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Volume 41, Issue 4

Fall 2024

ISSN 0277-9269

EISSN 1533-8347

In this Issue

Martha Argerich and the Queer Histories of Feminine Pianism

Alexander F. Hardan

View Articletitled, Martha Argerich and the Queer Histories of Feminine Pianism

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Thinking Musically: Music and Philosophy at the Crossroads of Adorno’s Vier Lieder nach Gedichten von Stefan George

Samantha Kim Heinle

View Articletitled, Thinking Musically<span class="subtitle-colon">: </span><span class="subtitle">Music and Philosophy at the Crossroads of Adorno’s <em>Vier Lieder nach Gedichten von Stefan George</em></span>

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Fair Games—Curating New Music: A Continuum between Exploitation and Commoning

Thomas R. Moore, Pascal Gielen, Rebecca Diependaele

View Articletitled, Fair Games—Curating New Music<span class="subtitle-colon">: </span><span class="subtitle">A Continuum between Exploitation and Commoning</span>

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Garth Brooks Soundalikes, YouTube Misinformation, and Authenticity Politics

Samuel Parler

View Articletitled, Garth Brooks Soundalikes, YouTube Misinformation, and Authenticity Politics

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Fair Games—Curating New Music: A Continuum between Exploitation and Commoning

Garth Brooks Soundalikes, YouTube Misinformation, and Authenticity Politics

Martha Argerich and the Queer Histories of Feminine Pianism

Thinking Musically: Music and Philosophy at the Crossroads of Adorno’s Vier Lieder nach Gedichten von Stefan George

Sketching Musical Meaning? Case Studies from Ligeti’s Late Works

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Online ISSN 1533-8347
Print ISSN 0277-9269
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