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Conductus, Sequence, Refrain: Composing Latin Song across Language and Genre in Thirteenth-Century France

Mary Channen Caldwell

Journal of Musicology (2022) 39 (2): 133–178.

DOI: https://doi.org/10.1525/jm.2022.39.2.133

Published: 01 April 2022

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Journal Articles

Melodia and the “Disposition of the Soul”: G. C. Monteverdi’s “Platonic” Defense of the Seconda Pratica

David E. Cohen

Journal of Musicology (2022) 39 (2): 179–208.

DOI: https://doi.org/10.1525/jm.2022.39.2.179

Published: 01 April 2022

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Journal Articles

“What a Concept! What, a Concept? What Concept?” The Byrds, Jefferson Airplane, and the Early Days of the Concept Album

James Grier

Journal of Musicology (2022) 39 (2): 209–224.

DOI: https://doi.org/10.1525/jm.2022.39.2.209

Published: 01 April 2022

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Journal Articles

Articulating Urban Culture with Coach Horns in the Long Nineteenth Century

Nicole Vilkner

Journal of Musicology (2022) 39 (2): 225–254.

DOI: https://doi.org/10.1525/jm.2022.39.2.225

Published: 01 April 2022

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Journal Articles

Wenzel Mihule and the Reception of Don Giovanni in Central Europe

Martin Nedbal

Journal of Musicology (2022) 39 (1): 66–108.

DOI: https://doi.org/10.1525/jm.2022.39.1.66

Published: 01 January 2022

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Journal Articles

Instrument or Appliance? The RCA Theremin, Gender, Labor, and Domesticity

Clara Latham

Journal of Musicology (2022) 39 (1): 35–65.

DOI: https://doi.org/10.1525/jm.2022.39.1.35

Published: 01 January 2022

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Journal Articles

Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books

Gideon Brettler

Journal of Musicology (2022) 39 (1): 1–34.

DOI: https://doi.org/10.1525/jm.2022.39.1.1

Published: 01 January 2022

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Journal Articles

Cardano and Scaliger in Debate on the Revival of Ancient Music

Jacomien Prins

Journal of Musicology (2022) 39 (1): 109–132.

DOI: https://doi.org/10.1525/jm.2022.39.1.109

Published: 01 January 2022

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Journal Articles

Music for Martyrs: Sacred Music and the Particular Piety of Late Seventeenth-Century Salzburg

Kimberly Beck Hieb

Journal of Musicology (2021) 38 (4): 436–478.

DOI: https://doi.org/10.1525/jm.2021.38.4.436

Published: 01 October 2021

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Journal Articles

“Behind the Sounds”: Matti Caspi, Shlomo Gronich, and the Politics of Genre in Israel

Michael A. Figueroa

Journal of Musicology (2021) 38 (4): 401–418.

DOI: https://doi.org/10.1525/jm.2021.38.4.401

Published: 01 October 2021

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Journal Articles

Handel’s Transformative Compositional Practices: A Tale of Two Arias

David Ross Hurley

Journal of Musicology (2021) 38 (4): 479–502.

DOI: https://doi.org/10.1525/jm.2021.38.4.479

Published: 01 October 2021

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Journal Articles

The Musical Ineffable Revisited: Hermeneutics, Psychoanalysis, and Media-Technological Reproducibility

Rolf J. Goebel

Journal of Musicology (2021) 38 (4): 419–435.

DOI: https://doi.org/10.1525/jm.2021.38.4.419

Published: 01 October 2021

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Journal Articles

Free Jazz and the “New Thing”: Aesthetics, Identity, and Texture, 1960–1966

Kwami Coleman

Journal of Musicology (2021) 38 (3): 261–295.

DOI: https://doi.org/10.1525/jm.2021.38.3.261

Published: 01 July 2021

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Journal Articles

Texts, Drugs, and Rock ’n’ Roll: Easy Rider and the Compilation Soundtrack

Jonathan Rhodes Lee

Journal of Musicology (2021) 38 (3): 296–328.

DOI: https://doi.org/10.1525/jm.2021.38.3.296

Published: 01 July 2021

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Journal Articles

From Machine to Musical Instrument: The Life and Workings of the Metrostyle Pianola

Stephanie Probst

Journal of Musicology (2021) 38 (3): 329–363.

DOI: https://doi.org/10.1525/jm.2021.38.3.329

Published: 01 July 2021

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Journal Articles

The Scribe of W 1 and His Scottish Context

Katherine Kennedy Steiner

Journal of Musicology (2021) 38 (3): 364–399.

DOI: https://doi.org/10.1525/jm.2021.38.3.364

Published: 01 July 2021

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Journal Articles

Imitating Africans, Listening for Angels: A Slaveholder’s Fantasy of Social Harmony in an “Ethnic Villancico” from Colonial Puebla (1652)

Andrew A. Cashner

Journal of Musicology (2021) 38 (2): 141–182.

DOI: https://doi.org/10.1525/jm.2021.38.2.141

Published: 01 April 2021

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Journal Articles

Ballet Fit for a National Theater? Carré, the Critics, and Le Cygne at the Opéra-Comique

Sarah Gutsche-Miller

Journal of Musicology (2021) 38 (2): 183–208.

DOI: https://doi.org/10.1525/jm.2021.38.2.183

Published: 01 April 2021

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Journal Articles

On the Foundations of Dahlhaus’s Foundations

Tobias Robert Klein, Stephen Hinton

Journal of Musicology (2021) 38 (2): 209–229.

DOI: https://doi.org/10.1525/jm.2021.38.2.209

Published: 01 April 2021

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Journal Articles

Séances, “Sperrits,” and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism

Carmel Raz

Journal of Musicology (2021) 38 (2): 230–259.

DOI: https://doi.org/10.1525/jm.2021.38.2.230

Published: 01 April 2021

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Conductus, Sequence, Refrain: Composing Latin Song across Language and Genre in Thirteenth-Century France

Melodia and the “Disposition of the Soul”: G. C. Monteverdi’s “Platonic” Defense of the Seconda Pratica

“What a Concept! What, a Concept? What Concept?” The Byrds, Jefferson Airplane, and the Early Days of the Concept Album

Articulating Urban Culture with Coach Horns in the Long Nineteenth Century

Wenzel Mihule and the Reception of Don Giovanni in Central Europe

Instrument or Appliance? The RCA Theremin, Gender, Labor, and Domesticity

Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni’s Guitar Books

Cardano and Scaliger in Debate on the Revival of Ancient Music

Music for Martyrs: Sacred Music and the Particular Piety of Late Seventeenth-Century Salzburg

“Behind the Sounds”: Matti Caspi, Shlomo Gronich, and the Politics of Genre in Israel

Handel’s Transformative Compositional Practices: A Tale of Two Arias

The Musical Ineffable Revisited: Hermeneutics, Psychoanalysis, and Media-Technological Reproducibility

Free Jazz and the “New Thing”: Aesthetics, Identity, and Texture, 1960–1966

Texts, Drugs, and Rock ’n’ Roll: Easy Rider and the Compilation Soundtrack

From Machine to Musical Instrument: The Life and Workings of the Metrostyle Pianola

The Scribe of W 1 and His Scottish Context

Imitating Africans, Listening for Angels: A Slaveholder’s Fantasy of Social Harmony in an “Ethnic Villancico” from Colonial Puebla (1652)

Ballet Fit for a National Theater? Carré, the Critics, and Le Cygne at the Opéra-Comique

On the Foundations of Dahlhaus’s Foundations

Séances, “Sperrits,” and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism

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