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Volume 37, Issue 1

Winter 2020

ISSN 0277-9269

EISSN 1533-8347

In this Issue

- Responses

“We Are All Musicologists Now”; or, the End of Ethnomusicology

Stephen Amico

Pedagogies of Performance: The Leipzig Conservatory and the Production of Werktreue

Joshua Navon

The German Connection: Darius Milhaud’s Unusual Path to Official Recognition in France

Louis Epstein

Responses

Divesting from Ethnomusicology

Aaron A. Fox

Still an Ethnomusicologist (for Now)

Anna Schultz

For Transdisciplinarity

Naomi Waltham-Smith

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Imitating Africans, Listening for Angels: A Slaveholder’s Fantasy of Social Harmony in an “Ethnic Villancico” from Colonial Puebla (1652)

Ballet Fit for a National Theater? Carré, the Critics, and Le Cygne at the Opéra-Comique

On the Foundations of Dahlhaus’s Foundations

Séances, “Sperrits,” and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism

Rome after Josquin: The Missa La sol fa re mi Reconsidered

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