[Footnotes]

[Footnotes]
2
A.L. Millin's Dictionnaire des beaux-arts (Paris, 1806)
Millin
Dictionnaire des beaux-arts
1806
Peter le Huray and James Day in Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries, Cambridge, [1981], p. 293
Huray
293
Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries
1981
On Johann Sebastian Bach's life, genius, and works, translated by A.C.F. Kollmann, 1820
Kollmann
On Johann Sebastian Bach's life, genius, and works
1820
The Bach reader, Hans T. David and Arthur Mendel eds., New York, [1966], p. 343)
David
343
The Bach reader
1966
3
"Editions, historical" in The New Grove Dictionary of Music and Musicians
Editions, historical
The New Grove Dictionary of Music and Musicians
4
Myles Birket Foster, History of the Philharmonic Society of London: 1813-1912 (London: John Lane, the Bodley Head, 1912), p. 4
Foster
4
History of the Philharmonic Society of London: 1813-1912
1912
Philip Downs, The Development of the Great Repertoire in the Nineteenth Century (Ph.D. dissertation, University of Toronto, 1970)
William Weber, "Mass Culture and the Reshaping of European Musical Taste, 1770-1870," in Inter- national Review of the Aesthetics and Sociology of Music VIII/1 (June 1977), esp. pp. 18-1910.2307/836535
18
5
Die Musik in Geschichte und Gegenwart under "Musikverlag und Musikalienhandel."
Die Musik in Geschichte und Gegenwart
The New Grove under "Periodicals," Section IV
The New Grove
6
Bach Gesellschaft edition, begun in 1851
7
Percy Scholes, in The Oxford Companion to Music (10th ed., John Owen Ward, ed.) under "Annotated programmes," describes important nineteenth-century developments in program notes, as well as citing some eighteenth-century forerunners.
Scholes
10
Annotated programmes
The Oxford Companion to Music
Amiel's journal: the Journal intime of Henri-Frédéric Amiel, translated by Mrs. Humphrey Ward, 2d ed. (London: Macmillan, 1891), p. 40, May 14, 1853
Ward
2
40
Amiel's journal: the Journal intime of Henri-Frédéric Amiel
1891
A. Hyatt King in Mozart in Retrospect, rev. ed. ([London]: Oxford University Press, [1970]), p. 30
Hyatt King
30
Mozart in Retrospect
1970
9
Peter Williams, "J.S. Bach's Well-tempered Clavier: a New Approach" (Part 2) in Early Music, 11/3 (July 1983), 336.
Williams
3
336
11
Early Music
1983
10
The Interpretation of Music (New York and Evanston: Harper Colophon Books, 1963), p. 168.
168
The Interpretation of Music
1963
11
The New Yorker, February 18, 1980, p. 120.
February 18
120
The New Yorker
1980
12
Paul Gauguin, The Writings of a Savage, ed. Daniel Guerin, tr. Eleanor Levieux (New York: Viking Press, [1978]), p.. 205
Gauguin
205
The Writings of a Savage
1978
"Museum Pieces: The Historicist Mainstream in Music of the Last Hundred Years," The Journal of Musicology 11/2 (Spring 1983), 12310.2307/763802
123
13
"Background music-threat or promise." in Conmposer (London) No. 61 (Summer 1977), 23.
61
23
Conmposer
1977
14
"Attention" in Education Index
Education Index
Music Index lists some others, under "Background music."
15
"Divided attention" and "selective attention" in Psychological Abstracts
"attention" and "background music" in Music Psychology Index
chapter "Attention" (esp. pp. 401-404) by Howard Egeth and William Bevan in Handbook of General Psychology, ed. Benjamin B. Wolman (Englewood Cliffs, N.J.: Prentice-Hall, [1973])
Egeth
Attention
401
Handbook of General Psychology
1973
16
Ken Terry, "Muzak to bow 'foreground' music service," in Variety 301 no. 2 (November 12, 1980), p. 71
Terry
2
71
301
Variety
1980
17
The Annual U.S. Survey Statistics of the Central Opera Service (Lincoln Center, New York, New York 10023)
The Annual U.S. Survey Statistics of the Central Opera Service
Christopher Pavlakis, The American Music Handbook (New York, 1974), p. 95
Pavlakis
95
The American Music Handbook
1974
18
The State of Music (New York, 1939), p. 124
124
The State of Music
1939
19
Ibid, p. 125.
125
20
1982-83 Statistical Abstract of the United States (p. 386)
The Finances of the Performing Arts (New York: Ford Foundation, 1974), vol. 2, p. 13, table 13
13
2
The Finances of the Performing Arts
1974
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