[Footnotes]
1
R. John Wiley, Tchaikovsky's Ballets (London: Oxford University Press, 1984)
Wiley
Tchaikovsky's Ballets
1984
Oldani's dissertation, New Perspectives on Mussorgsky's "Boris Godunov" (Michigan, 1978)
Oldani
New Perspectives on Mussorgsky's
Boris Godunov
1978
"Editions of Boris Godunov" in Malcolm H. Brown, ed., Musorgsky: In Memoriam 1881-1981 (Ann Arbor: UMI Research Press, 1982), pp. 179-214
Brown
179
Musorgsky: In Memoriam 1881-1981
1982
2
"'Little Star': An Étude in the Folk Style," in Musorgsky in Memoriam, pp. 57-84.
57
3
Nikolai Findeizen's monumental survey of pre-nineteenth-century Russian musical literature. Och- erki po istorii muzyki v Rossii (2 vols., Moscow/Leningrad: Gosizdat, 1928-29)
Pis'ma A.P. Borodina [4 vols., Moscow: Gosizdat, 1928-1950]
Pis'ma A.P. Borodina
1950
Borodin. trans. Robert Lord (London: Oxford Uni- versity Press, 1963)
Lord
Borodin. trans.
1963
Trudy i dni M.P. Musorgskogo (Moscow: Muzgiz, 1963)
Trudy i dni M.P. Musorgskogo
1963
Roy Guenther (Musorgsky's Works and Days [Ann Arbor: UMI Research Press, 1983]
Guenther
Musorgsky's Works and Days
1983
4
"Tchaikovsky: The Last Chapter," Music and Letters LXII (1981), 125-4510.2307/735028
125
5
Testimony: The Memoirs of Dmitri Shostakovich as Related to and Edited by Solomon Volkov, trans. Antonina W. Bouis (New York: Harper & Row, 1979).
Bouis
Testimony: The Memoirs of Dmitri Shostakovich as Related to and Edited by Solomon Volkov
1979
6
Laurel E. Fay, "Shostakovich versus Volkov: Whose Testimony?'" The Russian Review XXXIX (1980), 484-9310.2307/128813
484
7
Igor Stravinsky, Poetics of Music in the Form of Six Lessons, trans. Arthur Knodel and Ingolf Dahl (New York: Vintage Books, 1959), p.95.
Stravinsky
95
Poetics of Music in the Form of Six Lessons
1959
8
"How We Got Into Analysis and How To Get Out," Critical Inquiry VII (1980), 311-2210.2307/1343130
311
Kingsley Price ed. On Criticizing Music (Baltimore: Johns Hopkins University Press, 1981), pp. 38-54
Price
38
On Criticizing Music
1981
9
Russian Music (New York: Norton, 1973)
Russian Music
1973
10
The Tradition of Western Music [Berkeley: University of California Press, 1974], pp. 49-50
49
The Tradition of Western Music
1974
Molchanov's The Dawns Are Quiet Here
"Current Chronicle," Musical Quarterly LXII [1976], 105-1510.2307/741603
105
11
Jane Howard, "Can a Nice Novelist Finish First?" Life, LXI, no. 19 (4 November 1966), 81.
Howard
19
81
LXI
Life
1966
12
Gerald Seaman, "Russian Folk-song in the Eighteenth Century," Music & Letters XL (1959), 253-6010.2307/729391
253
idem, "The National Element in Early Russian Opera, 1779-1800," Music & Letters XLII (1961), 252-6210.2307/731881
252
idem, "Folk-song in Russian Opera of the 18th Century," Slavonic and East European Review XII, no. 96 (December 1962), 144- 57
Seaman
96
144
XII
Slavonic and East European Review
1962
Simon Karlinsky, "Russian Comic Opera in the Age of Catherine the Great," 19th Century Music VII (1984). 318-2510.2307/746384
318
13
Gerald Seaman, History of Russian Music, vol. I (New York: Frederick A. Praeger, 1967), p. 155.
Seaman
155
I
History of Russian Music
1967
14
Istoriia russkoi muzyki, I (Moscow/Leningrad: Muzgiz, 1948), 369.
369
I
Istoriia russkoi muzyki
1948
15
The Diaries of Tchaikovsky, trans. Wladimir LaKond (New York: Norton, 1945), p.250 (entry of 27 June 1888).
