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Volume 37, Issue 1

Winter 2020

ISSN 0277-9269

EISSN 1533-8347

In this Issue

- Responses

“We Are All Musicologists Now”; or, the End of Ethnomusicology

Stephen Amico

Pedagogies of Performance: The Leipzig Conservatory and the Production of Werktreue

Joshua Navon

The German Connection: Darius Milhaud’s Unusual Path to Official Recognition in France

Louis Epstein

Responses

Divesting from Ethnomusicology

Aaron A. Fox

Still an Ethnomusicologist (for Now)

Anna Schultz

For Transdisciplinarity

Naomi Waltham-Smith

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Free Jazz and the “New Thing”: Aesthetics, Identity, and Texture, 1960–1966

Texts, Drugs, and Rock ’n’ Roll: Easy Rider and the Compilation Soundtrack

From Machine to Musical Instrument: The Life and Workings of the Metrostyle Pianola

The Scribe of W₁ and His Scottish Context

Séances, “Sperrits,” and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism

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