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authenticity

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Journal Articles
The Journal of Musicology. 1998; 16126–90 doi: https://doi.org/10.2307/764077
Published: 01 January 1998
...- lagsanstalt, 1961), col. 1190 Mansi 32 Sacrorum conciliorum nova et amplissima collectio 1961 71 Lesure, "France in the Sixteenth Century," 238-39 238 Pirro, Histoire de la musique, 320-21 320 72 Sermisy, Opera omnia, vols. 5-6 Style and Authenticity in the Motets of Claudin de...
Journal Articles
The Journal of Musicology. 1990; 84449–476 doi: https://doi.org/10.2307/763530
Published: 01 October 1990
... Vocal Works 1987 32 "The Pastness of the Present and the Presence of the Past," in Nicholas Kenyon, ed., Authenticity and Early Music (Oxford, 1988), pp. 137-207 Kenyon The Pastness of the Present and the Presence of the Past 137 Authenticity and Early Music 1988 "The Limits of...
Journal Articles
The Journal of Musicology. 2020; 3711–32 doi: https://doi.org/10.1525/jm.2020.37.1.1
Published: 01 January 2020
..., “ethn-”, exposes the field’s historical and continuing reliance upon colonialist ideology, continually reproduced in relation to both ethnicity (constructed in relation to interrelated discourses of authenticity, technology, and gender) and ethnography. Highlighting the extent to which a field-defining...
Journal Articles
Journal of Musicology. 2020; 372231–266 doi: https://doi.org/10.1525/jm.2020.37.2.231
Published: 11 May 2020
Journal Articles
The Journal of Musicology. 1994; 1213–18 doi: https://doi.org/10.2307/763935
Published: 01 January 1994
... Authentic Analysis PETER SCHUBERT In the mid-197os, the celebrated Bach conduc- tor Helmuth Rilling was asked what he thought about the vogue for authentic performance practice on original instruments. "It is very interesting," he replied, "but we have no original listeners." Analysis, like performance, is...
Journal Articles
The Journal of Musicology. 2016; 332232–269 doi: https://doi.org/10.1525/jm.2016.33.2.232
Published: 01 April 2016
... celebration, critical analysis, and documentary effort. Across the initial written, recorded, and filmed accounts of the strikes, I observe a pervasive effort to invest sound with the power to authenticate these records as grass-roots history. Such chronicles, which I theorize as “sound documents,” draw...
Journal Articles
The Journal of Musicology. 2020; 37139–50 doi: https://doi.org/10.1525/jm.2020.37.1.39
Published: 01 January 2020
...) the real, and to build musical actors and actions that seem to embody a pre- or anticapitalist authenticity, an ideal that seems only to lie in the realm of the non-Western, the subaltern, and the ethn- ic (12). This was once true.14 But this fever has long since subsided. Indeed, the study of...
Journal Articles
The Journal of Musicology. 2020; 37163–93 doi: https://doi.org/10.1525/jm.2020.37.1.63
Published: 01 January 2020
... Musical Work: The Transcendental Studies of Liszt (Cambridge: Cambridge University Press, 2003). 5 Karen Leistra-Jones, Staging Authenticity: Joachim, Brahms, and the Politics of Werktreue Performance, Journal of the American Musicological Society 66 (2013): 397 436, at 399. 6 Michel Foucault...
Journal Articles
The Journal of Musicology. 2016; 33170–91 doi: https://doi.org/10.1525/jm.2016.33.1.70
Published: 01 January 2016
...-imagining of the shakuhachi’s musical geography as the instrument reaches new players and places in Europe, Australia, and North America. Using recordings that incorporate environmental sounds alongside the shakuhachi, I examine ideas about the perceived authenticity of particular sounds, performance spaces...
Journal Articles
The Journal of Musicology. 2018; 351104–143 doi: https://doi.org/10.1525/jm.2018.35.1.104
Published: 01 January 2018
... the University of California 2018 musical forgery Joseph Haydn authorship authenticity Winfried Michel Hob. XVI:2a–e and 2g Composing Authority in Six Forged Haydn Sonatas FREDERICK REECE On the morning of 14 December 1993 musi- cologist H. C. Robbins Landon stood before a crowded...
