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rondeau

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Messiaen,  <b>Rondeau</b> , mm. 8–10 (Paris: Leduc, 1943)   Example 7c. Messiaen, ...
Published: 01 December 2016
Example 7c Messiaen, Rondeau , mm. 8–10 (Paris: Leduc, 1943) Example 7c. Messiaen, Rondeau, mm. 8–10 (Paris: Leduc, 1943) More
Images
Messiaen,  <b>Rondeau</b> , mm. 30–32 (Paris: Leduc, 1943)   Example 9c. Messiaen,...
Published: 01 December 2016
Example 9c Messiaen, Rondeau , mm. 30–32 (Paris: Leduc, 1943) Example 9c. Messiaen, Rondeau, mm. 30–32 (Paris: Leduc, 1943) More
Journal Articles
Journal of the American Musicological Society (2019) 72 (2): 431–492.
Published: 01 August 2019
... for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, https://www.ucpress.edu/journals/reprints-permissions . 2019 quotation intertextuality compositional process motet rondeau refrain Medieval motets...
Journal Articles
Journal of the American Musicological Society (2020) 73 (1): 95–148.
Published: 01 April 2020
Journal Articles
Journal of the American Musicological Society (1989) 42 (1): 1–22.
Published: 01 April 1989
...Michael Long The author examines one of Josquin's earliest cantus firmus Masses, the Missa Di dadi, composed on a tenor drawn from Robert Morton's rondeau, N'aray je jamais mieulx que j'ay. Surviving only in Petrucci's third book of Josquin Masses, the work is distinguished by its use of pictures...
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 115–180.
Published: 01 April 2019
Journal Articles
Journal of the American Musicological Society (2017) 70 (2): 528–532.
Published: 01 August 2017
... musical composition is explicitly sent out into the world by its maker. And musical and textual self-description may be taken to such an extreme—as in Guillaume de Machaut's famous rondeau “Ma fin est mon commencement”—that a song almost becomes “animated” in a corporeal form. Furthermore, songs and...
Journal Articles
Journal of the American Musicological Society (2016) 69 (3): 699–791.
Published: 01 December 2016
...Example 7c Messiaen, Rondeau , mm. 8–10 (Paris: Leduc, 1943) Example 7c. Messiaen, Rondeau, mm. 8–10 (Paris: Leduc, 1943) ...
Journal Articles
Journal of the American Musicological Society (2016) 69 (2): 295–353.
Published: 01 August 2016
... – 24 . Ferreira, Manuel Pedro . “Rondeau and Virelai: The Music of Andalus and the Cantigas de Santa Maria.” Plainsong and Medieval Music 13 ( 2004 ): 127 – 40 . Ferreira, Manuel Pedro . “Some Remarks on the Cantigas.” Revista de musicología 10 ( 1987 ): 115 – 16 . Ferreira...
Journal Articles
Journal of the American Musicological Society (2015) 68 (2): 429–435.
Published: 01 August 2015
... evidence to argue conclusively that citation and allusion were central to the formes fixes , especially the rondeau and ballade, during the first three quarters of the fourteenth century. Despite the reference to Machaut in its title it treats many authors and texts that have thus far been regarded as...
Journal Articles
Journal of the American Musicological Society (2012) 65 (2): 597–603.
Published: 01 August 2012
... Ghizighem s rondeau De tous biens plaine (chap. 6), and the rondeau Comme femme desconfortée (chap. 7).6 Rothenberg relies on written labels at- tached by scribes to the quoted parts of sacred songs in masses and motets to provide a clear indication of a compositional intention that singers at least (and...
Journal Articles
Journal of the American Musicological Society (2012) 65 (3): 637–690.
Published: 01 December 2012
... rondeau Rose sans per in codex I-IVc 115 as an example, in Manu script Glorious Sounds for a Holy Warrior: New Light on Codex Turin J.II.9 649 Considered as a whole, the codex thus would have been an exceptional manuscript, extravagantly combining plainchant and mensural polyphony, sa- cred and secular...
Journal Articles
Journal of the American Musicological Society (2012) 65 (2): 603–607.
Published: 01 August 2012
...- tutes itself, this musical combination posits woman not as symptom of the man but as man, dissolving both subjectivity and gender in the glory of the resurgent one (pp. 182 83). This fits most aptly with the other rondeau cited in Josquin s piece, Ockeghem s D ung aultre amer, whose text praises a...
Journal Articles
Journal of the American Musicological Society (2012) 65 (2): 313–381.
Published: 01 August 2012
... rondeau Reposons nous, entre nous amoreux from Busnoys to Molinet (797) and the formally related but much more elaborate Je soloie estre ung remboureur de bas by Molinet (798 801). For a poem to Verjus (Jean Cornuel), see ibid., 781 94; to Compère, ibid., 779. On Compère and Molinet, see also Schavran...
Journal Articles
Journal of the American Musicological Society (2012) 65 (1): 5–65.
Published: 01 April 2012
Journal Articles
Journal of the American Musicological Society (2007) 60 (1): 187–193.
Published: 01 April 2007
.... Reviews 189 current interest stance.3 This debate is especially foregrounded by the contributions of Margaret Bent (an investigation of the Machaut Mass Gloria from the perspective of fourteenth-century theory, chap. 6) and Daniel Leech- Wilkinson (an analysis of the rondeau Rose, lis from the...
Journal Articles
Journal of the American Musicological Society (2006) 59 (3): 733–739.
Published: 01 December 2006
... on fourteenth-century music, particularly the compositions of Guillaume de Machaut. His method- ological focus has long tended to the analytical, from his notorious application of Schenkerian analytical methods to Machaut s rondeau Rose, lis, 1 through his excellent edition and study of Machaut s...
Journal Articles
Journal of the American Musicological Society (2006) 59 (2): 319–398.
Published: 01 August 2006
... surrounded her. Vidi speciosam (Responsory for the Feast of the Assumption of the Virgin) Rose, lily, springtime, greenery, Flower, balm, and sweetest fragrance, Lovely Lady, you surpass them all in sweetness. Guillaume de Machaut, Rose, liz (Rondeau 10) All therefore look with joy upon the resurgent...
Journal Articles
Journal of the American Musicological Society (2006) 59 (2): 243–317.
Published: 01 August 2006
Journal Articles
Journal of the American Musicological Society (2005) 58 (3): 704–710.
Published: 01 December 2005
... to Adam. Adam s rondeaux become the prototypes for the fixed-form rondeau by establishing a formula of identity between poetic and musical rhyme and a regular pattern of refrain repetition. Manuscripts help reify the new boundaries: the libellus of Adam de la Halle (Paris, Bibliothèque nationale de...