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Journal Articles
Hedy Law (Convenor), Olivia Bloechl, Jessica Bissett Perea, Alexandria Carrico, Parkorn Wangpaiboonkit ...
Journal:
Journal of Musicology
Journal of Musicology (2023) 40 (3): 249–307.
Published: 01 July 2023
Journal Articles
Journal:
Journal of Musicology
Journal of Musicology (2023) 40 (3): 370–422.
Published: 01 July 2023
Journal Articles
Journal:
Journal of Musicology
Journal of Musicology (2023) 40 (3): 308–369.
Published: 01 July 2023
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Figure 1. John Eccles, “Fie Amaryllis, cease to grieve,” from The Fickle Shepherdess (1703), as printed in A Collection of the Choicest Songs & Dialogues (London: John Walsh, 1703); GB-Lbl G.151.a (55). © British Library Board. More about this image found in John Eccles, “Fie Amaryllis, cease to grieve,” from The Fickle Shepherdess...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Figure 2. John Eccles, “Fie Amaryllis, cease to grieve,” from The Fickle Shepherdess (1703), as printed in Eccles, A Collection of Songs (1704); GB-Lbl G.300 (42). © British Library Board. More about this image found in John Eccles, “Fie Amaryllis, cease to grieve,” from The Fickle Shepherdess...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Figure 3. John Eccles, A Collection of Songs (1704); GB-Lbl G.300, frontispiece. © British Library Board. More about this image found in John Eccles, A Collection of Songs (1704); GB-Lbl G.300, frontispiece. © ...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Figure 4. Eccles, “Come, come ye nymphs” ( The Mad Lover ), opening, in versions from three early prints (all © British Library Board): (a) Walsh, A Collection of the Choicest Songs & Dialogues (1703); GB-Lbl G.304 (11). More about this image found in Eccles, “Come, come ye nymphs” ( The Mad Lover ), opening, in versions from...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
(b) Eccles, A Collection of Songs (1704), 181; GB-Lbl G.300. More about this image found in (b) Eccles, A Collection of Songs (1704), 181; GB-Lbl G.300.
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
(c) Playford, Mercurius Musicus (January 1701), 3; GB-Lbl, Document Supply 5679.835000F ( EEBO ). Image published with permission of ProQuest. Further reproduction is prohibited without permission. More about this image found in (c) Playford, Mercurius Musicus (January 1701), 3; GB-Lbl, Document Suppl...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Figure 5. Eccles, “Belinda’s pretty, pleasing form” ( Women will have their Wills ), excerpt from two early editions: (a) Walsh, A Collection of the Choicest Songs & Dialogues (1703); GB-Lbl G.151 (24), mm. 32–37. © British Library Board. More about this image found in Eccles, “Belinda’s pretty, pleasing form” ( Women will have their Wills ), ...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
(b) Separate songsheet by Thomas Cross; GB-Ckc 110.22 (13), mm. 28–42. By permission of the Provost and Scholars of King’s College, Cambridge. More about this image found in (b) Separate songsheet by Thomas Cross; GB-Ckc 110.22 (13), mm. 28–42. By p...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Example 1. Eccles, “If I hear Orinda swear” ( Love Betrayed ), mm. 42–46: (a) As in Walsh, A Collection of the Choicest Songs & Dialogues (1703); GB-Lbl G.151.a (97). More about this image found in Eccles, “If I hear Orinda swear” ( Love Betrayed ), mm. 42–46: (a) As in W...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
(b) As in Eccles, A Collection of Songs (1704), 145. More about this image found in (b) As in Eccles, A Collection of Songs (1704), 145.
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Example 2. Eccles, “I gently touched her hand,” mm. 57–63: (a) As in Walsh, A Collection of the Choicest Songs & Dialogues (1703); GB-Lbl G.151 (89). More about this image found in Eccles, “I gently touched her hand,” mm. 57–63: (a) As in Walsh, A Collec...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
(b) Putative earlier version showing connection between mm. 57 and 59 (small notes show likely accompaniment). More about this image found in (b) Putative earlier version showing connection between mm. 57 and 59 (smal...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
(c) As in Eccles, A Collection of Songs (1704), 145. More about this image found in (c) As in Eccles, A Collection of Songs (1704), 145.
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Example 3. Eccles, “If wine and music have the power,” mm. 65–69: (a) As in Walsh, A Collection of the Choicest Songs & Dialogues (1703); GB-Lbl G.151.a (85). More about this image found in Eccles, “If wine and music have the power,” mm. 65–69: (a) As in Walsh, A...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Example 3. Eccles, “If wine and music have the power,” mm. 65–69: (a) As in Walsh, A Collection of the Choicest Songs & Dialogues (1703); GB-Lbl G.151.a (85). More about this image found in Eccles, “If wine and music have the power,” mm. 65–69: (a) As in Walsh, A...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
(b) As in GB-Lbl G.425.rr (8) and Eccles, A Collection of Songs (1704), 60. More about this image found in (b) As in GB-Lbl G.425.rr (8) and Eccles, A Collection of Songs (1704), 6...
Images
in John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
> Journal of Musicology
Published: 01 July 2023
Example 4. Eccles, “Stay, ah stay” ( The Fair Penitent ), mm. 23–28: (a) As in Walsh, A Collection of the Choicest Songs & Dialogues (1703); GB-Ob Harding Mus. E. 119 (153). More about this image found in Eccles, “Stay, ah stay” ( The Fair Penitent ), mm. 23–28: (a) As in Walsh,...
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