[Footnotes]

[Footnotes]
1
R. A. Georges and M. O. Jones. People Studying People. The Human Element in Field- work (Berkeley, 1980), 3.
Georges
3
People Studying People. The Human Element in Fieldwork
1980
2
Edward Shils, Tradition [Chicago, 1981], 12
Shils
12
Tradition
1981
3
Renato Rosaldo, Culture and Truth. The Remaking of Social Analysis [Boston, 1989], 208
Rosaldo
208
Culture and Truth. The Remaking of Social Analysis
1989
4
American Musicological Society Directory (Philadelphia, 1993), 7.
7
American Musicological Society Directory
1993
5
Ruth Crawford (Seeger). (Judith Tick, ed., A Suite for Four Strings and Piano [Madison, WI, 1993])
Crawford
A Suite for Four Strings and Piano
1993
6
(Cambridge, MA, 1985), 185.
7
Richard Taruskin, "On Letting the Music Speak for Itself: Some Reflections on Musicology and Performance," The Journal of Musicology I (1982), 338-4910.2307/763881
338
Taruskin, "On Letting the Music Speak," 349
349
Frederick Neumann, "Improper Appoggiaturas in the Neue Mozart Aus- gabe, Journal of Musicology X (1992), 505-2 1.10.2307/763647
505
8
Mantle Hood, 'The Challenge of 'Bi-Musicality,'" Ethnomusicology IV (1960), 55.10.2307/924263
55
9
Carolyn Fluehr-Lobban, Ethics and the Profession of Anthropology, (Philadelphia, 1991), 240-42
Fluehr-Lobban
240
Ethics and the Profession of Anthropology
1991
Fluehr- Lobban, Ethics, 237-69.
237
l0
Fluehr-Lobban, Ethics, 274-75.
274
11
Fluehr-Lobban, Ethics, 275.
275
12
Fluehr-Lobban, Ethics, 232.
232
13
Steven Feld, Sound and Sentiment. Birds, Weeping, Poetics, and Song in Kaluli Expres- sion, 2nd. ed. (Philadelphia, [1982] 1988), 11.
Feld
2
11
Sound and Sentiment. Birds, Weeping, Poetics, and Song in Kaluli Expression
1988
14
Feld, Sound and Sentiment, 13.
13
15
Anthony Seeger, Why Suya Sing. A Musical Anthology of an Amazonian People, (Cam- bridge, 1987).
Seeger
Why Suya Sing. A Musical Anthology of an Amazonian People
1987
16
Seeger, Why Suya Sing, 20.
20
17
Seeger, Why Suya Sing, 23-24
23
Anthony Seeger and A Communidade Suyá as "MÚsica Indígena: A Arte Vocal dos Suyá," (Sāo Joāo del Rei, 1982).
Seeger
MÚsica Indígena: A Arte Vocal dos Suyá
1982
18
Slobin, "Ethical Issues" in Ethnomusicology. An Introduc- tion, ed. Helen Myers [New York and London, 1992], 331
Slobin
Ethical Issues
331
Ethnomusicology. An Introduction
1992
Slobin, "Ethical Issues," 332
332
19
Kay Kaufman Shelemay, "Together in the Field: Team Research Among Syrian Jews in Brooklyn, New York," Ethnomusicology XXXII (1988), 369-84.10.2307/851937
369
21
Sheer Ushbahah Hallel Ve-Zimrah (New York, 1988).
Sheer Ushbahah Hallel Ve-Zimrah
1988
26
Interview with B. Zalta, 16 March 1991.
27
Pizmon. Syrian-Jewish Religious and Social Song, eds. Kay Kaufman Shelemay and Sarah Weiss (Hohokus, NJ, 1985).
Shelemay
Pizmon. Syrian-Jewish Religious and Social Song
1985
30
American Folk Music and Folklore Recordings 1985. A Selected List. American Folklife Center, Library of Congress (Washington, DC, 1985).
American Folklife Center, Library of Congress
American Folk Music and Folklore Recordings 1985. A Selected List
1985
31
"Award for Excellence in Communications," Jewish Welfare Board Communica- tions Competition, 1988.
32
Daniel Sheehy, "A Few Notions about Philosophy and Strategy in Ethno- musicology," Ethnomusicology XXXVI (1992), 33210.2307/851866
332
Doris Dyen, "New Directions in Sacred Harp Singing," in Folk Music and Modern Sound, eds. William Ferris and Mary L. Hart [Jackson, MI, 1982], 73-79
Dyen
New Directions in Sacred Harp Singing
73
Folk Music and Modern Sound
1982
34
Barbara Barnard Smith, "Variability, Change, and the Learning of Music," Ethno- musicology XXXI (1987), 211.10.2307/851888
211
35
Smith, "Variability," 211.
211
36
Kay Kaufman Shelemay, Music, Ritual, and Falasha History (East Lansing, MI, 1989), xviii.
Shelemay
xviii
Music, Ritual, and Falasha History
1989
38
Charles Seeger, "Speech, Music, and Speech about Music," Studies in Musicol- ogy 1935-1975 (Berkeley, 1977), 16-30.
Seeger
Speech, Music, and Speech about Music
16
Studies in Musicology 1935-1975
1977
39
John Miller Chernoff's account (in African Rhythm and African Sensibility, [Chicago, 1979], 104)
Chernoff
104
African Rhythm and African Sensibility
1979
40
Paul Connerton (How Societies Remember, [Cambridge, 1989], 102)
Connerton
102
How Societies Remember
1989
41
Hood, "The Challenge of 'Bi-Musicality.'"
Alan Lomax and Joshua Berrett, "Introduc- tion," in Cowboy Songs and Other Frontier Ballads, ed. J. A. Lomax and Alan Lomax (New York, 1986), xi
Lomax
Introduction
xi
Cowboy Songs and Other Frontier Ballads
1986
Sheehy, "A Few Notions," 326
326
42
Bruno Nettl, "In Honor of Our Principal Teachers." Ethnomusicology XXVIII (1984), 173-8510.2307/850756
173
43
Charlotte J. Frisbie and David P. McAllester, eds., Navajo Blessingway Singer. The Autobiography of Frank Mitchell 1881-1967, (Tucson, 1978), 5.
Frisbie
5
The Autobiography of Frank Mitchell 1881-1967
1978
44
Frisbie and McAllester, Navajo Blessingway Singer, 5.
5
45
Frisbie and McAllester, Navajo Blessingway Singer, 8.
8
46
Sheehy, "A Few Notions," 329.
329
47
Jeff Todd Titon, "Music, the Public Interest, and the Practice of Ethno- musicology," Ethnomusicology XXXVI (1992), 316.10.2307/851865
316
49
Alan P. Merriam, The Anthropology of Music (Evanston, 1964), 25.
Merriam
25
The Anthropology of Music
1964
50
Helen Myers, "Fieldwork," in Ethnomusicology. An Introduction (New York, 1992), 31.
Myers
Fieldwork
31
Ethnomusicology. An Introduction
1992
51
Arjun Appadurai, "Global Ethnoscapes: Notes and Queries for a Transnational Anthropology," in Recapturing Anthropology. Working in the Present, ed. Richard G. Fox, (Santa Fe, 1991), 192.
Appadurai
Global Ethnoscapes: Notes and Queries for a Transnational Anthropology
192
Recapturing Anthropology. Working in the Present
1991
This content is only available via PDF.

Article PDF first page preview

Article PDF first page preview