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Issue
January - Volume 32, Issue 1, Pages 1 - 152
April - Volume 32, Issue 2, Pages 153 - 322
Summer - Volume 32, Issue 3, Pages 323 - 439
Fall - Volume 32, Issue 4, Pages 441 - 591
Volume 32, Issue 2
April 2015
ISSN 0277-9269
EISSN 1533-8347
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Re-workings and Chronological Dynamics in a Thirteenth-Century Latin Motet Family
Catherine A. Bradley
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Voicing the Doge’s Sacred Image
Jamie Reuland
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Traveling with “Ancient Music”
:
Intellectual and Transatlantic Currents in American Psalmody Reform
William Robin
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“For the serious listeners who swear neither at nor by Schoenberg”
:
Music Criticism, the Great War, and the Dawning of a New Attitude Toward Schoenberg and Ultra-Modern Music in New York City
Walter B. Bailey
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Listening to the Old City
:
Street Cries and Urbanization in Paris, ca. 1860
Zofia Lissa, Wartime Trauma, and the Evolution of the Polish “Mass Song”
The Unlike Pair
:
Impressionism, Expressionism, and Critical Reception of Schoenberg’s and Schreker’s Chamber Symphonies
“Au Fond d’un Placard”
:
Allusion, Narrative, and Queer Experience in Poulenc’s
Ier Nocturne
The German Connection
:
Darius Milhaud’s Unusual Path to Official Recognition in France
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