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Volume 37, Issue 4

Fall 2020

ISSN 0277-9269

EISSN 1533-8347

In this Issue

Songs That Run in the Streets: Popular Song at the Comédie-Italienne, the Comédie-Française, and the Théâtres de la Foire

John Romey

Reconstructing Zarzuela Performance Practices ca. 1900: Wax Cylinder and Gramophone Disc Recordings of Gigantes y cabezudos

Eva Moreda Rodríguez

Modernist Music for Children: Three Sketches of Anton Webern in the Midcentury United States

David H. Miller

Copland’s Styles: Musical Modernism, Middlebrow Culture, and the Appreciation of New Music

Christopher Chowrimootoo

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Free Jazz and the “New Thing”: Aesthetics, Identity, and Texture, 1960–1966

Texts, Drugs, and Rock ’n’ Roll: Easy Rider and the Compilation Soundtrack

From Machine to Musical Instrument: The Life and Workings of the Metrostyle Pianola

The Scribe of W₁ and His Scottish Context

Séances, “Sperrits,” and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism

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