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Issue
Winter - Volume 37, Issue 1, Pages 1 - 121
Spring - Volume 37, Issue 2, Pages 123 - 266
Summer - Volume 37, Issue 3, Pages 267 - 414
Fall - Volume 37, Issue 4, Pages 415 - 559
Volume 37, Issue 1
Winter 2020
ISSN 0277-9269
EISSN 1533-8347
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“We Are All Musicologists Now”; or, the End of Ethnomusicology
Stephen Amico
Abstract
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Pedagogies of Performance
:
The Leipzig Conservatory and the Production of
Werktreue
Joshua Navon
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The German Connection
:
Darius Milhaud’s Unusual Path to Official Recognition in France
Louis Epstein
Abstract
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Responses
Divesting from Ethnomusicology
Aaron A. Fox
Abstract
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Still an Ethnomusicologist (for Now)
Anna Schultz
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For
Transdisciplinarity
Naomi Waltham-Smith
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Chopin’s
Żydek
, and Other Apocryphal Tales
Ligatures and Musical Meaning
The Castrato Remains—or, Galvanizing the Corpse of Musical Style
The Unknown Music of Mascagni’s
Cavalleria rusticana
Conductus, Sequence, Refrain
:
Composing Latin Song across Language and Genre in Thirteenth-Century France
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