250
The Diaries of Tchaikovsky
1945
16
Donald Jay Grout, A History of Western Music, revised edition (New York: Norton, 1973), pp. 593, 635
Grout
593
A History of Western Music
1973
pp. 633-34
17
Narodnve pesni v tvorchestve russkikh kompozitorov (Moscow: Muzgiz, 1962).
18
Music in the Romantic Era [New York: Norton, 1947]
Music in the Romantic Era
1947
Reese's Music in the Renaissance (New York: Norton, 1954)
Reese
Music in the Renaissance
1954
19
Between Romanticism and Modernism, trans. Mary Whittall (Berkeley: University of California Press, 1980), p. 84.
Whittall
84
Between Romanticism and Modernism
1980
20
I. S. Zilbershtein and V. A. Samkov in Sergei Diagilev i russkoe iskusstvo, I (Moscow: Izobratitel'noe iskusstvo, 1982), 209-10
Zilbershtein
209
Sergei Diagilev i russkoe iskusstvo
1982
21
Sergei Grigoriev, The Diaghilev Ballet 1909-1929, trans. Vera Bowen (London: Constable: 1953). p. 8
Grigoriev
8
The Diaghilev Ballet 1909-1929
1953
22
Gerald Abraham, "The Elements of Russian Music," Music & Letters IX (1928), 51-5810.2307/725886
51
23
Sovremennaia letopis', 1865, no. 35
Sovremennaia letopis
1865
Nikolai Findeizen. Aleksandr Nikolaevich Serov: Ego zhizn' i muzvkal'naia deiatel'nost' (2nd ed., Moscow:Jurgenson, 1904), p. 1042
Findeizen
104
Aleksandr Nikolaevich Serov: Ego zhizn' i muzvkal'naia deiatel'nost'
1904
24
David Brown, s.v. "Tchaikovsky," The New Grove, XVIII, p.611.
25
Grout, p.640
Martin Cooper, 'Aleksandr Skryabin and the Russian Renaissance," Studi musicali I (972), 327-56
Cooper
972
327
I
Studi musicali
Malcolm H. Brown, "Skriabin and Russian 'Mystic' Symbolism," 19th Century Music III (1979), 42-5110.2307/3519821
42
26
27
V.V. Stasov, Sobrannye sochineniia, III (St. Petersburg, 1894), 275.
Stasov
275
III
Sobrannye sochineniia
1894
27a
Evstignei Fomin's singspiel The Post Drivers (Yamshchiki na podstave, 1788)
Fomin
The Post Driver (Yamshchiki na podstave
1788
Mikhail Ivanovich Glinka, Memoirs, trans. Richard B. Mudge [Norman: University of Oklahoma Press, 1963], p. 100
Glinka
100
Memoirs
1963
28
Igor Stravinsky and Robert Craft, Expositions and Developments (Berkeley: University of California Press, 1981), pp. 82-83
Stravinsky
82
Expositions and Developments
1981
29
Between Romanticism and Modernism, pp. 89-90.
89
30
The Concise Oxford History (London: Oxford University Press, 1979)
The Concise Oxford History
1979
31
Nicholas Riasanovsky, Nicholas I and Official Nationality in Russia, 1825-1855 (Berkeley: University of California Press, 1959), p. 122
Riasanovsky
122
Nicholas I and Official Nationality in Russia
1959
32
Riasanovsky, p. 125
125
34
Balakirev (21 March 1861)
A.S. Liapunova, ed., M.A. Balakirev i V. V. Stasov: Perepiska I [Moscow: Muzyka, 1970], 130
Liapunova
130
I
M.A. Balakirev i V. V. Stasov: Perepiska
1970
35
Riasanovsky, p. 133.
133
36
V.F. Odoevsky. Muzvkal'no-literaturnoe nasledie (Moscow: Muzgiz. 1956), p. 119.
Odoevsky
119
Muzvkal'no-literaturnoe nasledie
1956
37
A History of Russian Music (New York: Macmillan, 1956), p. 73
73
A History of Russian Music
1956
Nationalism, Modernism and Personal Rivalry in 19th-Century Russian Music [Ann Arbor: UMI Research Press, 1981], pp. 234-35
234
Nationalism, Modernism and Personal Rivalry in 19th-Century Russian Music
1981
"Musorgsky and the Populist Age," in Musorgsky In Memoriam, p. 272
272
38
Jann Pasler, ed., Stravinskv: Centennial Studies (Berkeley: University of California Press, forthcoming)
Pasler
Stravinskv: Centennial Studies
39
Maria Tenisheva, Vpechatleniia moei zhizni, (Paris: Russkoe Istorikogenealoegichesko-Ob- shchestvo vo Frantsii, 1933), p. 294.
