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Journal Articles

Olin Downes and the Soviets

Kevin Bartig

Journal of the American Musicological Society (2024) 77 (3): 675–721.

https://doi.org/10.1525/jams.2024.77.3.675

Published: 01 December 2024

View article titled, Olin Downes and the Soviets

Journal Articles

Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)

Noel Torres-Rivera

Journal of the American Musicological Society (2024) 77 (3): 723–767.

https://doi.org/10.1525/jams.2024.77.3.723

Published: 01 December 2024

View article titled, Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)

Journal Articles

Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)

Elaine R. Fitz Gibbon

Journal of the American Musicological Society (2024) 77 (3): 769–822.

https://doi.org/10.1525/jams.2024.77.3.769

Published: 01 December 2024

View article titled, Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)

Journal Articles

Printing Music in Renaissance Rome , by Jane A. Bernstein

Benjamin Ory

Journal of the American Musicological Society (2024) 77 (3): 823–826.

https://doi.org/10.1525/jams.2024.77.3.823

Published: 01 December 2024

View article titled, Printing Music in Renaissance Rome , by Jane A. Bernstein

Journal Articles

Sounding Human: Music and Machines, 1740/2020 , by Deirdre Loughridge

Myungjin Oh

Journal of the American Musicological Society (2024) 77 (3): 826–829.

https://doi.org/10.1525/jams.2024.77.3.826

Published: 01 December 2024

View article titled, Sounding Human: Music and Machines, 1740/2020 , by Deirdre Loughridge

Journal Articles

She Played and Sang: Jane Austen and Music , by Gillian Dooley

Marian Wilson Kimber

Journal of the American Musicological Society (2024) 77 (3): 830–833.

https://doi.org/10.1525/jams.2024.77.3.830

Published: 01 December 2024

View article titled, She Played and Sang: Jane Austen and Music , by Gillian Dooley

Journal Articles

Sounding Latin Music, Hearing the Americas , by Jairo Moreno

Rachel Horner

Journal of the American Musicological Society (2024) 77 (3): 833–836.

https://doi.org/10.1525/jams.2024.77.3.833

Published: 01 December 2024

View article titled, Sounding Latin Music, Hearing the Americas , by Jairo Moreno

Journal Articles

Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music , by Annika Forkert and The Life and Music of Elizabeth Maconchy , by Erica Siegel

Aidan McGartland

Journal of the American Musicological Society (2024) 77 (3): 836–839.

https://doi.org/10.1525/jams.2024.77.3.836

Published: 01 December 2024

View article titled, Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music , by Annika Forkert and The Life and Music of Elizabeth Maconchy , by Erica Siegel

Journal Articles

From Modes to Keys in Early Modern Music Theory , by Michael R. Dodds

Charles Weaver

Journal of the American Musicological Society (2024) 77 (3): 840–843.

https://doi.org/10.1525/jams.2024.77.3.840

Published: 01 December 2024

View article titled, From Modes to Keys in Early Modern Music Theory , by Michael R. Dodds

Journal Articles

On African Music: Techniques, Influences, Scholarship , by Kofi Agawu

Martin Scherzinger

Journal of the American Musicological Society (2024) 77 (3): 843–848.

https://doi.org/10.1525/jams.2024.77.3.843

Published: 01 December 2024

View article titled, On African Music: Techniques, Influences, Scholarship , by Kofi Agawu

Journal Articles

Voice, Slavery, and Race in Seventeenth-Century Florence , by Emily Wilbourne

Ayana O. Smith

Journal of the American Musicological Society (2024) 77 (3): 848–852.

https://doi.org/10.1525/jams.2024.77.3.848

Published: 01 December 2024

View article titled, Voice, Slavery, and Race in Seventeenth-Century Florence , by Emily Wilbourne

Journal Articles

Digital Open-Access and Open Educational Resources for the Music History Classroom

Daniel Barolsky, Trudi Wright

Journal of the American Musicological Society (2024) 77 (3): 853–863.

https://doi.org/10.1525/jams.2024.77.3.853

Published: 01 December 2024

View article titled, Digital Open-Access and Open Educational Resources for the Music History Classroom

Journal Articles

Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.

Emiliano Ricciardi

Journal of the American Musicological Society (2024) 77 (3): 863–875.

https://doi.org/10.1525/jams.2024.77.3.863

Published: 01 December 2024

View article titled, Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.

Journal Articles

Contributors to This Issue

Journal of the American Musicological Society (2024) 77 (3): 876–878.

https://doi.org/10.1525/jams.2024.77.3.876

Published: 01 December 2024

View article titled, Contributors to This Issue

Journal Articles

Publications Received

Journal of the American Musicological Society (2024) 77 (3): 879–881.

https://doi.org/10.1525/jams.2024.77.3.879

Published: 01 December 2024

View article titled, Publications Received

Journal Articles

Author Submission Guidelines

Journal of the American Musicological Society (2024) 77 (3): 882–885.

https://doi.org/10.1525/jams.2024.77.3.882

Published: 01 December 2024

View article titled, Author Submission Guidelines

Journal Articles

Beyond Exceptionalism: The Washington Conservatory of Music and the Education of Black Classical Musicians, 1903–60

Louis K. Epstein, Maeve Nagel-Frazel

Journal of the American Musicological Society (2024) 77 (3): 623–673.

https://doi.org/10.1525/jams.2024.77.3.623

Published: 01 December 2024

View article titled, Beyond Exceptionalism: The Washington Conservatory of Music and the Education of Black Classical Musicians, 1903–60

Includes: Supplementary data

Journal Articles

Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation

Katherine M. Leo

Journal of the American Musicological Society (2024) 77 (2): 303–333.

https://doi.org/10.1525/jams.2024.77.2.303

Published: 01 August 2024

View article titled, Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation

Journal Articles

Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music

Nana Sharikadze, Maia Sigua, Peter J. Schmelz

Journal of the American Musicological Society (2024) 77 (2): 389–445.

https://doi.org/10.1525/jams.2024.77.2.389

Published: 01 August 2024

View article titled, Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music

Journal Articles

Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception , by Simon P. Keefe

Reuben Phillips

Journal of the American Musicological Society (2024) 77 (2): 579–582.

https://doi.org/10.1525/jams.2024.77.2.579

Published: 01 August 2024

View article titled, Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception , by Simon P. Keefe

NARROW

Olin Downes and the Soviets

Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)

Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)

Printing Music in Renaissance Rome , by Jane A. Bernstein

Sounding Human: Music and Machines, 1740/2020 , by Deirdre Loughridge

She Played and Sang: Jane Austen and Music , by Gillian Dooley

Sounding Latin Music, Hearing the Americas , by Jairo Moreno

Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music , by Annika Forkert and The Life and Music of Elizabeth Maconchy , by Erica Siegel

From Modes to Keys in Early Modern Music Theory , by Michael R. Dodds

On African Music: Techniques, Influences, Scholarship , by Kofi Agawu

Voice, Slavery, and Race in Seventeenth-Century Florence , by Emily Wilbourne

Digital Open-Access and Open Educational Resources for the Music History Classroom

Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.

Contributors to This Issue

Publications Received

Author Submission Guidelines

Beyond Exceptionalism: The Washington Conservatory of Music and the Education of Black Classical Musicians, 1903–60

Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation

Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music

Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception , by Simon P. Keefe

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