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Volume 35, Issue 4

Fall 2018

ISSN 0277-9269

EISSN 1533-8347

In this Issue

The English Voyage of Pietrobono Burzelli

Evan A. Maccarthy

The Materiality of Musical Diplomacy in Early Modern Europe: Representation and Negotiation in Andreas Rauch’s Currus triumphalis musicus (1648)

Andrew H. Weaver

Frey nach dem Französischen bearbeitet: Fidelio and the Viennese Vogue for Opéra-comique, 1802–1805

Michael C. Tusa

An Old Story in a New World: Paul Fromm, the Fromm Music Foundation, and Elliott Carter

Rachel S. Vandagriff

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Music Psychology of the Piano-Playing Hands in Historical Discourse

Pauline Oliveros, Somatics, and the New Musicology

Prisoners’ Voices: Frederic Rzewski’s Coming Together and Attica

Rome after Josquin: The Missa La sol fa re mi Reconsidered

Copland’s Styles: Musical Modernism, Middlebrow Culture, and the Appreciation of New Music

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