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active-transition

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Journal Articles
The Journal of Musicology. 2012; 293292–322 doi: https://doi.org/10.1525/jm.2012.29.3.292
Published: 01 August 2012
.... This article demonstrates that the moment of transition can play an active role in generating relationships among formal sections of a work. This is particularly apparent in a number of Haydn's symphonies, where the music at the end of a slow introduction seems to “generate” the opening of the fast...
Journal Articles
Journal of Musicology. 2020; 372158–196 doi: https://doi.org/10.1525/jm.2020.37.2.158
Published: 11 May 2020
... impressionist Chamber Symphony. Scholars today would be unlikely to name either work as a particularly representative example of the respective ism. 9 For early twentieth- century critics, it seems not to have been a concern that neither composer actively associated himself with the relevant term.10 The...
Journal Articles
Journal of Musicology. 2020; 372123–157 doi: https://doi.org/10.1525/jm.2020.37.2.123
Published: 11 May 2020
..., www.ucpress.edu/journals/reprints-permissions. DOI: httpsdoi.org/10.1525/ JM.2020.37.2.123 hawkers were an active and ubiquitous element of the city s economy, and their cries at times melodious, at times raucous formed a distinct part of Paris s everyday soundscape. Paris s hawkers began to face hard times...
Journal Articles
The Journal of Musicology. 2020; 37139–50 doi: https://doi.org/10.1525/jm.2020.37.1.39
Published: 01 January 2020
... is gendered as male through a colonial gaze in which the Other is produced as a feminized object of scrutiny rather than as an active par- ticipant in representation. I would argue that the crisis of representation that swept anthropology in the 1980s and ethnomusicology by the 1990s was a response...
Journal Articles
The Journal of Musicology. 2020; 37194–121 doi: https://doi.org/10.1525/jm.2020.37.1.94
Published: 01 January 2020
... chorus did more than comment on Columbus s story in the vein of Greek tragedy; its members became active participants in it. At least one critic echoed Milhaud s expectation that the Ope´ra would not perform the piece, writing, given the importance of the cho- rus, it is likely that Christophe Colomb...
Journal Articles
Journal of Musicology. 2019; 364498–522 doi: https://doi.org/10.1525/jm.2019.36.4.498
Published: 01 October 2019
... repertory of chant was formed in coordination with prayers, readings, and sermons. All of this speaks to deliberate composition by Isidore, Leander, and their colleagues rather than to the writing down of a long-standing oral tradition. Gregory surely knew about this activity in Spain. Is it likely that...
Journal Articles
Journal of Musicology. 2019; 364464–497 doi: https://doi.org/10.1525/jm.2019.36.4.464
Published: 01 October 2019
... identities.7 Through popular press representations, radio broadcasts, and variety television performances, music devoted to the space program both humanized the cosmonauts and helped facilitate the transition from Stalinism to the Thaw. In vivid imagery and memorable melodies, estrada (popular variety songs...
Journal Articles
Journal of Musicology. 2019; 363261–294 doi: https://doi.org/10.1525/jm.2019.36.3.261
Published: 01 July 2019
... to silence or to the pure invention of melodies.27 A more scholarly approach was enabled by identification of a critical mass of notations, the copying of these into synoptic tables, and analysis of neumed information without leaping into reconstruction. These activities facilitated recognition of...
Journal Articles
The Journal of Musicology. 2019; 36139–67 doi: https://doi.org/10.1525/jm.2019.36.1.39
Published: 01 January 2019
... be maintained in the transition from classical to Romantic aesthetics in the first decade of the nineteenth century. © 2019 by The Regents of the University of California 2019 Immanuel Kant C. F. Michaelis J. F. Reichardt music aesthetics autonomy formalism classicism Music in...
Journal Articles
The Journal of Musicology. 2019; 36168–95 doi: https://doi.org/10.1525/jm.2019.36.1.68
Published: 01 January 2019
... of Haydn and irony, Bonds discusses Jean Paul Richter s ideas about the annihilating humor that irony can effect, noting: what is annihilated most immediately is that which precedes an abrupt change. 41 The effect of the jarring transition between the dark, complex opening material and Harold s...
