Search Results for exegesis
1-20 of 38 Search Results for
The Journal of Musicology. 2018; 35142–75 doi: https://doi.org/10.1525/jm.2018.35.1.42
Published: 01 January 2018
... exegesis, and his audiences as a devout congregation. Such accounts participated in the well-documented elevation of instrumental music as a Kunstreligion in the nineteenth century. Yet they moved beyond the mysticism and religious pluralism characteristic of early-Romantic Kunstreligion , and avoided...
Journal of Musicology. 2019; 364498–522 doi: https://doi.org/10.1525/jm.2019.36.4.498
Published: 01 October 2019
... Roman sources we may never know. But the Old Hispanic sources suggest that we ought to wonder. © 2019 by The Regents of the University of California 2019 Isidore of Seville Gregory the Great Old Hispanic Chant Gregorian Chant oral tradition exegesis psalmody. Leander, Isidore, and...
The Journal of Musicology. 2017; 342149–181 doi: https://doi.org/10.1525/jm.2017.34.02.149
Published: 01 April 2017
... California 2017 Johannes Brassart exegesis Fortis cum quevis actio John the Evangelist Liège Summus secretarius Johannes Brassart s Summus secretarius: Extolling the Evangelist* CATHERINE SAUCIER The motet Summus secretarius remains an enigma in the polyphonic output of Johannes Brassart...
The Journal of Musicology. 2020; 37139–50 doi: https://doi.org/10.1525/jm.2020.37.1.39
Published: 01 January 2020
... take part as co-creators of their own exegesis) who are, within the realm of the symbolic logics that have structured the visual for centuries, feminized (17 18). As someone who works and teaches on gender, this is a critique to which I am sympathetic. When teaching a graduate seminar on Gender Theory...
The Journal of Musicology. 2020; 3711–32 doi: https://doi.org/10.1525/jm.2020.37.1.1
Published: 01 January 2020
The Journal of Musicology. 2006; 233468–485 doi: https://doi.org/10.1525/jm.2006.23.3.468
Published: 01 July 2006
...THOMAS BAUMAN ABSTRACT Like other symphonic works that combine instrumental and vocal resources, Mahler's ““Resurrection”” symphony seems to pose a genre puzzle, especially to those who have tried to subject its choral finale to formal exegesis. Carl Dahlhaus dodged the difficulty of categorization...
The Journal of Musicology. 2018; 354460–497 doi: https://doi.org/10.1525/jm.2018.35.4.460
Published: 01 October 2018
The Journal of Musicology. 2001; 183458–489 doi: https://doi.org/10.1525/jm.2001.18.3.458
Published: 01 July 2001
... 1532 exegesis on the Magnificat; that the verse must be understood theologically, as a unit; that the change in musical texture at the words 'omnes generationes' is a rhetorical device, not "dramatic effect"; and, finally, that there is no change in tempo at the words 'omnes generationes' either in...
The Journal of Musicology. 2017; 344515–558 doi: https://doi.org/10.1525/jm.2017.34.4.515
Published: 01 October 2017
... also formal ones dia- lectically. On the latter, see his well-known reading of the Tempest Sonata s opening in his Ludwig van Beethoven, 6 7, 89, 116 18, and 169 71; and Janet Schmalfeldt s exegesis of swinkin 527 Is all this merely to say that these openings are harmonically or tonally ambiguous...
The Journal of Musicology. 2017; 341115–147 doi: https://doi.org/10.1525/jm.2017.34.01.115
Published: 01 January 2017
... traditions and putatively native aesthetic predispositions. One of the ways they did this was to look to seventeenth- and eighteenth-century culture sometimes French, sometimes not for inspiration and models. Another way was to invoke a series of entwined concepts, ever ripe for critical exegesis, such as...
The Journal of Musicology. 2016; 334483–521 doi: https://doi.org/10.1525/jm.2016.33.4.483
Published: 01 October 2016
The Journal of Musicology. 2016; 33192–116 doi: https://doi.org/10.1525/jm.2016.33.1.92
Published: 01 January 2016
... Western Folklore 48 (1989): 339 48. 28 Bill Readings, The University in Ruins (Cambridge: Harvard University Press, 1997). 29 Wilhelm von Humboldt, On the Spirit and the Organisational Framework of Intellectual Institutions in Berlin [1809 1810 Minerva 8 (1970): 243 50. blake 99 textual exegesis.30...
The Journal of Musicology. 2015; 324441–493 doi: https://doi.org/10.1525/jm.2015.32.4.441
Published: 01 October 2015
... the exegesis of a small number of written texts.6 The purpose of the present study is to reconstitute the content of the treatise by this unnamed modernus that is quoted at length by Jacobus, and that has not been commented on in previous scholarship. I situate this treatise within the context of ars...
The Journal of Musicology. 2015; 323367–409 doi: https://doi.org/10.1525/jm.2015.32.3.367
Published: 01 July 2015
... University of California 2015 affective devotion Dodecachordon Mary Magdalene motet composition Motetti B musical exegesis Michele Pesenti Reading Michele Pesenti s Tulerunt Dominum meum JENNIFER THOMAS Ottaviano Petrucci s second book of motets from 1503 the second book of motets ever...
Includes: Supplementary data
The Journal of Musicology. 2013; 3011–27 doi: https://doi.org/10.1525/jm.2013.30.1.1
Published: 01 March 2013
..., Foucault on the Question of the Author : A Critical Exegesis in Modern Language Review 99, no. 2 (April 2004): 339 63. 13 Chartier, The Order of Books, ix. 14 Ibid., 59. 15 Ibid., vii. 16 Ibid., 39 40. piperno 3 consistent to study Cinquecento music books from the authorial perspec- tive proposed by...
The Journal of Musicology. 2010; 273342–376 doi: https://doi.org/10.1525/jm.2010.27.3.342
Published: 01 July 2010
The Journal of Musicology. 2009; 263379–403 doi: https://doi.org/10.1525/jm.2009.26.3.379
Published: 01 July 2009
The Journal of Musicology. 2007; 242237–271 doi: https://doi.org/10.1525/jm.2007.24.2.237
Published: 01 April 2007
The Journal of Musicology. 2006; 234620–646 doi: https://doi.org/10.1525/jm.2006.23.4.620
Published: 01 October 2006
... s simultaneous fruitfulness and untainted virginity. Similarly, stanza II employs natural images of earth and fountain, the latter a typical sign of Marian virgin- ity based on exegesis of the enclosed garden in Song of Songs 4:12 15. Such renderings of the fountain correspond with paradoxical...
The Journal of Musicology. 2005; 214487–513 doi: https://doi.org/10.1525/jm.2004.21.4.487
Published: 01 January 2005
... in the upper voices also contribute to the audible structure of motet 4, De Bon Espoir, de Tres Doulz Souvenir / Puis que la 502 25 Margaret Bent, Deception, Exegesis and Sounding Number in Machaut s Motet 15, Early Music History 10 (1991): 15 27, esp. 20 22. Ý ý ð ý ÿ ý ÿ ý...