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Issue
January - Volume 18, Issue 1, Pages 5 - 216
April - Volume 18, Issue 2, Pages 219 - 373
July - Volume 18, Issue 3, Pages 377 - 515
October - Volume 18, Issue 4, Pages 517 - 684
Volume 18, Issue 3
July 2001
ISSN 0277-9269
EISSN 1533-8347
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RESEARCH ARTICLE
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RESEARCH ARTICLE
Aaron Copland's Third Symphony from Sketch to Score
Elizabeth Bergman Crist
Abstract
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Pater optime:
Vergilian Allusion in Obrecht's
Mille quingentis
Sean Gallagher
Abstract
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PDF
On the Performance of "Quia respexit ... omnes generationes" from J. S. Bach's
Magnificat
Robert M. Cammarota
Abstract
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PDF
Reconciling God and Satan: Max Reger's
Phantasie und Fuge üüber den Namen B-A-C-H
, Op. 46
Antonius Bittmann
Abstract
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Listening to the Old City
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Street Cries and Urbanization in Paris, ca. 1860
Zofia Lissa, Wartime Trauma, and the Evolution of the Polish “Mass Song”
The Unlike Pair
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Impressionism, Expressionism, and Critical Reception of Schoenberg’s and Schreker’s Chamber Symphonies
“Au Fond d’un Placard”
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Allusion, Narrative, and Queer Experience in Poulenc’s
Ier Nocturne
The German Connection
:
Darius Milhaud’s Unusual Path to Official Recognition in France
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