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distortion

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Journal Articles
Journal of Musicology. 2019; 364437–463 doi: https://doi.org/10.1525/jm.2019.36.4.437
Published: 01 October 2019
.... Tracing the intersection of musical and literary works, the article argues that a writerly ethics of distortion, rather than fidelity, arises from this mutual encounter with sound on tape, and ponders how dialogic audiobooks might contest older issues of power and representation for those writers, North...
Journal Articles
Journal of Musicology. 2019; 364401–436 doi: https://doi.org/10.1525/jm.2019.36.4.401
Published: 01 October 2019
..., zoom, and audio disturbances that include pronounced variations in volume, muffling, distortion, and harsh zipping noises.45 41 Gustavus Stadler, Strategic Naivete Journal of Popular Music Studies 23 (2011): 235 40; see also Warhol and Hackett, POPism, 166. 42 See Callie Angell, The Films of Andy...
Journal Articles
The Journal of Musicology. 2019; 362131–166 doi: https://doi.org/10.1525/jm.2019.36.2.131
Published: 01 April 2019
Journal Articles
The Journal of Musicology. 2019; 362228–260 doi: https://doi.org/10.1525/jm.2019.36.2.228
Published: 01 April 2019
Journal Articles
The Journal of Musicology. 2018; 353295–335 doi: https://doi.org/10.1525/jm.2018.35.3.295
Published: 01 July 2018
Journal Articles
The Journal of Musicology. 2017; 343432–472 doi: https://doi.org/10.1525/jm.2017.34.3.432
Published: 01 July 2017
Journal Articles
The Journal of Musicology. 2017; 343354–390 doi: https://doi.org/10.1525/jm.2017.34.3.354
Published: 01 July 2017
Journal Articles
The Journal of Musicology. 2017; 342182–240 doi: https://doi.org/10.1525/jm.2017.34.02.182
Published: 01 April 2017
... the motet subtradition common to all these cycles has prompted a somewhat distorted sense of stylistic homogeneity. 49 Evidence concerning the dating and geographic origins of this repertory is dis- cussed primarily in Rifkin, Munich, Milan, and a Marian Motet 245 64. Lynn Halpern Ward hypothesizes...
Journal Articles
The Journal of Musicology. 2017; 34132–70 doi: https://doi.org/10.1525/jm.2017.34.01.32
Published: 01 January 2017
... semiotic [the material, corporeal, rhythmic foundation of language] enters the symbolic [the expressive, everyday, rule-laden sphere she asserts, we reach a moment of distortion, a moment of rhetorical figures, rhythms, and alliterations, what is in fact poetic language in all its particularities. This...
Journal Articles
The Journal of Musicology. 2016; 333332–361 doi: https://doi.org/10.1525/jm.2016.33.3.332
Published: 01 July 2016
... Central and the Krasnopres- nenskii parks of culture and leisure, propagandized western dances, while ballroom dances are often performed in a distorted manner [is- kazhenno According to the report, while limited to only a few Moscow venues, such practices resulted from club managers hiring dance guides...
Journal Articles
The Journal of Musicology. 2016; 333277–331 doi: https://doi.org/10.1525/jm.2016.33.3.277
Published: 01 July 2016
... Russian, morality, exemplified by Nikolai Nekrasov s poem Russian Women could these wives really be represented by a foreigner?25 This issue first arose in 1937, when the CAA appointed a committee of composers, musicologists, and historians to analyze the opera. Their report decried distortion of...
Journal Articles
The Journal of Musicology. 2016; 332232–269 doi: https://doi.org/10.1525/jm.2016.33.2.232
Published: 01 April 2016
Journal Articles
The Journal of Musicology. 2005; 214579–600 doi: https://doi.org/10.1525/jm.2004.21.4.579
Published: 01 January 2005
... writings such as Most's-the distortions and misreadings that may result from a social history that does not engage music-may be seen in the broader context of Broadway and opera scholarship. Lessons to be learned from studying the musical Show Boat and the works of Sondheim point to the need for scholars...
Journal Articles
The Journal of Musicology. 2016; 33170–91 doi: https://doi.org/10.1525/jm.2016.33.1.70
Published: 01 January 2016
Journal Articles
The Journal of Musicology. 2016; 33111–44 doi: https://doi.org/10.1525/jm.2016.33.1.11
Published: 01 January 2016
Journal Articles
The Journal of Musicology. 2015; 324524–557 doi: https://doi.org/10.1525/jm.2015.32.4.524
Published: 01 October 2015
... Aristotle and Au- relius and what soul I will, and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the Veil.37 If, in Du Bois s famous metaphor, the veil distorted perceptions of the racial other, the Black man s mastery of European culture functions as a veil...
Journal Articles
Journal of Musicology. 2015; 322153–197 doi: https://doi.org/10.1525/jm.2015.32.2.153
Published: 01 April 2015
Journal Articles
The Journal of Musicology. 2014; 313326–353 doi: https://doi.org/10.1525/jm.2014.31.3.326
Published: 01 July 2014
.... Along with the recollections of Glinka came interpretations, distortions and even fabrications in a word, mythology. The result was a series of astonishingly diverse and conflicting representations of Glinka,15 collec- tively touching virtually on every imaginable theme, including his person- ality...
Journal Articles
The Journal of Musicology. 2014; 313354–393 doi: https://doi.org/10.1525/jm.2014.31.3.354
Published: 01 July 2014
Journal Articles