Search Results for copland
1-20 of 37 Search Results for
The Journal of Musicology. 2018; 353368–396 doi: https://doi.org/10.1525/jm.2018.35.3.368
Published: 01 July 2018
...Gina Bombola In the early 1940s Aaron Copland cultivated an identity as an authority on film composition through public lectures, interviews, and his own film scores. Championing film music’s potential as a serious art form, Copland sought to show Hollywood that film composers could branch out from...
The Journal of Musicology. 1997; 154417–443 doi: https://doi.org/10.2307/764002
Published: 01 October 1997
...David Metzer Copyright 1997 Regents of the University of California [Footnotes] 1 Aaron Copland and Vivian Perlis, Copland: Since 1943 (New York, 1989), 157. Copland 157 Copland: Since 1943 1989 2 Philip Ramey, Interview with Samuel Barber, Songs of Barber and Rorem. New...
The Journal of Musicology. 2006; 234485–527 doi: https://doi.org/10.1525/jm.2006.23.4.485
Published: 01 October 2006
...ELIZABETH B. CRIST ABSTRACT Aaron Copland's The Tender Land (1954) and Leonard Bernstein's Candide (1956) both comment sharply on McCarthyism, but their broader political implications are less clear. While the story of each may be read in terms of postwar liberalism, a position itself informed by...
The Journal of Musicology. 2001; 183377–405 doi: https://doi.org/10.1525/jm.2001.18.3.377
Published: 01 July 2001
...Elizabeth Bergman Crist Aaron Copland's Third Symphony, commissioned by Serge Koussevitzky and premiered by the Boston Symphony Orchestra in 1946, stands as the single true achievement of the composer's symphonic career. As befits such a weighty composition invested with personal and professional...
The Journal of Musicology. 2018; 35176–103 doi: https://doi.org/10.1525/jm.2018.35.1.76
Published: 01 January 2018
... to its orchestration and the horizontal aspects of its construction. She also introduced such figures as Aaron Copland to Mahler’s music, preparing him to approach it in a way that centered on the vocabulary of neo-classicism. Boulanger’s engagement with Mahler not only contributes to our picture of...
The Journal of Musicology. 2020; 37194–121 doi: https://doi.org/10.1525/jm.2020.37.1.94
Published: 01 January 2020
... (Rochester, NY: Boydell and Brewer, 2014); Annegret Fauser, Aaron Copland, Nadia Boulanger, and the Making of an American Composer, Musical Quarterly 89 (2006): 524 54; and numerous essays in Revue de Musicologie 103, no. 2 (2017): 497 724, a special issue devoted to the history of the journal. Such...
The Journal of Musicology. 2008; 2513–45 doi: https://doi.org/10.1525/jm.2008.25.1.3
Published: 01 January 2008
... disabilities in their music, and the result is often correlated with what is generally called late style. Close readings of four modernist works serve to illuminate the concept: Stravinsky, Requiem Canticles ; Schoenberg, String Trio; Bartóók, Third Piano Concerto; and Copland, Night Thoughts . In each case, I...
The Journal of Musicology. 2019; 36196–129 doi: https://doi.org/10.1525/jm.2019.36.1.96
Published: 01 January 2019
The Journal of Musicology. 2018; 354535–566 doi: https://doi.org/10.1525/jm.2018.35.4.535
Published: 01 October 2018
... Fromm found suitable performers in the U.S., Carter feared that Tanglewood might not be the most receptive venue for its premiere. [A]lmost no work of mine (only a small chorus) has ever been played there, he wrote. Copland, apparently, has made efforts for the past ten years but without success. I...
The Journal of Musicology. 2017; 343319–353 doi: https://doi.org/10.1525/jm.2017.34.3.319
Published: 01 July 2017
Journal of Musicology. 2015; 322279–322 doi: https://doi.org/10.1525/jm.2015.32.2.279
Published: 01 April 2015
The Journal of Musicology. 2014; 313354–393 doi: https://doi.org/10.1525/jm.2014.31.3.354
Published: 01 July 2014
The Journal of Musicology. 2014; 312199–230 doi: https://doi.org/10.1525/jm.2014.31.2.199
Published: 01 April 2014
The Journal of Musicology. 2014; 311139–182 doi: https://doi.org/10.1525/jm.2014.31.1.139
Published: 01 January 2014
The Journal of Musicology. 2014; 31191–138 doi: https://doi.org/10.1525/jm.2014.31.1.91
Published: 01 January 2014
The Journal of Musicology. 2013; 303330–368 doi: https://doi.org/10.1525/jm.2013.30.3.330
Published: 01 July 2013
... hymn s first phrase, what on paper seems to be merely a neighboring dominant within a prevailing F harmony acquires a quality that would seem more at home in Copland or Samuel Barber than in Beethoven. ito 337 should be unimpeded by obstacles.31 The correlation of features and processes found in this...
The Journal of Musicology. 2009; 262274–284 doi: https://doi.org/10.1525/jm.2009.26.2.274
Published: 01 April 2009
... (now being wheedled by the two formerly allied, now opposing Cold War powers),9 and in America, where Aaron Copland, for one, sought refuge in it when called to account for his erstwhile political engagements.10 These were among the factors determining serialism s seeming natural selection in a...
The Journal of Musicology. 2009; 2613–16 doi: https://doi.org/10.1525/jm.2009.26.1.3
Published: 01 January 2009
... Nadel 6 9 David Caute, Penny Von Eschen, Emily Abrams Ansari, Danielle Fosler-Lussier, and Ingrid Monson have all explored this topic. In addition to the relevant citations in the bibliography below, see Emily Abrams Ansari, Aaron Copland and Cultural Diplo- macy: UnAmerican Composer Meets Cold War...
The Journal of Musicology. 2009; 26144–84 doi: https://doi.org/10.1525/jm.2009.26.1.44
Published: 01 January 2009
..., funding decisions, and cultural policies reinforced these Cold War stylistic divisions. Jennifer DeLapp-Birkett has con- nected Copland s remarkable turn to the twelve-tone method in the 1950s to a period in which his communist connections had come un- der scrutiny. Without positing a direct cause-and...
The Journal of Musicology. 2008; 253211–229 doi: https://doi.org/10.1525/jm.2008.25.3.211
Published: 01 July 2008
... provided by the asso- ciation with Agee s text, the positing of a distinctive American character to Knoxville has commonly pointed to the apparent influence of that personification of musical Americana, Aaron Copland. Copland s Ap- palachian Spring was staged in 1944 and transferred to the concert hall the...