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Issue
January - Volume 18, Issue 1, Pages 5 - 216
April - Volume 18, Issue 2, Pages 219 - 373
July - Volume 18, Issue 3, Pages 377 - 515
October - Volume 18, Issue 4, Pages 517 - 684
Volume 18, Issue 3
July 2001
ISSN 0277-9269
EISSN 1533-8347
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In this Issue
RESEARCH ARTICLE
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RESEARCH ARTICLE
Aaron Copland's Third Symphony from Sketch to Score
Elizabeth Bergman Crist
Abstract
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Pater optime:
Vergilian Allusion in Obrecht's
Mille quingentis
Sean Gallagher
Abstract
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PDF
On the Performance of "Quia respexit ... omnes generationes" from J. S. Bach's
Magnificat
Robert M. Cammarota
Abstract
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PDF
Reconciling God and Satan: Max Reger's
Phantasie und Fuge über den Namen B-A-C-H
, Op. 46
Antonius Bittmann
Abstract
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Chopin’s
Żydek
, and Other Apocryphal Tales
Ligatures and Musical Meaning
The Castrato Remains—or, Galvanizing the Corpse of Musical Style
The Unknown Music of Mascagni’s
Cavalleria rusticana
Conductus, Sequence, Refrain
:
Composing Latin Song across Language and Genre in Thirteenth-Century France
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