1-20 of 91 Search Results for

terrorism

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Journal of the American Musicological Society (2013) 66 (3): 825–872.
Published: 01 December 2013
Journal Articles
Journal of the American Musicological Society (2002) 55 (3): 477–523.
Published: 01 December 2002
... philosophy of musical idealism. In this sense, the passage from terror to transcendence is not merely a common topos of prison scene plots; it is also a paradigm for composition, reception, and musico-dramatic meaning in early nineteenth-century opera. © 2002 by the American Musicological Society. All...
Journal Articles
Journal of the American Musicological Society (2019) 72 (3): 880–885.
Published: 01 December 2019
... Orchestra,” Bloechl shows how French instrumental writing grew both more violent and more dramatically potent over the course of the eighteenth century. In the works of Gluck, the opera orchestra might supplement or even sublimate the role of princely authority, symbolizing not only “the terrorizing force...
Journal Articles
Journal of the American Musicological Society (2019) 72 (3): 781–823.
Published: 01 December 2019
... . Paperback ed. New York : W. W. Norton , 1983 . Harris, Cheryl I. “Whiteness as Property.” Harvard Law Review 106 , no. 8 ( June 1993 ): 1707 – 91 . Hartman, Saidiya V. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America . New York : Oxford...
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 43–113.
Published: 01 April 2019
... of Firmin's emotions but all of Elsi's (carefree in the early morning, terror at being abducted) are reflected in the soundtrack, even if the singing voice is not synchronized with her onscreen image. Video Example 3 The abduction scene in Rapt , directed by Dimitri Kirsanoff (1934), from...
Journal Articles
Journal of the American Musicological Society (2018) 71 (3): 703–748.
Published: 01 December 2018
Journal Articles
Journal of the American Musicological Society (2017) 70 (1): 129–169.
Published: 01 April 2017
... suddenly asked, looking with deep surprise at his frantic companion. “Ah! So that's your plan at last!” 50 opera literature Russia Musorgsky politics terrorism Pushkin Musorgsky P retender Here is the fountain; hither will she come. I was not born a coward; I have seen Death near...
Journal Articles
Journal of the American Musicological Society (2018) 71 (2): 439–525.
Published: 01 August 2018
... conversation with Cage regarding audiences’ and critics’ misprision of his expressive intent: “ The Perilous Night suite … was concerned with ‘the loneliness and terror that comes to one when love becomes unhappy.’ To a good many listeners, though, the effect was rather different. When a critic wrote, for...
Journal Articles
Journal of the American Musicological Society (2018) 71 (1): 213–253.
Published: 01 April 2018
... sexual remarks to sexual touching to rape itself. A rape culture condones physical and emotional terrorism against women and presents it as the norm. 6 Ariadne was wandering distraught along the lonely wave-beaten shores of Naxos. Scarce had sleep departed from her...
Journal Articles
Journal of the American Musicological Society (2018) 71 (1): 75–108.
Published: 01 April 2018
Journal Articles
Journal of the American Musicological Society (2016) 69 (2): 409–476.
Published: 01 August 2016
Journal Articles
Journal of the American Musicological Society (2016) 69 (2): 355–408.
Published: 01 August 2016
Journal Articles
Journal of the American Musicological Society (2015) 68 (2): 317–374.
Published: 01 August 2015
... 1 . 149. The phrase “terrorisme musical” is taken from a review of Cherubini's Médée (1797), as noted in Noiray, “Pre-revolutionary Origins,” 294. For a more nuanced discussion of these musical traits in context, see Fend, “Literary Motifs, Musical Form,” and Hibberd, “Cherubini and the...
Journal Articles
Journal of the American Musicological Society (2015) 68 (1): 39–98.
Published: 01 April 2015
Journal Articles
Journal of the American Musicological Society (2013) 66 (3): 903–905.
Published: 01 December 2013
...: Music and the Circulation of Power (University of Chicago Press, 2009), which won the book prize from the Society for the Study of Early Modern Women, and a series of articles on the use of sound in detention and interrogation of during the twenty-first century s war on terror, for which she won the...
Journal Articles
Journal of the American Musicological Society (2013) 66 (1): 5–102.
Published: 01 April 2013
Journal Articles
Journal of the American Musicological Society (2012) 65 (3): 900–906.
Published: 01 December 2012
... Introduction. Paperback ed. Oxford and New York: Oxford University Press, 2012. xiii, 184 pp. Fisher, Joseph P., and Brian Flota, eds. The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror. Ashgate Popular and Folk Music Series. Farnham, UK, and Burlington, VT: Ashgate...
Journal Articles
Journal of the American Musicological Society (2012) 65 (1): 67–111.
Published: 01 April 2012
Journal Articles
Journal of the American Musicological Society (2011) 64 (3): 689–719.
Published: 01 December 2011
... we can assess the impact on our professional lives and research choices of such recent events as the War on Terror, the economic downturn in 2008, and the digital revolution. A sense of destabilization of living in a fundamentally different world, the dimensions and implications of which have yet...
Journal Articles
Journal of the American Musicological Society (2011) 64 (3): 527–600.
Published: 01 December 2011