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concert-programming

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Journal Articles
The Journal of Musicology. 2017; 342241–280 doi: https://doi.org/10.1525/jm.2017.34.02.241
Published: 01 April 2017
... eccentricities, but the rationale behind them and their significance for the evolution of Chopin interpretation in the twentieth century remains largely unexplored. Through analyses of recordings, concert programs, recital reviews, and Busoni’s little-known and unpublished essay from 1908 titled “Chopin: Eine...
Journal Articles
Journal of Musicology. 2020; 372158–196 doi: https://doi.org/10.1525/jm.2020.37.2.158
Published: 11 May 2020
...Clare Carrasco Between 1919 and 1923 Arnold Schoenberg’s Chamber Symphony, op. 9 (1906) and Franz Schreker’s Chamber Symphony (1916) were repeatedly programmed together on public concerts in Germany. Critics reviewing these and other postwar performances often framed the two works in a distinctive...
Journal Articles
The Journal of Musicology. 2015; 324524–557 doi: https://doi.org/10.1525/jm.2015.32.4.524
Published: 01 October 2015
... goal of gaining additional perspective on Robeson’s early singing career in the 1920s by examining the contemporary practices of concert singing. The analysis focuses on three domains of practice pertaining to singing spirituals at concerts: the programming of spirituals in recital; arranging them for...
Journal Articles
The Journal of Musicology. 2018; 354535–566 doi: https://doi.org/10.1525/jm.2018.35.4.535
Published: 01 October 2018
...Rachel S. Vandagriff During the Cold War, American private foundations subsidized American modernist composers, supporting their work through commissions, underwriting recordings and concerts, and promoting their ideas in radio programs and periodicals circulated at home and abroad. From its...
Journal Articles
The Journal of Musicology. 2017; 34171–114 doi: https://doi.org/10.1525/jm.2017.34.01.71
Published: 01 January 2017
...Chantal Frankenbach Early in 1904 the American modern dancer Isadora Duncan, already notorious for her barefoot “Greek dancing” to concert music not intended for the stage, created a scandal in Germany by presenting a program of dances to Beethoven’s Seventh Symphony. Critics and composers...
Journal Articles
The Journal of Musicology. 2008; 25295–142 doi: https://doi.org/10.1525/jm.2008.25.2.95
Published: 01 April 2008
... of a second movement (scherzo) within this (camouflaged) symphony. When he had finished the score, he added, he or Reich would write something to be used in program books and pre-concert lectures.32 Shortly thereafter he broached the subject to Reich: An authentic text will be needed very soon for...
Journal Articles
Journal of Musicology. 2020; 372231–266 doi: https://doi.org/10.1525/jm.2020.37.2.231
Published: 11 May 2020
... polskich placo´wek kult-os´wiatowych w ZSSR, and (Z.130, J.747) (collection of concert programs). the journal of musicology 244 homes in Soviet-occupied eastern Poland in 1940 and 1941.61 An even more contentious issue for the leadership of the Union was how to define Polishness, the national ploy that...
Journal Articles
The Journal of Musicology. 2020; 37163–93 doi: https://doi.org/10.1525/jm.2020.37.1.63
Published: 01 January 2020
..., James H. Johnson, Listening in Paris: A Cultural History (Berkeley: University of California Press, 1995); and William Weber, The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms (Cambridge: Cambridge University Press, 2008). 3 Mary Hunter, To Play as if from the Soul of...
Journal Articles
The Journal of Musicology. 2020; 37194–121 doi: https://doi.org/10.1525/jm.2020.37.1.94
Published: 01 January 2020
... and jazz- inspired piano pieces met with positive reactions, more serious dra- matic works, such as his operas and nonprogrammatic concert works, did not receive either the performances or the critical reception he would have liked. Although influential critics published several elabo- rate, largely...
Journal Articles
Journal of Musicology. 2019; 364401–436 doi: https://doi.org/10.1525/jm.2019.36.4.401
Published: 01 October 2019
... playback. In addition to capturing conversa- tions and the occasional cabarets and rock shows he attended, these tapes provide a sonic trace of Warhol s own body moving through dif- ferent spaces. In one from 1973 we hear Led Zeppelin in concert at Madison Square Garden, Warhol walking through a crowd out...
