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Volume 40, Issue 3

Summer 2023

ISSN 0277-9269

EISSN 1533-8347

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Forum—Centering Discomfort in Global Music History

Hedy Law (Convenor), Olivia Bloechl, Jessica Bissett Perea, Alexandria Carrico, Parkorn Wangpaiboonkit ...

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Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant

Henry T. Drummond

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John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century

Alan Howard

View Articletitled, John Eccles’s <em>Collection of Songs</em> (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century

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Forum—Centering Discomfort in Global Music History

John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century

Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant

“A German Artwork for the German People”: An Altarpiece and Accommodation in Paul Hindemith’s Mathis der Maler (1935)

Echoes of Heaven: Listening for the Musical Worlds of Elisabeth of Denmark and Michael Praetorius

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Online ISSN 1533-8347
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