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Volume 37, Issue 1

Winter 2020

ISSN 0277-9269

EISSN 1533-8347

In this Issue

- Responses

“We Are All Musicologists Now”; or, the End of Ethnomusicology

Stephen Amico

View Articletitled, “We Are All Musicologists Now”; or, the End of Ethnomusicology

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Pedagogies of Performance: The Leipzig Conservatory and the Production of Werktreue

Joshua Navon

View Articletitled, Pedagogies of Performance<span class="subtitle-colon">: </span><span class="subtitle">The Leipzig Conservatory and the Production of <em>Werktreue</em></span>

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The German Connection: Darius Milhaud’s Unusual Path to Official Recognition in France

Louis Epstein

View Articletitled, The German Connection<span class="subtitle-colon">: </span><span class="subtitle">Darius Milhaud’s Unusual Path to Official Recognition in France</span>

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Responses

Divesting from Ethnomusicology

Aaron A. Fox

View Articletitled, Divesting from Ethnomusicology

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Still an Ethnomusicologist (for Now)

Anna Schultz

View Articletitled, Still an Ethnomusicologist (for Now)

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For Transdisciplinarity

Naomi Waltham-Smith

View Articletitled, <em>For</em> Transdisciplinarity

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Sibelius in Japan: Cultural Domestication and Images of Sameness

A Musical Stereotype? Repetitive Formations of Women’s Voices in the Trouvère Repertory

The Child Conductor: A Twentieth-Century Cultural Phenomenon

Rereading Guido’s Or voit tout en aventure: The Performer’s Perspective

Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant

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