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Journal Articles
The Journal of Musicology. 2018; 351104–143 doi: https://doi.org/10.1525/jm.2018.35.1.104
Published: 01 January 2018
... questions about authorship, authority, and truth itself that have an important place in our shared history as musicologists. Should our standards of evidence be rooted in historical sources, musical style, or some combination of the two? What kind of relationship do we believe exists between composers and...
Journal Articles
The Journal of Musicology. 2017; 342149–181 doi: https://doi.org/10.1525/jm.2017.34.02.149
Published: 01 April 2017
...Catherine Saucier The motet Summus secretarius remains an enigma in the polyphonic output of the south Netherlandish composer Johannes Brassart (ca. 1400/5–1455). While extant sources (I-Bc Q15 and GB-Ob 213) attest to Brassart’s authorship, the message and function of this motet have long...
Journal Articles
Journal of Musicology. 2020; 372197–230 doi: https://doi.org/10.1525/jm.2020.37.2.197
Published: 11 May 2020
Journal Articles
The Journal of Musicology. 2005; 213343–380 doi: https://doi.org/10.1525/jm.2004.21.3.343
Published: 01 January 2005
...Peter Urquhart The 16th-century motet Absalon, fili mi has long been scrutinized by modern scholars. The current effort to reassign its authorship to Pierre de la Rue, fueled largely by an interest in removing it from Josquin's canon, relies paradoxically upon aspects of the work that were...
Journal Articles
The Journal of Musicology. 2020; 37139–50 doi: https://doi.org/10.1525/jm.2020.37.1.39
Published: 01 January 2020
..., Postmodernism, Mass Culture (Bloomington and Indianapolis: Indiana University Press, 1986), 49. 27 Huyssen, After the Great Divide, 44 62. schultz 47 culture, and experimental ethnographic forms based in dialogue and co-authorship.28 The ethnographic modes that Renato Rosaldo called distanced, normalizing...
Journal Articles
Journal of Musicology. 2019; 364437–463 doi: https://doi.org/10.1525/jm.2019.36.4.437
Published: 01 October 2019
... Runaway Slave, 1966). The digital recording commemorated the fifty-year anniversary of a book whose authorship has long been a point of contention. While the book is usually attributed to Barnet, some editions instead list its author as Esteban Montejo, the 103-year-old former Afro-Cuban slave whom Bar...
Journal Articles
Journal of Musicology. 2019; 364401–436 doi: https://doi.org/10.1525/jm.2019.36.4.401
Published: 01 October 2019
Journal Articles
The Journal of Musicology. 2013; 302215–251 doi: https://doi.org/10.1525/jm.2013.30.2.215
Published: 01 April 2013
... Bakhtin’s Author and Hero in Aesthetic Activity draws a compelling image of the visual symbiosis between author and work. This appealingly cooperative model, I argue, offers a new philosophical aesthetic for Pulcinella ’s interdisciplinary historicism. I take Bakhtin’s concept of authorship as the basis for...
Journal Articles
The Journal of Musicology. 2019; 3611–38 doi: https://doi.org/10.1525/jm.2019.36.1.1
Published: 01 January 2019
... Opera: Multidisciplinary Perspectives, ed. Bruno Forment (Leuven: Leuven University Press, 2012), 17 31. 24 Rosand, Opera in Seventeenth-Century Venice, 125 53. 25 This is not the place to discuss the authorship of L incoronazione di Poppea. A recent (but still not definitive) study of these issues is...
Journal Articles
The Journal of Musicology. 2011; 284418–463 doi: https://doi.org/10.1525/jm.2011.28.4.418
Published: 01 October 2011
... conventional notions of authorship and artistic control in the Hollywood film score. © 2011 by the Regents of the University of California collaboration film music Alfred Hitchcock Miklós Rózsa Spellbound 418 The Journal of Musicology, Vol. 28, Issue 4, pp. 418 463, ISSN 0277-9269, electronic...