Tenisheva
294
Vpechatleniia moei zhizni
1933
40
Ridenour, Chapter II
41
Vladimir Stasov, Selected Essays on Music, trans. Florence Jonas (New York: Praeger, 1968), p. 83.
Stasov
83
Selected Essays on Music
1968
42
"Pervye kompozitorskie shagi Ts. A. Kiui," in Cui, Izbrannve stat'i (Leningrad: Muzgiz, 1952), p. 544
Cui
Pervye kompozitorskie shagi Ts. A. Kiui
544
Izbrannve stat'i
1952
43
Rosa Newmarch, The Russian Opera (New York: E.P. Dutton & Co., n. d. [1914]), p. 200.
Newmarch
200
The Russian Opera
1914
44
"How the Acorn Took Root: A Tale of Russia," 19th Century Music VI (1983), 189- 21210.2307/746585
189
45
Jay Leyda and Sergei Bertensson, The Musorgsky Reader (New York: Norton, 1947), pp. 119-21
Leyda
119
The Musorgsky Reader
1947
46
Vienna Blätter für Theater, Musik und Kunst in 1855
Vienna
Blatter für Theater, Musik und Kunst
1855
"How the Acorn Took Root," p. 194
194
47
Ridenour, p.92
letter to Stasov of 28 October 1846
Ridenour. p 83
48
Feofil Tolstoy, cited in Russkaia starina XVII (1874), p. 364
Tolstoy
364
XVII
Russkaia starina
1874
49
Daniel Gregory Mason, Tune In, America: A Study of Our Coming Musical Independence (New York: Knopf, 1931), which contains a fairly heated jeremiad (pp. 158-62)
Mason
158
Tune In, America: A Study of Our Coming Musical Independence
1931
50
Montagu Montagu-Nathan, "Belaiev-Maecenas of Russian Music," Musical Quarterly IV (1918), 450-6510.2307/738225
450
51
V.V. Protopopov, ed., Vospominaniia o P.I. Chaikovskom (Moscow: Muzgiz, 1962), pp. 46- 51
Protopopov
46
Vospominaniia o P.I. Chaikovskom
1962
52
Forte's The Harmonic Organization of the Rite of Spring in Current Musicology 28 (1979), 114-29
Forte
114
28
The Harmonic Organization of the Rite of Spring in Current Musicology
1979
53
Ann Arbor: UMI Research Press, 1983
Jay Reise's "Late Skriabin: Some Principles Behind the Style," 19th Century Music VI (1983), 220-3110.2307/746587
220
54
Pieter C. van den Toorn, The Music of Igor Stravinsky (New Haven: Yale University Press, 1983)
Toorn
The Music of Igor Stravinsky
1983
"Chernomor to kashchei: Harmonic Sorcery; or, Stravinsky's 'Angle'," Journal of the American Musicological Society XXXVIII (1985)10.2307/831550
55
In Stalin's Time: Middleclass Values in Soviet Fiction (Cambridge: Cambridge University Press, 1976).
In Stalin's Time: Middleclass Values in Soviet Fiction
1976
56
The Russian Experiment in Art: 1863-1922 (London: Thames and Hudson, 1970)
The Russian Experiment in Art: 1863-1922
1970
Detlef Gojowy in Neue sowjetische Musik der 20-er Jahre (Laaber, 1980)
Gojowy
Neue sowjetische Musik der 20-er Jahre
1980
57
Richard Hoops, "Musorgsky and the Populist Age" (Musorgsky In Memoriam, pp. 271-306)
Hoops
271
Musorgsky and the Populist Age
M.P. Musorgsky: Literaturnoe nasledie. II (Moscow: Muzyka, 1972), 5-24, esp. 26-30
5
II
M.P. Musorgsky: Literaturnoe nasledie
1972
58
Laurel E. Fay, review of Boris Schwarz, Music and Musical Life in Soviet Russia (enlarged edition), Slavic Review XLIII (1984), 35910.2307/2497911
359
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