Journal Articles
Journal of Musicology. 2019; 363370–400 doi: https://doi.org/10.1525/jm.2019.36.3.370
Published: 01 July 2019
... promote their Calloway concerts and request 78 rpm records from Victor to play on a phonograph in the venue lobby.27 In a section on cooperative ads, the press manual advises that Calloway will endorse anything within reason . . . in return for advertising space. Don t forget Cab Calloway sundaes in soda...
Journal Articles
The Journal of Musicology. 2019; 362195–227 doi: https://doi.org/10.1525/jm.2019.36.2.195
Published: 01 April 2019
... concert organizations and publishers—to fashion a career that was as successful financially as it was critically. Yet the myth of Chaikovsky’s financial incompetence persists, and the image, whether popular or scholarly, is still one of Chaikovsky as a spendthrift, unable to manage his income or regulate...
Journal Articles
The Journal of Musicology. 2019; 36139–67 doi: https://doi.org/10.1525/jm.2019.36.1.39
Published: 01 January 2019
..., remarks on Kant s theori- zation of the judgment of taste in relation to a key phase of canonic Western concert music: Is it a coincidence that at the time the aesthetic attitude theory reached full development, in 1790, the art of pure instrumental music had reached a position of prominence in the...
Journal Articles
The Journal of Musicology. 2019; 36168–95 doi: https://doi.org/10.1525/jm.2019.36.1.68
Published: 01 January 2019
... by Berlioz, and specifically by his Symphonie Fantastique, with its wild program, notorious autobiographical reso- nances, and the ways it like Hernani juxtaposed the profane and the sacred. Berlioz was one of Gautier s barbarians ; in a eulogy on the composer s death, Gautier wrote that Berlioz...
Journal Articles
The Journal of Musicology. 2018; 353397–430 doi: https://doi.org/10.1525/jm.2018.35.3.397
Published: 01 July 2018
... as a $1,000 performance fee for Taylor.53 (McPartland recalled that Mary Lou ha[d] little business ability and scant knowledge of how to correlate, to direct, her ideas and plans54 Williams s ambitions were bold. In her concert program notes she wrote portentously, A new era emerging from the...
Journal Articles
The Journal of Musicology. 2018; 353336–367 doi: https://doi.org/10.1525/jm.2018.35.3.336
Published: 01 July 2018
... Unsurprisingly, this way of hearing the ending has become the norm: pre-concert talks, program notes, and other popular accounts of the work frequently quote Volkov or reference his interpretation.6 Yet this reading defies historical logic. We cannot credibly assert that socialist realism was required from...
Journal Articles
The Journal of Musicology. 2018; 352267–293 doi: https://doi.org/10.1525/jm.2018.35.2.267
Published: 01 April 2018
... programs in 1948. Choreography by George Balanchine: A Catalogue of Works, New York: Viking, 1984 and Nancy Reynolds, Repertory in Review: 40 Years of the New York City Ballet. New York: Dial Press, 1977, 66 69. the journal of musicology 268 neoclassicism was periodically nourished in direct, tangible ways...
Journal Articles
The Journal of Musicology. 2018; 35142–75 doi: https://doi.org/10.1525/jm.2018.35.1.42
Published: 01 January 2018
... concerts in Florence, Milan, and other northern Italian cities. In 1872, however, Bu¨low re-emerged in German musical life with a series of triumphant concert tours, and he soon began to consoli- date his reputation as a Beethoven expert with a number of innovative programming strategies. On 23 October...
Journal Articles
The Journal of Musicology. 2018; 35176–103 doi: https://doi.org/10.1525/jm.2018.35.1.76
Published: 01 January 2018
... several nations.23 Boulanger surely attended concerts in this series; her copy of the separate program for the chamber-music events survives at the CNSMD.24 Boulanger had a personal stake in the festival s success. Correspon- dence suggests that at Mengelberg s request, she facilitated French atten- dance...
Journal Articles
The Journal of Musicology. 2017; 344473–514 doi: https://doi.org/10.1525/jm.2017.34.4.473
Published: 01 October 2017
.... 60 Ibid., 180 83. 61 Pierre, CNMD, 461. Speeches were published in the Moniteur universel and else- where (reprinted in Pierre, 900 ff.; concert programs are at 967 ff 62 This speech is reproduced in Pierre, CNMD, 902 3. 63 Re`glement propose´ pour le Conservatoire de musique par le commissaire...