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Volume 8, Issue 2
April 1990
Issue Cover
ISSN 0277-9269
EISSN 1533-8347
English 14th-Century Polyphonic Music: An Inventory of the Extant Manuscript Sources with Reference to Facsimile and Performing Editions
William J. Summers
View Articletitled, English 14th-Century Polyphonic Music: An Inventory of the Extant Manuscript Sources with Reference to Facsimile and Performing Editions
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Pitch-Class Set Analysis: An Evaluation
George Perle
View Articletitled, Pitch-Class Set Analysis: An Evaluation
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Front Matter
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Schumann's Mature Style and the "Album of Songs for the Young"
Jon W. Finson
View Articletitled, Schumann's Mature Style and the "Album of Songs for the Young"
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The Afterlife of Don Giovanni: Turning Production History into Criticism
James Parakilas
View Articletitled, The Afterlife of Don Giovanni: Turning Production History into Criticism
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The Travel Diary of Joseph Martin Kraus: Translation and Commentary
Bertil van Boer
View Articletitled, The Travel Diary of Joseph Martin Kraus: Translation and Commentary
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Back Matter
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Commentary

John Cage as a Hörspielmacher
Richard Kostelanetz
View Articletitled, John Cage as a Hörspielmacher
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All Issues
Do What You Love? New Music, New Work—After 2020
On Inaudible Violence and the Postcritical Musicology: Rehearing Schubert’s “Heidenröslein”
“A German Artwork for the German People”: An Altarpiece and Accommodation in Paul Hindemith’s Mathis der Maler (1935)
Echoes of Heaven: Listening for the Musical Worlds of Elisabeth of Denmark and Michael Praetorius
From Milton to Hamilton and Handel: Total Eclipse, Judgment, and Enharmonicism in Samson
  • Online ISSN 1533-8347
  • Print ISSN 0277-9269
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