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Volume 33, Issue 3

Summer 2016

ISSN 0277-9269

EISSN 1533-8347

In this Issue

Introduction: Music and Power

Rebecca Mitchell

View Articletitled, Introduction<span class="subtitle-colon">: </span><span class="subtitle">Music and Power</span>

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Negotiating “Historical Truth”: Art, Authority, and Iurii Shaporin’s The Decembrists

Leah Goldman

View Articletitled, Negotiating “Historical Truth”<span class="subtitle-colon">: </span><span class="subtitle">Art, Authority, and Iurii Shaporin’s <em>The Decembrists</em></span>

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Jazz, Power, and Soviet Youth in the Early Cold War, 1948−1953

Gleb Tsipursky

View Articletitled, Jazz, Power, and Soviet Youth in the Early Cold War, 1948−1953

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The Recomposition of Aram Khachaturian’s Spartacus at the Bolshoi Theater, 1958–1968

Anne Searcy

View Articletitled, The Recomposition of Aram Khachaturian’s <em>Spartacus</em> at the Bolshoi Theater, 1958–1968

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Two Serendipities: Keynoting a Conference, “Music and Power”

Richard Taruskin

View Articletitled, Two Serendipities<span class="subtitle-colon">: </span><span class="subtitle">Keynoting a Conference, “Music and Power”</span>

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Forum—Centering Discomfort in Global Music History

John Eccles’s Collection of Songs (1704) and John Walsh’s Publishing Model in the Early Eighteenth Century

Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant

“A German Artwork for the German People”: An Altarpiece and Accommodation in Paul Hindemith’s Mathis der Maler (1935)

Echoes of Heaven: Listening for the Musical Worlds of Elisabeth of Denmark and Michael Praetorius

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