Skip to Main Content
Close
UCPRESS
ABOUT US
BLOG
SUPPORT US
CONTACT US
Search Dropdown Menu
header search
search input
Search input auto suggest
filter your search
All Content
Journal of Musicology
Search
User Tools Dropdown
Register
Sign In
Toggle Menu
Menu
Content
Recent Content
Browse Issues
All Content
Purchase
Alerts
Submit
Info For
Authors
Librarians
Reprints & Permissions
About
Journal
Editorial Team
Contact Us
Skip Nav Destination
Issues
Select Year
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
1984
1983
1982
Issue
January - Volume 21, Issue 3, Pages 309 - 457
January - Volume 21, Issue 4, Pages 459 - 600
March - Volume 22, Issue 1, Pages 5 - 172
April - Volume 22, Issue 2, Pages 173 - 325
July - Volume 22, Issue 3, Pages 327 - 501
October - Volume 22, Issue 4, Pages 503 - 701
Volume 22, Issue 4
October 2005
ISSN 0277-9269
EISSN 1533-8347
Close mobile search navigation
Issue Navigation
Images of Bach in the Perspective of Basic Research and Interpretative Scholarship
CHRISTOPH WOLFF
Abstract
View Article
PDF
Silence as Sound: Handel's Sublime Pauses
ELLEN T. HARRIS
Abstract
View Article
PDF
Savva Mamontov, Serge Diaghilev, and a Rocky Path to Modernism
OLGA HALDEY
Abstract
View Article
PDF
Early 15th-Century Pairings of the Sanctus and Agnus Dei, and the Case of the Composer “Bloym”
PETER WRIGHT
Abstract
View Article
PDF
Debussy and
La Sonate cyclique
MARIANNE WHEELDON
Abstract
View Article
PDF
“Nach dem Weltuntergang”: Adorno's Engagement with Postwar Music
MARCUS ZAGORSKI
Abstract
View Article
PDF
PDF Icon
PDF Link
Front Matter
PDF Icon
PDF Link
Table of Contents
All Issues
Email alerts
Latest Issue Alert
Close Modal
Latest
Most Read
Most Cited
Chopin’s
Żydek
, and Other Apocryphal Tales
Ligatures and Musical Meaning
The Castrato Remains—or, Galvanizing the Corpse of Musical Style
The Unknown Music of Mascagni’s
Cavalleria rusticana
Conductus, Sequence, Refrain
:
Composing Latin Song across Language and Genre in Thirteenth-Century France
Close Modal
Close Modal
This Feature Is Available To Subscribers Only
Sign In
or
Create an Account
Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to
our privacy policy.
Accept