Journal Articles
The Journal of Musicology. 2018; 354460–497 doi: https://doi.org/10.1525/jm.2018.35.4.460
Published: 01 October 2018
... Thymiaterium musicale (Nuremburg: Abraham Wagenmann, 1625), published before his exile. Facsimiles of the title pages are in Pausz, Andreas Rauch, 55, 101, and 119. 43 Rose, The Mechanisms of the Music Trade, 16 24. On self-published prints in the sixteenth century, see Kate van Orden, Music, Authorship, and...
Journal Articles
The Journal of Musicology. 2018; 352267–293 doi: https://doi.org/10.1525/jm.2018.35.2.267
Published: 01 April 2018
... dance numbers offer a troubling allegory, showing how the acts of high-low creative exchange at the heart of On Your Toes were premised on unequal gender and racial power dynamics: white male authorship eclipsed and erased the contributions of female and non-white collaborators both on and off stage...
Journal Articles
The Journal of Musicology. 2009; 264512–565 doi: https://doi.org/10.1525/jm.2009.26.4.512
Published: 01 October 2009
... accepting or rejecting Josquin's authorship. Josquin's Qui habitat in adiutorio Altissimi , one of the most widely circulated and securely attributed of the psalm motets that carry the composer's name, serves as a paradigm for identifying compositional procedures that go beyond the stylistic generalities...
Journal Articles
The Journal of Musicology. 2018; 3511–41 doi: https://doi.org/10.1525/jm.2018.35.1.1
Published: 01 January 2018
Journal Articles
The Journal of Musicology. 2017; 344473–514 doi: https://doi.org/10.1525/jm.2017.34.4.473
Published: 01 October 2017
... advantages over earlier ap- proaches. The Conservatoire methods collaborative authorship and rig- orous peer review resulted in the most precious uniformity enthused the Journal de Paris in 1800.5 The Revue philosophique in 1807 praised their 2 Me´thode de flu te du Conservatoire La De´cade...
Journal Articles
The Journal of Musicology. 2017; 344559–609 doi: https://doi.org/10.1525/jm.2017.34.4.559
Published: 01 October 2017
...` Braitenberg (age 52, ca. 1602) honisch 565 Given Pontanus s authorship of the texts and the connection Augus- tine asserts between jubilation and rejoicing laborers, Luython s unusual print merits further study. Could Popularis anni jubilus be exactly what it claims to be not an exercise in hermetic...
Journal Articles
The Journal of Musicology. 2008; 253318–337 doi: https://doi.org/10.1525/jm.2008.25.3.318
Published: 01 July 2008
... published English edition, prepared by Cliff Eisen and translated by Stewart Spencer, omits the original author's name altogether from the title page, effectively completing the unjustified transfer of authorship from Jahn to Abert——unjustified in that despite Abert's claims of drastic revision...
Journal Articles
The Journal of Musicology. 2017; 343354–390 doi: https://doi.org/10.1525/jm.2017.34.3.354
Published: 01 July 2017
... MacColl, ed., The Shuttle and Cage: Indus- trial Folk-Ballads (London: Workers Music Association, 1954), unpaginated. 16 See Dave Arthur, Bert: The Life and Times of A. L. Lloyd (London: Pluto Press, 2012); and Stephen D. Winick, A. L. Lloyd and Reynardine: Authenticity and Authorship in the Afterlife...
Journal Articles
The Journal of Musicology. 2007; 244447–476 doi: https://doi.org/10.1525/jm.2007.24.4.447
Published: 01 October 2007
...JOSHUA RIFKIN An unusual mass in a late 15th-century Sienese choirbook has attracted increasing attention in recent years, not least because of its possible authorship by Jacob Obrecht. A closer look reveals some compositional procedures not previously encountered anywhere in the period, as well as...
Journal Articles
The Journal of Musicology. 2017; 342182–240 doi: https://doi.org/10.1525/jm.2017.34.02.182
Published: 01 April 2017
... in the Sistine Chapel (Oxford: Oxford University Press, 2012), 23 27; see also idem, Josquin and Epistemology On Josquin and authorship more generally, see Joshua Rifkin, Problems of Authorship in Josquin: Some Impolitic Observations, With a Postscript on Absalon, fili mi in Proceedings of the...