Journal Articles
The Journal of Musicology. 2019; 36196–129 doi: https://doi.org/10.1525/jm.2019.36.1.96
Published: 01 January 2019
..., Shostakovich and His Circle, Classical Net, 2008; httpwww .classical.net/music/recs/reviews/a/anl29898a.php. morrison 101 Thus Ustvolskaya is imagined to be phobic, pathological, and clois- tered, whereas Shostakovich actively engages with the world and enjoys a full emotional life. Her experiences are...
Journal Articles
The Journal of Musicology. 2018; 353295–335 doi: https://doi.org/10.1525/jm.2018.35.3.295
Published: 01 July 2018
... bureaucracies at the time, and consequent variations in regional conditions, make attempts to tie patterns of musical activity to ideology fallacious; such attempts perpetuate mythologies by mislead- ingly assigning outsized responsibility to Adolf Hitler and an omnipotent central authority.12 In a similar...
Journal Articles
The Journal of Musicology. 2018; 352267–293 doi: https://doi.org/10.1525/jm.2018.35.2.267
Published: 01 April 2018
... than previ- ously thought. Nonetheless, the exact connections between Balanchine s seemingly disparate spheres of activity have remained obscure. The Bach Ballet provides conclusive evidence that Balanchine s abstract - lyrics. See his Enchanted Evenings: The Broadway Musical from Show Boat to...
Journal Articles
The Journal of Musicology. 2018; 352223–266 doi: https://doi.org/10.1525/jm.2018.35.2.223
Published: 01 April 2018
Journal Articles
The Journal of Musicology. 2018; 35142–75 doi: https://doi.org/10.1525/jm.2018.35.1.42
Published: 01 January 2018
... calling the performer a “priest,” an epithet common in mid-century music criticism. Instead, Bülow and his critics positioned his activities within a more traditional German Protestantism by emphasizing the didactic nature of his performances, their focus on a strict “gospel” of canonic works, and their...
Journal Articles
The Journal of Musicology. 2018; 3511–41 doi: https://doi.org/10.1525/jm.2018.35.1.1
Published: 01 January 2018
... contemporary cultural trends. Thus the Thurn und Taxis s musical patronage in the years after 1786 does not merely demonstrate that the family remained active in Regensburg s cultural life; it also betrays the variety of ways in which representational politics were negotiated in the closing years of the eigh...
Journal Articles
The Journal of Musicology. 2017; 344515–558 doi: https://doi.org/10.1525/jm.2017.34.4.515
Published: 01 October 2017
..., more fundamentally, to afford tonal variety to the tonic-centered recapitula- tion). Beethoven s innovation was to transplant such non-tonic activity more routinely from the transition into S itself in order to defer the tonic more demonstrably. In short, the Waldstein is not merely in sonata form...
Journal Articles
The Journal of Musicology. 2017; 343354–390 doi: https://doi.org/10.1525/jm.2017.34.3.354
Published: 01 July 2017
... unassailable his activism, she notes, was the constant, central core of his life. . . .He had a worldview into which everything fitted18 Although Ben Harker argues that MacColl defined such ideas against what he saw as earlier folklorists construction of folk music as a rosy, reassuring window on to a...
Journal Articles
The Journal of Musicology. 2017; 343319–353 doi: https://doi.org/10.1525/jm.2017.34.3.319
Published: 01 July 2017
... institution often held responsible for such exclu- sions is paradoxically the most common site of musicological activity: the university.4 Spurred on by Milton Babbitt s famous suggestion that com- posers withdraw from public life in favor of university patronage in his 1958 article The Composer as...
Journal Articles
The Journal of Musicology. 2017; 343391–431 doi: https://doi.org/10.1525/jm.2017.34.3.391
Published: 01 July 2017
... best uninteresting and at worst damaging to the dissemination of his musical ideas. Only following his death in 1935 did his pupils try to sanitize Schenker. Oswald Jonas and Felix Salzer actively suppressed the more questionable aspects of his thought in order to make his theories more palatable in a...