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Issue
Winter - Volume 35, Issue 1, Pages 1 - 143
Spring - Volume 35, Issue 2, Pages 145 - 293
Summer - Volume 35, Issue 3, Pages 295 - 430
Fall - Volume 35, Issue 4, Pages 431 - 566
Volume 35, Issue 3
Summer 2018
ISSN 0277-9269
EISSN 1533-8347
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Opera by the Book
:
Defining Music Theater in the Third Reich
Emily Richmond Pollock
Abstract
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Was Soviet Music Middlebrow? Shostakovich’s Fifth Symphony, Socialist Realism, and the Mass Listener in the 1930s
Pauline Fairclough
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Searching for a Fresh Point of View
:
Aaron Copland, Identity, and
The Heiress
(1949)
Gina Bombola
Abstract
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“The Fools Don’t Think I Play Jazz”
:
Cecil Taylor Meets Mary Lou Williams
Benjamin Givan
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Front Matter
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Modernist Music for Children
:
Three Sketches of Anton Webern in the Midcentury United States
Songs That Run in the Streets
:
Popular Song at the Comédie-Italienne, the Comédie-Française, and the Théâtres de la Foire
Reconstructing
Zarzuela
Performance Practices ca. 1900
:
Wax Cylinder and Gramophone Disc Recordings of
Gigantes y cabezudos
Copland’s Styles
:
Musical Modernism, Middlebrow Culture, and the Appreciation of New Music
Feminist Revisions
:
Virgil Thomson and Gertrude Stein’s Mid-century Homage to Susan B. Anthony
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