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Issue
January - Volume 21, Issue 3, Pages 309 - 457
January - Volume 21, Issue 4, Pages 459 - 600
March - Volume 22, Issue 1, Pages 5 - 172
April - Volume 22, Issue 2, Pages 173 - 325
July - Volume 22, Issue 3, Pages 327 - 501
October - Volume 22, Issue 4, Pages 503 - 701
Volume 22, Issue 4
October 2005
ISSN 0277-9269
EISSN 1533-8347
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Images of Bach in the Perspective of Basic Research and Interpretative Scholarship
CHRISTOPH WOLFF
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Silence as Sound: Handel's Sublime Pauses
ELLEN T. HARRIS
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Savva Mamontov, Serge Diaghilev, and a Rocky Path to Modernism
OLGA HALDEY
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Early 15th-Century Pairings of the Sanctus and Agnus Dei, and the Case of the Composer ““Bloym””
PETER WRIGHT
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Debussy and
La Sonate cyclique
MARIANNE WHEELDON
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““Nach dem Weltuntergang””: Adorno's Engagement with Postwar Music
MARCUS ZAGORSKI
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Listening to the Old City
:
Street Cries and Urbanization in Paris, ca. 1860
Zofia Lissa, Wartime Trauma, and the Evolution of the Polish “Mass Song”
The Unlike Pair
:
Impressionism, Expressionism, and Critical Reception of Schoenberg’s and Schreker’s Chamber Symphonies
“Au Fond d’un Placard”
:
Allusion, Narrative, and Queer Experience in Poulenc’s
Ier Nocturne
The German Connection
:
Darius Milhaud’s Unusual Path to Official Recognition in France
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