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Volume 37, Issue 4

Fall 2020

ISSN 0277-9269

EISSN 1533-8347

In this Issue

Songs That Run in the Streets: Popular Song at the Comédie-Italienne, the Comédie-Française, and the Théâtres de la Foire

John Romey

Reconstructing Zarzuela Performance Practices ca. 1900: Wax Cylinder and Gramophone Disc Recordings of Gigantes y cabezudos

Eva Moreda Rodríguez

Modernist Music for Children: Three Sketches of Anton Webern in the Midcentury United States

David H. Miller

Copland’s Styles: Musical Modernism, Middlebrow Culture, and the Appreciation of New Music

Christopher Chowrimootoo

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Chopin’s Żydek, and Other Apocryphal Tales

Ligatures and Musical Meaning

The Castrato Remains—or, Galvanizing the Corpse of Musical Style

The Unknown Music of Mascagni’s Cavalleria rusticana

Conductus, Sequence, Refrain: Composing Latin Song across Language and Genre in Thirteenth-Century France

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