 1991
... Anthology of Music by Women, ed. James Briscoe (Bloomington, IN, 1987) Briscoe Historical Anthology of Music by Women 1987 Susan McClary, Feminine Endings: Music, Gender, and Sexuality (Minneapolis, MN, 1991) McClary Feminine Endings: Music, Gender, and Sexuality 1991 Conference Report...
Journal Articles
The Journal of Musicology. 1990; 81102–117 doi: https://doi.org/10.2307/763525
Published: 01 January 1990
... Found 1988 4 Joan W. Scott, "Gender: A Useful Category of Historical Analysis," American His- torical Review XCI/5 (December 1986), 1053-75 10.2307/1864376 1053 Gerda Lerner, "Placing Women in History: A 1975 Perspective," in Liberating Women's History, ed. Berenice A. Carroll (Urbana, 1976...
Journal Articles
Journal of Musicology. 2019; 363370–400 doi: https://doi.org/10.1525/jm.2019.36.3.370
Published: 01 July 2019
... program Quizzicale (1941 42), performed in the film Stormy Weather (1943), and 8 Christopher J. Wells, A Dreadful Bit of Silliness : Feminine Frivolity and Ella Fitzgerald s Early Critical Reception, Women and Music: A Journal of Gender and Culture 21 (2017): 43 65. 9 Gunther Schuller, The Swing Era...
Journal Articles
The Journal of Musicology. 2018; 353397–430 doi: https://doi.org/10.1525/jm.2018.35.3.397
Published: 01 July 2018
Journal Articles
The Journal of Musicology. 2018; 352267–293 doi: https://doi.org/10.1525/jm.2018.35.2.267
Published: 01 April 2018
... dance numbers offer a troubling allegory, showing how the acts of high-low creative exchange at the heart of On Your Toes were premised on unequal gender and racial power dynamics: white male authorship eclipsed and erased the contributions of female and non-white collaborators both on and off stage...
Journal Articles
The Journal of Musicology. 2018; 352145–182 doi: https://doi.org/10.1525/jm.2018.35.2.145
Published: 01 April 2018
Journal Articles
The Journal of Musicology. 2018; 352183–222 doi: https://doi.org/10.1525/jm.2018.35.2.183
Published: 01 April 2018
Journal Articles
The Journal of Musicology. 2018; 35142–75 doi: https://doi.org/10.1525/jm.2018.35.1.42
Published: 01 January 2018