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refrain

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Verse and <b>refrain</b> vocals of the Carter Family&#x27;s 1938 recording of “You Are ...
Published: 01 August 2016
Example 8 Verse and refrain vocals of the Carter Family's 1938 recording of “You Are My Flower,” transcribed and with excerpt from Decca De 5692, 1938 (0:16–0:48) Example 8. Verse and refrain vocals of the Carter Family's 1938 recording of “You Are My Flower,” transcribed and with excerpt from More
Images
<b>Refrain</b> of “Le chaland qui passe,” by Cesare Andrea Bixio and André de Bade...
Published: 01 December 2015
Example 2 Refrain of “Le chaland qui passe,” by Cesare Andrea Bixio and André de Badet (Paris: Bourcier, 1932), with excerpt of recorded performance by Lys Gauty, from Ciné-stars: Le temps des drames , Orphée, 1993, track 4 (0:39–1:37). (In this recording the melody is sung in B major; the More
Journal Articles
Journal of the American Musicological Society (2019) 72 (2): 431–492.
Published: 01 August 2019
... liber organi were adopted in motets on account of their brevity and simplicity, characteristics that enabled their combination with upper-voice song forms and refrain quotations. Demonstrating a preference for short and simple tenors within the earliest layers of the motet repertoire, I trace the...
Journal Articles
Journal of the American Musicological Society (2017) 70 (3): 583–616.
Published: 01 December 2017
... liturgical tenor, the technique of contrafacture, the chanson pieuse , and the intertextual refrain repertory. The two motets constitute a medieval exploration of the boundary between seduction and rape, and the spiritual consequences of its transgression. Having placed the story told by the motets in the...
Journal Articles
Journal of the American Musicological Society (2019) 72 (3): 887–902.
Published: 01 December 2019
... results would also be useful: in particular, sorting the result set by date or author, in ascending or descending order. The most dreaded moment of any software development meeting is the point at which nonprogrammers excitedly start suggesting feature after feature, so I will refrain from any further...
Journal Articles
Journal of the American Musicological Society (2019) 72 (3): 781–823.
Published: 01 December 2019
... de heel” in the manner since so general among the many generations of his imitators; and these were the words of his refrain: “Wheel about, turn about,   Do jis so, An' ebery time I wheel about   I jump Jim Crow.” Rice closely watched this unconscious performer, and recognized in him a...
Journal Articles
Journal of the American Musicological Society (2019) 72 (3): 665–718.
Published: 01 December 2019
... nauseam that [Reinhardt] was born a musician, and for many this explanation suffices: after all, do not Tsiganes have music “in the blood”? As blacks have rhythm? … We know the refrain of this oblivious racism that attributes to heredity what it denies to the intellect: one is born a Tsigane musician as...
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 115–180.
Published: 01 April 2019
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 306–307.
Published: 01 April 2019
... the Victor TalkingMachine Company through Latin America in the era of the acoustic phonograph. JENNIFER SALTZSTEIN is Associate Professor of Musicology at the University of Oklahoma. She is author of The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry (D. S. Brewer, 2013...
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 251–255.
Published: 01 April 2019
... referring to dancing or opera would be complemented with an instrumental rendition of a dance tune or well-known aria; when a specific song or hymn was mentioned in a poem, a reciter might sing or speak the refrain, often in place of the poem's musical reference. Music simultaneously established mood...
Journal Articles
Journal of the American Musicological Society (2019) 72 (1): 181–243.
Published: 01 April 2019
... dimension of space to this representational nexus, sharpening the audience's sense of motion in preparation for one further transformation. Resounding at what seems to be the very bottom of her vocal range, Stancil completes the refrain's final phrase, “I give you praise,” jumping from A2 to D3, which we...
Journal Articles
Journal of the American Musicological Society (2018) 71 (3): 655–701.
Published: 01 December 2018
Journal Articles
Journal of the American Musicological Society (2018) 71 (2): 589–592.
Published: 01 August 2018
... . Refiguring American Music. Durham, NC : Duke University Press , 2018 . ix, 241 pp. Gallope, Michael . Deep Refrains: Music, Philosophy, and the Ineffable . Chicago : University of Chicago Press , 2017 . ix, 337 pp. Gengaro, Christine Lee . Experiencing Chopin: A Listener's Companion . The...
Journal Articles
Journal of the American Musicological Society (2018) 71 (2): 371–438.
Published: 01 August 2018
... Propaganda-Abende. Members were permitted to invite guests to these performances, but guests, like members, were to refrain from publishing reviews; see “Verein für musikalische Privataufführungen in Wien: Mitteilungen Nr. 8 (4 May 1919),” Arnold Schönberg Center Image Archive, resource ID 4967, accessed...
Journal Articles
Journal of the American Musicological Society (2018) 71 (2): 439–525.
Published: 01 August 2018
Journal Articles
Journal of the American Musicological Society (2018) 71 (1): 155–211.
Published: 01 April 2018
Journal Articles
Journal of the American Musicological Society (2018) 71 (1): 109–154.
Published: 01 April 2018
Journal Articles
Journal of the American Musicological Society (2017) 70 (3): 878–880.
Published: 01 December 2017
... Music and Social Justice from the University of Michigan Press. MICHAEL GALLOPE is Assistant Professor in the Department of Cultural Studies and Comparative Literature at the University of Minnesota. He is the author of Deep Refrains: Music, Philosophy, and the Ineffable (University of Chicago Press...
Journal Articles
Journal of the American Musicological Society (2017) 70 (3): 697–765.
Published: 01 December 2017
Journal Articles
Journal of the American Musicological Society (2017) 70 (3): 767–817.
Published: 01 December 2017