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Volume 38, Issue 2

Spring 2021

ISSN 0277-9269

EISSN 1533-8347

In this Issue

Imitating Africans, Listening for Angels: A Slaveholder’s Fantasy of Social Harmony in an “Ethnic Villancico” from Colonial Puebla (1652)

Andrew A. Cashner

View Articletitled, Imitating Africans, Listening for Angels<span class="subtitle-colon">: </span><span class="subtitle">A Slaveholder’s Fantasy of Social Harmony in an “Ethnic Villancico” from Colonial Puebla (1652)</span>

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Ballet Fit for a National Theater? Carré, the Critics, and Le Cygne at the Opéra-Comique

Sarah Gutsche-Miller

View Articletitled, Ballet Fit for a National Theater? Carré, the Critics, and <em>Le Cygne</em> at the Opéra-Comique

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On the Foundations of Dahlhaus’s Foundations

Tobias Robert Klein, Stephen Hinton

View Articletitled, On the Foundations of Dahlhaus’s <em>Foundations</em>

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Séances, “Sperrits,” and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism

Carmel Raz

View Articletitled, Séances, “Sperrits,” and Self-Playing Accordions<span class="subtitle-colon">: </span><span class="subtitle">Musical Instruments in Victorian Spiritualism</span>

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Sibelius in Japan: Cultural Domestication and Images of Sameness

A Musical Stereotype? Repetitive Formations of Women’s Voices in the Trouvère Repertory

The Child Conductor: A Twentieth-Century Cultural Phenomenon

Rereading Guido’s Or voit tout en aventure: The Performer’s Perspective

Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant

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