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Issue
Winter - Volume 37, Issue 1, Pages 1 - 121
Spring - Volume 37, Issue 2, Pages 123 - 266
Summer - Volume 37, Issue 3, Pages 267 - 414
Fall - Volume 37, Issue 4, Pages 415 - 559
Volume 37, Issue 1
Winter 2020
ISSN 0277-9269
EISSN 1533-8347
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“We Are All Musicologists Now”; or, the End of Ethnomusicology
Stephen Amico
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titled, “We Are All Musicologists Now”; or, the End of Ethnomusicology
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Pedagogies of Performance
:
The Leipzig Conservatory and the Production of
Werktreue
Joshua Navon
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titled, Pedagogies of Performance<span class="subtitle-colon">: </span><span class="subtitle">The Leipzig Conservatory and the Production of <em>Werktreue</em></span>
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The German Connection
:
Darius Milhaud’s Unusual Path to Official Recognition in France
Louis Epstein
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titled, The German Connection<span class="subtitle-colon">: </span><span class="subtitle">Darius Milhaud’s Unusual Path to Official Recognition in France</span>
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Divesting from Ethnomusicology
Aaron A. Fox
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titled, Divesting from Ethnomusicology
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Still an Ethnomusicologist (for Now)
Anna Schultz
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titled, Still an Ethnomusicologist (for Now)
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For
Transdisciplinarity
Naomi Waltham-Smith
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titled, <em>For</em> Transdisciplinarity
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Sibelius in Japan
:
Cultural Domestication and Images of Sameness
A Musical Stereotype? Repetitive Formations of Women’s Voices in the Trouvère Repertory
The Child Conductor
:
A Twentieth-Century Cultural Phenomenon
Rereading Guido’s
Or voit tout en aventure
:
The Performer’s Perspective
Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant
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