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Issue
Winter - Volume 33, Issue 1, Pages 1 - 116
Spring - Volume 33, Issue 2, Pages 117 - 269
Summer - Volume 33, Issue 3, Pages 271 - 431
Fall - Volume 33, Issue 4, Pages 433 - 607
Volume 33, Issue 3
Summer 2016
ISSN 0277-9269
EISSN 1533-8347
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Introduction
:
Music and Power
Rebecca Mitchell
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titled, Introduction<span class="subtitle-colon">: </span><span class="subtitle">Music and Power</span>
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Negotiating “Historical Truth”
:
Art, Authority, and Iurii Shaporin’s
The Decembrists
Leah Goldman
Abstract
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titled, Negotiating “Historical Truth”<span class="subtitle-colon">: </span><span class="subtitle">Art, Authority, and Iurii Shaporin’s <em>The Decembrists</em></span>
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Jazz, Power, and Soviet Youth in the Early Cold War, 1948−1953
Gleb Tsipursky
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titled, Jazz, Power, and Soviet Youth in the Early Cold War, 1948−1953
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The Recomposition of Aram Khachaturian’s
Spartacus
at the Bolshoi Theater, 1958–1968
Anne Searcy
Abstract
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titled, The Recomposition of Aram Khachaturian’s <em>Spartacus</em> at the Bolshoi Theater, 1958–1968
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Two Serendipities
:
Keynoting a Conference, “Music and Power”
Richard Taruskin
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titled, Two Serendipities<span class="subtitle-colon">: </span><span class="subtitle">Keynoting a Conference, “Music and Power”</span>
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Forum—Centering Discomfort in Global Music History
John Eccles’s
Collection of Songs
(1704) and John Walsh’s Publishing Model in the Early Eighteenth Century
Guillaume-Gabriel Nivers and the Quest for Consistency in Counter-Reformation Chant
“A German Artwork for the German People”
:
An Altarpiece and Accommodation in Paul Hindemith’s
Mathis der Maler
(1935)
Echoes of Heaven
:
Listening for the Musical Worlds of Elisabeth of Denmark and Michael Praetorius
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