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Issue
Winter - Volume 38, Issue 1, Pages 1 - 139
Spring - Volume 38, Issue 2, Pages 141 - 259
Summer - Volume 38, Issue 3, Pages 261 - 399
Fall - Volume 38, Issue 4, Pages 401 - 502
Volume 38, Issue 2
Spring 2021
ISSN
0277-9269
EISSN
1533-8347
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Imitating Africans, Listening for Angels
:
A Slaveholder’s Fantasy of Social Harmony in an “Ethnic Villancico” from Colonial Puebla (1652)
Andrew A. Cashner
Abstract
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titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
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Ballet Fit for a National Theater? Carré, the Critics, and
Le Cygne
at the Opéra-Comique
Sarah Gutsche-Miller
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titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
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On the Foundations of Dahlhaus’s
Foundations
Tobias Robert Klein
,
Stephen Hinton
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Séances, “Sperrits,” and Self-Playing Accordions
:
Musical Instruments in Victorian Spiritualism
Carmel Raz
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Bang, Rattle, Pop
:
Sound, Technology, and the South African War
“Opening Up the Future”
:
Early African Intellectuals, Hugh Tracey, and the Defining of Music Scholarship in Africa
Singing through Anticlerical Storms
:
The Choir School at Moulins Cathedral, ca. 1880–1905
Camping Empire
:
Melophilia and the Castrato Voice in Georgian Britain
Thinking Musically
:
Music and Philosophy at the Crossroads of Adorno’s
Vier Lieder nach Gedichten von Stefan George
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