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aurality

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Journal Articles
The Journal of Musicology. 2017; 343432–472 doi: https://doi.org/10.1525/jm.2017.34.3.432
Published: 01 July 2017
... context Ravel’s depictions of bells in “Entre cloches” and “La vallée des cloches” suggest a shift in the place of musical listening in nineteenth- and early twentieth-century cultures of aurality. Ravel’s musical listening entailed heightened attentiveness to the empirical qualities of non -musical sound...
Journal Articles
Journal of Musicology. 2019; 364437–463 doi: https://doi.org/10.1525/jm.2019.36.4.437
Published: 01 October 2019
... and South, who worked in support of marginalized (Afro-Cuban, working class, and queer) subjects. © 2019 by The Regents of the University of California 2019 tape sound studies testimonio transduction distortion fidelity audiobooks aurality Forgotten Histories of the Audiobook: Tape...
Journal Articles
The Journal of Musicology. 2016; 334483–521 doi: https://doi.org/10.1525/jm.2016.33.4.483
Published: 01 October 2016
... operate as technologies of the self that became integral to the fashioning of romantic subjectivities. My reading emphasizes the aural experience induced by the form’s asymmetries, and contends that the absence delivered at its structural crux complicates sonata form practices to afford an experience of...
Journal Articles
Journal of Musicology. 2020; 372123–157 doi: https://doi.org/10.1525/jm.2020.37.2.123
Published: 11 May 2020
...: University of Illinois Press, 2015). 11 Literary historian Brett Brehm has also written about Kastner s contribution to a new epistemology of listening in nineteenth-century Paris, but he does so to provide new analyses of two poems by Mallarme´. Despite his identification of a humanistic aural turn and...
Journal Articles
The Journal of Musicology. 2020; 37139–50 doi: https://doi.org/10.1525/jm.2020.37.1.39
Published: 01 January 2020
... York: Routle- dge, 2004), 3 17. 33 See, for example, Alex E. Chavez, Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arriben o (Durham, NC: Duke University Press, 2017). 34 See, for example, Fernando Orejuela and Stephanie Shonekan, eds., Black Lives Matter and Music: Protest...
Journal Articles
The Journal of Musicology. 2020; 37163–93 doi: https://doi.org/10.1525/jm.2020.37.1.63
Published: 01 January 2020
Journal Articles
Journal of Musicology. 2019; 364401–436 doi: https://doi.org/10.1525/jm.2019.36.4.401
Published: 01 October 2019
... stopping and starting created overex- posed and white frames, and concurrently slower sound recording.43 This falls in line with what Graig Uhlin describes as the aural modernism in Warhol s films: bad technique that allows the materiality of the sound- recording mechanisms to interfere with the spoken...
Journal Articles
Journal of Musicology. 2019; 363295–330 doi: https://doi.org/10.1525/jm.2019.36.3.295
Published: 01 July 2019
Journal Articles
Journal of Musicology. 2019; 363331–369 doi: https://doi.org/10.1525/jm.2019.36.3.331
Published: 01 July 2019
Journal Articles
Journal of Musicology. 2019; 363370–400 doi: https://doi.org/10.1525/jm.2019.36.3.370
Published: 01 July 2019
.... In Daniel Goldmark s analysis, by locating Betty [Boop] aurally in a jazz world, the cartoons also place her in the ideological world of black music. The dark jungles represent jazz s supposed primeval origins, while the caves that appear in all three Calloway cartoons work as metaphors for the...
Journal Articles
The Journal of Musicology. 2012; 292101–153 doi: https://doi.org/10.1525/jm.2012.29.2.101
Published: 01 April 2012
...Paul Schleuse Musical histories before the twentieth century consistently described Orazio Vecchi's L'Amfiparnaso (published in 1597) as an early or nascent form of opera, despite the composer's explanation that the work is an aural spectacle, not a visual one. Later scholars have persisted in...
Journal Articles
The Journal of Musicology. 2019; 362228–260 doi: https://doi.org/10.1525/jm.2019.36.2.228
Published: 01 April 2019
..., The Quest for the Origins of Music in Germany Circa 1900, Journal of the American Musicological Society 53 (2000): 345 85. 41 Ana Mar ´a Ochoa Gautier, Aurality: Listening and Knowledge in Nineteenth-Century Colombia (Durham, NC: Duke University Press, 2014), 47 48. 42 Eduard Hanslick, Vom...
Journal Articles
The Journal of Musicology. 2019; 3611–38 doi: https://doi.org/10.1525/jm.2019.36.1.1
Published: 01 January 2019
Journal Articles
The Journal of Musicology. 2018; 353368–396 doi: https://doi.org/10.1525/jm.2018.35.3.368
Published: 01 July 2018
... within the musical community. To be sure, some serious composers such as Igor Stravinsky staunchly maintained that film music was akin to aural wallpaper its one 2 For Copland s full account of this story, see Aaron Copland and Vivian Perlis, Copland Since 1943 (New York: St. Martin s Press, 1989...
Journal Articles
The Journal of Musicology. 2009; 26117–43 doi: https://doi.org/10.1525/jm.2009.26.1.17
Published: 01 January 2009
... composers are most significantly present in the aural materiality of their music, and because Arnold Schoenberg's name was synonymous with modernism and its persecution across Europe, his symbolic postwar reappearance via performances of his music was a powerful and problematic form of remigration. The case...
Journal Articles
The Journal of Musicology. 2018; 352145–182 doi: https://doi.org/10.1525/jm.2018.35.2.145
Published: 01 April 2018
Journal Articles
The Journal of Musicology. 2018; 352223–266 doi: https://doi.org/10.1525/jm.2018.35.2.223
Published: 01 April 2018
..., forging an aural connection between Christmas and the threat of death that is appropriate to both movie plots. Thanks to Christopher Reynolds for bringing these examples to my attention. burkholder 227 notes is about 1 in 1,000.9 Given the thousands of diatonic melodies in the world, there should be many...
Journal Articles
The Journal of Musicology. 2018; 3511–41 doi: https://doi.org/10.1525/jm.2018.35.1.1
Published: 01 January 2018
... account clearly emphasizes Carl Anselm s generosity, piety, and grandeur this even though the festival was designed to cele- brate the emperor. In such ceremonies rulers endeavored not only to construct their desired image, but also to maintain it through visual, aural, and discur- sive forms of...
Journal Articles
The Journal of Musicology. 2017; 344559–609 doi: https://doi.org/10.1525/jm.2017.34.4.559
Published: 01 October 2017
Journal Articles
The Journal of Musicology. 2006; 234528–568 doi: https://doi.org/10.1525/jm.2006.23.4.528
Published: 01 October 2006
.... Within the serenata, allegory served as the catalyst to express layers of meaning to diverse audiences. But more than that, allegory provided the means by which music was contained and its delivery marked. For public audiences, sound was as much visual as it was aural, an immediate and palpable special...