The eleventh-century manuscript Oxford, Bodleian Library, MS Bodley 38 is celebrated for its remarkable monastic horologium, or star timetable, which uses the stars to determine the timing of the Night Office liturgy. Recent scholarship has confirmed the long-held supposition that it was created for the Abbey of Saint-Benoît-sur-Loire, also known as Fleury. This article considers the six items of liturgical chant and chant embellishments that were copied by the same scribe immediately before the star timetable, probably also for Fleury. These have never been properly identified, nor studied as a group. Their elaborate testimony reveals new insights in three areas of scholarly interest: musical and liturgical creativity in early medieval Fleury, cultural connections between Catalonia and the Loire, and the creation of the star timetable itself. Previous studies that focus on the timetable’s utility are here challenged by evidence that the monks preferred a different method of nocturnal timekeeping, and by the finding that Fleury’s elaborate Night Office chants aligned the worship of Saint Benedict with the discipline of watching the night sky.
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Spring 2025
Research Article|
April 01 2025
Per florida ad astra: Musical Insights into the Monastic Star Timetable (Oxford, MS Bodley 38) and the Cultural Life of Early Eleventh-Century Fleury Available to Purchase
Henry Parkes
Henry Parkes
Henry Parkes is Associate Professor of Music at the University of Nottingham. He is a specialist in the sacred music and liturgical practices of the medieval Christian West. Supported by a UK AHRC Fellowship, his current research project explores medieval cultures of singing and praying by night, ca. 900–1300.
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Journal of Musicology (2025) 42 (2): 185–223.
Citation
Henry Parkes; Per florida ad astra: Musical Insights into the Monastic Star Timetable (Oxford, MS Bodley 38) and the Cultural Life of Early Eleventh-Century Fleury. Journal of Musicology 1 April 2025; 42 (2): 185–223. doi: https://doi.org/10.1525/jm.2025.42.2.185
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