Figure 1. User-made YouTube videos accompanying Garth Brooks and soundalike recordings. Screenshots by the author. (a) LyricsHD ( @lyricshd88 ), “The Thunder Rolls By: Garth Brooks Lyrics Video-HD,” https://www.youtube.com/watch?v=mT56hZhmP9E . More about this image found in User-made YouTube videos accompanying Garth Brooks and soundalike recording...

(b) texas foy ( @texasfoy6527 ), “The Dance by Garth Brooks,” https://www.youtube.com/watch?v=mR65AmNJsDM . More about this image found in (b) texas foy ( @texasfoy6527 ), “The Dance by Garth Brooks,” https://www....

Figure 1. Argerich performing the cadenza of the first movement of Rachmaninov’s Piano Concerto no. 3 with Riccardo Chailly and the Berlin Radio Symphony Orchestra, Berliner Philharmonie, December 1982. Screen capture from “Martha Argerich—Rachmaninov Piano Concerto No. 3,” posted November 13, 20... More about this image found in Argerich performing the cadenza of the first movement of Rachmaninov’s Pian...

Figure 2. Argerich performing the final movement of Prokofiev’s Piano Sonata no. 7, 1965. Screen captures from “Martha Argerich—Prokofiev: Sonata in B-flat, opus 83, Precipitato,” posted December 7, 2014, by Max Lima, YouTube, 3 min., 49 sec., https://youtu.be/BeGXLKXZMD0 . More about this image found in Argerich performing the final movement of Prokofiev’s Piano Sonata no. 7, 1...

Figure 3. Argerich performing (left to right) Chopin’s Piano Concerto no. 1 with Franco Mannino and the ORTF Philharmonic Orchestra in 1970; Ravel’s Piano Concerto in G Major with Aldo Ceccato and the NDR Radiophilharmonie in 1986; and Liszt’s Piano Concerto no. 1 with Christoph von Dohnányi and t... More about this image found in Argerich performing (left to right) Chopin’s Piano Concerto no. 1 with Fran...

Figure 4. Photograph of Argerich used on the cover of the Deutsche Grammophon LP “Martha Argerich: Début Recital.” Reproduced by permission of Michel Neumeister. More about this image found in Photograph of Argerich used on the cover of the Deutsche Grammophon LP “Mar...

Example 1. Adorno, “Wenn ich auf deiner brücke steh.” Vier Lieder , op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: Forte 9-3, dark gray; Forte 8-14, light gray; Forte 5-30, white. More about this image found in Adorno, “Wenn ich auf deiner brücke steh.” Vier Lieder , op. 7, 1944. With...

Example 1. Adorno, “Wenn ich auf deiner brücke steh.” Vier Lieder , op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: Forte 9-3, dark gray; Forte 8-14, light gray; Forte 5-30, white. More about this image found in Adorno, “Wenn ich auf deiner brücke steh.” Vier Lieder , op. 7, 1944. With...

Example 1. Adorno, “Wenn ich auf deiner brücke steh.” Vier Lieder , op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: Forte 9-3, dark gray; Forte 8-14, light gray; Forte 5-30, white. More about this image found in Adorno, “Wenn ich auf deiner brücke steh.” Vier Lieder , op. 7, 1944. With...

Example 2. Adorno, “Mit frohem grauen,” Vier Lieder , op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: “Mit fro-” darkest gray; “grauen” medium dark; “-ten Mond” medium; “Als ob” white; “-ten ganz” medium light. More about this image found in Adorno, “Mit frohem grauen,” Vier Lieder , op. 7, 1944. With the kind perm...

Example 2. Adorno, “Mit frohem grauen,” Vier Lieder , op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: “Mit fro-” darkest gray; “grauen” medium dark; “-ten Mond” medium; “Als ob” white; “-ten ganz” medium light. More about this image found in Adorno, “Mit frohem grauen,” Vier Lieder , op. 7, 1944. With the kind perm...

Example 2. Adorno, “Mit frohem grauen,” Vier Lieder , op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: “Mit fro-” darkest gray; “grauen” medium dark; “-ten Mond” medium; “Als ob” white; “-ten ganz” medium light. More about this image found in Adorno, “Mit frohem grauen,” Vier Lieder , op. 7, 1944. With the kind perm...

Example 2. Adorno, “Mit frohem grauen,” Vier Lieder , op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: “Mit fro-” darkest gray; “grauen” medium dark; “-ten Mond” medium; “Als ob” white; “-ten ganz” medium light. More about this image found in Adorno, “Mit frohem grauen,” Vier Lieder , op. 7, 1944. With the kind perm...

Example 3. Adorno, “Fenster wo ich einst mit dir,” Vier Lieder, op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: Shades correspond to inverted trichords. More about this image found in Adorno, “Fenster wo ich einst mit dir,” Vier Lieder, op. 7, 1944. With th...

Example 3. Adorno, “Fenster wo ich einst mit dir,” Vier Lieder, op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: Shades correspond to inverted trichords. More about this image found in Adorno, “Fenster wo ich einst mit dir,” Vier Lieder, op. 7, 1944. With th...

Example 3. Adorno, “Fenster wo ich einst mit dir,” Vier Lieder, op. 7, 1944. With the kind permission of the Hamburger Stiftung zur Förderung von Wissenschaft und Kultur. Key: Shades correspond to inverted trichords. More about this image found in Adorno, “Fenster wo ich einst mit dir,” Vier Lieder, op. 7, 1944. With th...