Journal Articles
Journal of Musicology. 2019; 364437–463 doi: https://doi.org/10.1525/jm.2019.36.4.437
Published: 01 October 2019
... printed text Biograf ´a de un cimarro´n we will see how the tape recorder authenticates the text s con- crete reality. And ultimately, attention to the co(n)texts that have shaped and continue to shape how audiences hear the book will enable an alternative story about the relationships among text, sound...
Journal Articles
Journal of Musicology. 2019; 364464–497 doi: https://doi.org/10.1525/jm.2019.36.4.464
Published: 01 October 2019
... Cosmonaut Who Couldn t Stop Smiling: The Life and Legend of Yuri Gagarin (DeKalb: Northern Illinois University Press, 2012). 25 Narod privetstvuet, Izvestiia, 14 April 1961. 26 Evans, Between Truth and Time, 44. cornish 471 truthfulness. 27 Gagarin s desire for authenticity echoed writer Vladimir...
Journal Articles
Journal of Musicology. 2019; 364498–522 doi: https://doi.org/10.1525/jm.2019.36.4.498
Published: 01 October 2019
... Chants: Psalmi, Threni, and the Easter Vigil Canticles (Woodbridge, UK: Boy- dell and Brewer, 2013). randel 499 Seville and Toledo provides a compelling perspective for thinking about liturgical chant and its transmission in Gregory s Rome. The authenticity of the tradition that attributed Gregorian...
Journal Articles
Journal of Musicology. 2019; 363370–400 doi: https://doi.org/10.1525/jm.2019.36.3.370
Published: 01 July 2019
... trapped both blacks and whites in roles that were not authentic but staged. 4 Such critiques of inauthen- ticity contrast with Samuel Floyd s praise of Calloway s originality at the Cotton Club. Floyd describes Calloway s orchestra as an experimental laboratory in which new musical techniques, devices...
Journal Articles
Journal of Musicology. 2019; 363295–330 doi: https://doi.org/10.1525/jm.2019.36.3.295
Published: 01 July 2019
Journal Articles
The Journal of Musicology. 2019; 362228–260 doi: https://doi.org/10.1525/jm.2019.36.2.228
Published: 01 April 2019
... was reluctant to acknowledge contemporary indigenous peoples and their improper Incan music as part of Ecuador s musical past, embracing instead the authentic indigenous (i.e., Incan) past, eluding but at the same time alluding to Ecuador s racial tensions. Traversari divides his text by country...
Journal Articles
The Journal of Musicology. 2011; 2819–33 doi: https://doi.org/10.1525/jm.2011.28.1.9
Published: 01 January 2011
... authenticated in this way really do attest to a new idea of professional musicianship that Isaac was the earliest and most successful in implementing: that of the professional composer who undertakes to produce new works under contractual obligation. Isaac is the first-known musician who signed a document...
Journal Articles
The Journal of Musicology. 2019; 36168–95 doi: https://doi.org/10.1525/jm.2019.36.1.68
Published: 01 January 2019
... isolated. Harold s theme, which comprises a four-measure antecedent phrase ending with a half cadence followed by a four-measure consequent phrase ending with an authentic cadence, adheres exactly to music- theoretical rules. It certainly does not seem to represent the kind of gloomy wanderer described in...
Journal Articles
The Journal of Musicology. 2019; 36196–129 doi: https://doi.org/10.1525/jm.2019.36.1.96
Published: 01 January 2019
..., NJ: Limelight Editions, 2004). Laurel E. Fay first challenged this book s authenticity in a 1980 review, and then in a longer 2002 article, both reprinted in Malcolm Hamrick Brown, ed., A Shostakovich Casebook (Bloomington: Indiana University Press, 2004), 11 66. 37 Leonid Maksimenkov, Slovo o...
Journal Articles
The Journal of Musicology. 2019; 36139–67 doi: https://doi.org/10.1525/jm.2019.36.1.39
Published: 01 January 2019