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2016
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Jonathan Hicks is a postdoctoral researcher on the European Research Council project, “Music in London, 1800–1851,” based at King’s College London. He is writing a book about music and mobility in early Victorian London, and has co-edited a volume of essays with Katherine Hambridge entitled The Melodramatic Moment, 1790–1820.
Michael Uy, BA (UC Berkeley), MPhil (Oxford), is a doctoral candidate at Harvard University. His research focuses on the Rockefeller Foundation, the Ford Foundation, and the National Endowment for the Arts, and their support of music programs. He is a founding member of the Hearing Landscape Critically network.
Carina Venter is a junior research fellow in music at Merton College, University of Oxford. Her doctoral thesis is entitled “Experiments in Postcolonial Reading: Music, Violence, Response.”
Jonathan Hicks, Michael Uy, Carina Venter; Introduction: Music and Landscape. Journal of Musicology 1 January 2016; 33 (1): 1–10. doi: https://doi.org/10.1525/jm.2016.33.1.1
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