... critical influence of prior art as part of forensic musicological analysis on recent case outcomes presents an urgent need to open cross-disciplinary dialogue about methods of assessing musical originality and creativity, and ultimately, appraisals of music as intellectual property. © 2024...

..., and it helped to establish the modern music industry during the time in which Guido Adler began to define Musikwissenschaft (1885). Blacksound, as the performative and aesthetic complement to blackface, demonstrates how performance, (racial) identity, and (intellectual) property relations have been tethered...